100424

Oct. 4th, 2024 03:33 pm
prismaticbleed: (worried)

✳The REASON why we "DON'T WANT/ LIKE" CERTAIN FOODS/ SNACKS IS BECAUSE NO ONE IN THE SYSTEM RESONATES WITH IT (YET)!!! THIS IS ALSO WHY WE "CAN'T GET DATA"/ "UNDERSTAND" THE SENSORY INPUT!! And it WON'T change UNTIL WE HAVE CENTRALITES FOR THE FULL SPECTRUM AGAIN, SO WE CAN "CLARIFY/ COMPREHEND" THAT COLOR VIBE/ RESONANCE, GET FUNCTIONAL FONI IN THAT COLOR, & APPLY THAT TO EXTERNAL SITUATIONS!!! WE CAN'T "GET" BLUE/ YELLOW/ GREEN FOOD DATA RIGHT, OR PROPERLY WANT/ LIKE IT, UNTIL AND UNLESS A NOUSFONI "MATCHES" IT!!!

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✳ YOU CAN'T SHAME YOURSELF INTO POSITIVE CHANGE!!!

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✳ WHAT ROLE/ FUNCTION/ PURPOSE DOES WEIGHT GAIN/ EATING SO BLOODY MUCH ACTUALLY HAVE IN MY RECOVERY???
(It's RESTORING NUTRITION/ LOST BODY MATTER)

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✳GROUP POINTS =
● FORGIVE MYSELF; "PROJECTING" ANGER AT INJUSTICE INWARDS?
● WON'T LET SELF FEEL EMOTIONS; "FAKE"/ "UNTRUSTWORTHY"
PREVENTING TRAUMA PROCESSING!! (DEPERSONALIZED)
★ HAVEN'T COME TO TERMS WITH INFI DYING
● "ALWAYS ANGRY, SAD IS SHAMEFUL, HAPPINESS IS SINFUL (LUXURY/ EGO)
● TREAT SELF WITH COMPASSION, PATIENCE; HEALING TAKES TIME
● RECOVERY ISN'T LINEAR/ PREDICTABLE/ "AS WE EXPECT"
● RECOVERY IS NOT JUST "DOING WHAT YOU'RE TOLD / GOING THROUGH THE MOTIONS" = YOU MUST WORK AT & FOR YOUR RECOVERY "FOR YOUR OWN SAKE"; DO IT FOR LOVE OF YOU!!! HEAL BECAUSE YOU WANT TO & GENUINELY BELIEVE THAT YOU ARE WORTHY OF JOY & LIFE!!!
↑ WHY? BECAUSE GOD THINKS THAT ABOUT YOU!!! ♥ (LOVE IS ALWAYS HOLY! RESISTING THAT LOVE & CARE IS HELL)



070923

Jul. 9th, 2023 07:13 pm
prismaticbleed: https://www.deviantart.com/teacosies/art/celebi-420071633 (tears)
 
Little heartspace event last night: walking in snow with Barry, Mimic, Phlegmoni, Scalpel, and almost Galadia (she was late). Biblically accurate snow angels joke
Hearing them TALK. Phleg's voice so unclear, Barry's clear as a bell, MIMIC clear too??? Shocked me. His exact tone apparent.
Remember looking at Scalpel's face, echoes of Javier; afraid of retroactive blurring

Infinitii is my "THORN" to teach me HUMILITY & MERCY!! (READ THAT BOOK!!!)
THIS is the TRUE function of Daengels; their species MAY need a name change to reference this

So much pain. Wondering if its how we sleep.
Constant nightmares now btw. Ghadius give me a break. Ironically this is making me miss Ventrium again. So strange how we get hit by "intangible grief"; the emotions are cut off from the knowledge of great loss, but their absence is conspicuous.
Nightmares about rape, vomiting, forcefeeding, bathrooms, slavery, medical experimentation, homelessness, dehumanization in general. Why.

...

Fibromyalgia SO BAD at church.
We didn't realize how many weird symptoms this had until we looked it up last night; it explained a LOT.
Apparently thermoregulation problems are a thing. Same with the brain fog, intense fatigue & achy joints, PAINFUL light touches, hypersensitivity to smells & sounds, and muscle spasms. YEAH, THAT'S ALL FIBRO.

Got so dark outside the windows were nearly black
SOAKED haha. Had to walk through a veritable river to get to my car, up to our ankles
Drenched by the time we got home; Took this as divine permission to do laundry

Barry & Mimic are officially bros at this point, even if Mimic is still constantly annoyed by Barry's amusingly airheaded antics. I can feel/see the shift though; it's become a benign begrudgement, haha.

Scalpel trying to be more calm about the spicing. Paying attention we noticed an "INDISCRIMINATE" lotophagoi girl is responsible?? Like she's not tied to any specific food, but to the motivation of "we have to add more" or "it's not enough"??? Anxiety drive but weirdly "blurry eyed," like she's depersonalized? Trauma compulsion feeling. DIFFERENT from the girl saying "we have to finish this," "we can't put that back" etc. Her motive is INTENSE ANXIETY bordering on panic, and she's wide awake. Spicing girl feels almost sedated, or otherwise high. Hmmm.

Knife hit by anger when half-fronting & talking to Laurie; social dialogue programming kept getting shoved at him.
He said the anger is a result of social interference; its a LOSS OF SELF.
Leon felt this too, straight-up backed way off from the front because the front was trying to "redefine him," which notably was ALSO pushing him BLUE!!!
Laurie said we need someone in the blue slot so that Leon can't get shoved into it? It won't be "vacant." Waldorf asked why didn't she count? Laurie said she felt SAPPHIRE?? But a MIDslot, like Vermilion? Would make sense if her true role is to be that bridge.

...

Mom phone call, might have to pick up jade at 10pm
Triggered compulsive complainer social. WHY.  Why do we have to be dramatic about everything? Why can't we just say "oh yeah, sure, I'll do it!" because that's what we ACTUALLY want to say! But no, these automated & unwilling complaints happen instead. WHY.

Callback, don't have to go. But suppressing inexplicable tears & complaining AGAIN because we had literally just sat down to eat when the phone rang again, almost exactly an hour after the first one.
We're wrecked. We're so exhausted. It feels like there are no breaks, no rests, ever. We're so tired we can barely think.
Oh well. At least all the extra chores & errands are done for today. Everything left is either routine cleanup or prayer. That'll still take about 90m minimum, and we need to sleep tonight or tomorrow's busy schedule will wreck us even further.
God if we don't do this as a System we'll die. Please. Help us to live as US.

VoTD is ROMANS 8:18 SON!!!

"SEASONS" are "TIMES OF SOWING & REAPING"!!

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Saint Augustine is killing me:

"Do not think that thou art drawn unwillingly: the mind is drawn also by love... it is too small a thing to be drawn by the will, thou art drawn by love also..."
"It is not necessity, but love which draws. It is not obligation, but delight. With how much greater force ought we to say that man is drawn to Christ who delights in the truth, who delights in blessedness, in justice, who delights in life everlasting, which is altogether Christ."
"Show me a lover; he feels what I say. Show me one who desires, who is hungry, one who wanders in the wilderness, and is thirsty, who sighs for the fountains of the eternal country; show me such a one, he knows what I say. But if I speak to one whose heart is cold, he knows not what I say."
"He said not, He will lead, but He will draw. That violence is done not to the flesh, but to the heart. Wherefore then dost thou marvel? Believe, and thou comest; love, and thou art drawn. Do not suppose that violence is rough and troublesome: it is sweet and pleasant, the very sweetness draws thee. Is not a hungry sheep drawn to the green grass? And I think it is not impelled by the body, but drawn by desire. So also do thou come to Christ; do not contemplate a long journey. Where thou believest, thither thou comest. For to Him who is everywhere, we come by loving, not by journeying."

SERIOUSLY.
That is a STRAIGHT SHOT at not just me but ALSO LAURIE & INFI.

Lapide similarly, on the vital concepts of "holy violence" and "drawn by love" both:
"The drawing then of God signifies the force and efficacy of grace. This drawing is sweet and mild, not compelling the free-will, but alluring, soothing, leading it to believe. It also signifies man’s weakness, and vicious desires, which are repugnant to Christian faith and holiness, so that a man needs not so much to be led as dragged by the vehement impulse of God’s grace to Christian faith and virtue This is what Christ saith (Matt. xi. 12), “The kingdom of Heaven suffereth violence, and the violent seize it.” For the drunkard ought to do violence to his gullet, the unclean to his lust, the avaricious to his avarice, the ambitious man to his ambition."



red vatican

Sep. 3rd, 2021 02:17 pm
prismaticbleed: (angel)
 
 
  

Red Lights : Vatican
France-based photographer Aishy shares shots of The Basilica di San Pietro, in the heart of the Vatican, under a new glance, a new light.

 

Divine Mercy hues. 🩸❤💙💧
We are washed by the water, we are saved by the Blood.

This red light also reminds us that the very Heart of God is present here, in the heart of the Vatican, in every celebration of the Eucharist. The blue of Divinity marries the red of Humanity in perfect love. It is a profound, gorgeous, terrible mystery, that God Himself can and is touched and felt and shared and seen here. The beauty of these photographs is a shockingly dim reflection of that greater joy. Be grateful, be humble, be joyful at that. We are incomprehensibly blessed.



CALYREX

Jul. 22nd, 2021 08:36 am
prismaticbleed: (Default)

Time to figure out my buddy CALYREX!!

Basic= GALAR region= gallant, gala, GALAHAD (King Arthur), HOLY GRAIL (ALL CHALICE INFO RELEVANT), & disease (Gaelic)

Dynamax curse= PAPILLOMAVIRUS HORNS!!!
✱ Based on UK, notably WALES, SCOTLAND, & the ISLE OF MAN. (+London, Bath, Liverpool, etc.)

✱ He is a WOLPERTINGER: a rabbit-deer. "General rule" is JAY WINGS, ROEBUCK ANTLERS, COTTON OR PHEASANT TAILS, & SABER FANGS. (fusion) (+duck feet?) "CHIMERICAL"?? They are very shy & live in dark Bavarian forests (conifers, rolling mountains, MASSIVE.) They have a weakness for female beauty and, like unicorns, can only be caught by a beautiful young woman-- ideally at night, on a full moon, in a secluded nook. "They... fall in love with human females."
✱ ARCTIC ones are "snow hare, polar fox, reindeer, & snow owl" fusions, "beautiful & deadly"
✱ Related to JACKALOPES? Shy unless approached, then deadly. POISON BITE? Can imitate the human voice!
✱ Wolpertingers are a GLOBAL phenomenon. "One must be drunk to see them"? Partial to drink (whiskey), too.
✱ "Warrior rabbits"! ALSO, HORNED RABBITS go way back, to Persia, Medieval manuscripts, etc.
✱ KAUYUMARI? "Blue deer" deity; seems to fit "life-bringer" "harrower of hell" tropes?? Antlers from RABBIT? ALSO ties to LIVE-GIVING BLOOD? (CHALICE! PLUS Kauyumari is tied to WATER?? ) + "Overwhelming perception" with which he "secures life" = the "divine essence in all things". = "NIERIKA": portal that CONNECTS THE (3) WORLDS = a mirror, holes carved in stone, EYE OF GOD, FACE OF DIVINE = most notably all refer to PEYOTE, "the visionary sacrament through which they can be in contact with the realm of the sacred" = "The intimate relationship between [plants & humans], evidenced by certain plants producing substances that can influence the depths of human mind & spirit" & "the wonderful/ dreadful effects prove their religious importance & the sacred respect they are due" effectively. Psychoactive plants have SACRAMENTAL purposes, + medicine! There are many, but we're focusing on PEYOTE: it is American (jackalopes) AND it blooms as a CACTUS, reminiscent in shape with Calyrex's head & notable as such.
✱ PRAYER BOWLS (chalices) & WHITE FLOWERS (life) tied to HOLY WORDS-- kept in a basket ("hamper" = "hanepier" = case for holding a CUP = "hanap" CHALICE) (But ALSO in medicine, "hanepier" = SKULL or HELMET) held by his ANTLERS, & received BY THE HEART. Again, there's a lot, & I don't need it all, nor do I want to appropriate it-- we're just looking for relevance to Calyrex, and, always, for reference to CHRIST.
✱ On that note! "Blue Deer was created to give life to the votive offerings (to God?), so he is connected to the PRAYER BOWL, full of fresh water (the nierika = portal to sacred = BAPTISM??) & given to "OUR MOTHER OF THE SEA" (STELLA MARIS + OCEAN OF DIVINE MERCY), as his BLOOD gives LIFE to the prayer bowls"!! OBVIOUS EUCHARISTIC CHALICE. Also notable, "Blue Deer offers his blood in sacrifice to nurture & grow the CORN" = staple crop = wheat/ bread of life = EUCHARIST again!!
✱ LASTLY there is a SHEEP, "its blood was the first shed to allow Kauyumari's words to rest (in the heart?); in its head is a plumed ARROW, attracting his words & embodying the Spirit of the sacrificed lamb." CHRIST = SACRIFICIAL LAMB = WORD OF GOD = HOLY SPIRIT = ARROWS OF LOVE/ REPARATION FOR BLASPHEMY = FREE WILL (in the head) + RATIONAL SACRIFICE, etc. Very rich in Christ symbolism, unsurprisingly!
✱ Another notable paraphrased myth of BLUE DEER is that he first appeared to a group of starving youths, all glorious & fat, so as they chased him in hunger he pitied them & instead led them to PEYOTE-- it SATIATED THEIR PHYSICAL & SPIRITUAL HUNGER & THIRST, despite intense famine, AND it was also MEDICINE for healing their diseases of malnourishment & poverty! (EUCHARIST) It was, all in one, "rain, food, & health"-- BOTH "deer & corn," essentially both BLOOD & BREAD (EUCHARIST). But the packaged significance & parallels of all this being in a SACRED CACTUS PLANT is notable, ALSO to Christ Jesus, Who was a desert flower of abundance & health blooming in the Palestine deserts & the dry starving hearts of unbelieving men. "Christ is the Vine," yes, but He's also the APPLE TREE... which is our next point!
✱ But first, PEONIES. Calyrex's head bud looks JUST like a peony bud, just white. They are often called the "KING OF FLOWERS"? In China, it symbolizes royalty, wealth, honor, bravery, & integrity-- but also it was exchanged upon farewells as a GIFT OF LOVE.
✱ In Japanese tattoos, peonies are associated with a novel in which 108 men/women were "banished to the hills by the feudal government" & banded together to "ferociously" foil their oppressors-- they were the "Outlaws of the Marsh" & were covered in tattoos, often peonies. Also titled "ALL MEN ARE BROTHERS." It's not really relevant, except for the possible idea of heroic rebellion against unjust power & invaders.
✱ Peonies also mean COMPASSION, purity, lifelong commitment, joy, & MARRIAGE? They live long!
✱ BTW, peony = heal; Calyrex MENDS HEARTS!!
✱ Peonies don't like to be moved or divided, need to mature for years before blooming, cannot have too deep roots, & need support to hold their weight. All that can & should be expanded symbolically IN RESPECT TO CALYREX-- also taking into account his BUD STATE.
✱ In winter, the foliage dies back BUT the CROWN & ROOTS survive (Calyrex silhouette??) They need drained soil & full sun or they ROT. Also "if they don't go dormant in winter, they will flower poorly the next year." Cutting down to ONE bud will boost its size.
✱ Flower lack is caused by no sun, overcrowding/ competition, disease, or "PLANTING CROWNS TOO DEEPLY."
✱ Peonies, though, thrive in cooler, dry places with lots of sun. They are NATIVE TO ASIA.
✱ ETYMOLOGY = "Paeon," Greek student of "god of medicine" Aesculapius; teacher got jealous & Zeus saved Paeon by making him a flower. Paeon is considered the "physician of the gods", HEALING ALL THEIR BATTLE WOUNDS. That's CANON! It also pings for King Arthur again, with the Grail (chalice), but we'll get there.
✱ The name "Paieon" ALSO was used for ANY "god" who was a "deliverer from any evil or calamity," even sorrow & pain. Again, CANON. Paradoxically, "paiein" means TO STRIKE, giving "destroyer" vibes, & so "Paean" would both heal & avert evils AND go to battle to strike AT those evils. Hymns & warsongs both. PROMPT.
✱ Paieon healed with HERBS (hello Peyote) & "knew the remedies for all things"; the "healer of pain."
✱ HE WAS SAID TO "HAVE NO PART IN DESIRE; HE IS ALIEN TO THE EROTES" = CHASTITY!!
✱ TONS of references to plants as medicine.
✱ Paeon used the PEONY ROOT (liquid) to CURE HADES??? It was a POISON ARROW TO THE SHOULDER. (See Blue Deer!!) BTW HADES ≠ HELL.
✱ Deer were an ancient STAPLE FOOD & were frequently seen as MESSENGERS OF GOD (angels!!)-- Calyrex has a notably wing-shaped cape!
✱ WARRIOR RABBITS, too-- they fight with their horns.
✱ CALYREX IS NOT A SKVADER; he also DOESN'T HAVE ACTUAL HORNS-- he has ears split into FOUR, which act like sepals. His bud is TRANSLUCENT when light hits it in official art??
✱ His cape ONLY becomes frilly & winglike ON HIS HORSE-- more Apocalypse angel vibes = White: CONQUEST (IN CHRIST??) & BLACK: FAMINE, in stark contrast to his title as the "King of Bountiful Harvests"-- although, on Spectrier, it is said they "ran all over Galar to BRING GREEN TO THE WASTELANDS." This is so notable-- Calyrex can both cause plants to "spring forth" and can MEND HEARTS!! So despite Spectrier's ghostly tendency to drain life & herald famine, Calyrex HEALS it and TRANSMUTES the presence of famine into a herald of MIRACULOUS ABUNDANCE.
✱ LIKEWISE, Glastrier-- a forceful, brutal, arrogant conqueror-- has its heart MELTED in a sense BY CALYREX, who uses its power for good in serving/ saving the weak, AND by uniting raw "justice" (in war) to MERCY, as Calyrex HEALED HIS ENEMIES WOUNDS after battle (PAEON)!!!
✱ BUT YOU NEED THE REINS OF UNITY. Without this BOND of LOVE (the horses are called "beloved" & "faithful" by Calyrex), THERE IS NO LOVING TRANSMUTATION. "Make all thoughts captive to Christ & obedient to Him!" Christ is the TRUE KING, Who alone bestows kingly authority on earth, AND charges all kings to justly IMITATE HIS EXAMPLE of mercy, humility, love, & service. "The greatest must be a servant," etc.
✱ The reins ALLOW those they unite TO communicate with each other (love surmounts ALL obstacles), enhance Calyrex's power "over bountiful harvests" (blessings of abundance TO FEED THE HUNGRY & GIVE LIFE), "unite him TO his beloved steed," AND were GIVEN TO CALYREX BY THE PEOPLE!!!
✱ They CREATE it by fusing a lock of hair (black or white) from either steed WITH a beautiful, Radiant BLUE Petal Calyrex gives YOU from HIMSELF. The horsehair can only be obtained by DEFEATING them-- a humbling act-- and when fused with the petal, they BECOME the reins, now luminous blue (seen in card art quite strikingly). Like this, they are "AS ONE"-- a paradox, but a blessed one-- it shows, literally, how unity via self-giving love & its resultant communication-- unity with CHRIST, the Life-giver & King-- can REDEEM & SANCTIFY ANYONE, no matter how troubled & lost. Calyrex TAMED him & now, instead of selfish rage & pride, he is loyal & uses his power for THE GOOD OF THE SAME PEOPLE HE USED TO TERRORIZE-- notably, by "ravaging & raiding" ALL OF THEIR FOOD, especially the CARROTS! THAT is when the Reins of Unity were forged: in gratitude, AFTER Spectrier & Glastrier had been HUMBLED and now SERVED in loyal LOVE. Their hearts had to BE bondable first!
✱ THEIR INITIAL FUSION CREATED A BOUNTIFUL FOREST IN THE WASTE (FAMINE & DEATH DEFEATED)!!! THEN they traveled & spread green life & food; again, an apostolate effect of sorts.
✱ The PEOPLE built the CROWN SHRINE for them to live in-- a GORGEOUS monastery-esque structure with STAINED GLASS even. BUT!!!! WHEN THE PEOPLE GOT COMPLACENT & LOST FAITH & GRATITUDE, CALYREX LOST HIS POWER TO DO GOOD for them, the Reins of Unity BROKE, and they faded into legend. (BTW Crown = King = CHRIST)
✱ CALYREX CAN SEE ALL OF TIME??? "KNOWN" events specifically?? So there's NOT omniscience, but WISDOM & CLARITY & KNOWLEDGE. Holy Spirit gifts, really.
✱ Yearly, Calyrex brought food & vegetation to the people = his LEFT hand for fruit, his RIGHT for verdant blooms & grass.
✱ Assumedly prior to all this, Calyrex was FOUND INJURED in the Crown Tundra DURING A TIME WHEN IT WAS BARREN & INHOSPITABLE. Calyrex just APPEARED during a bleak winter, "regal yet wounded & weak" (Christlike), so the people were MOVED TO PITY, took him into their village, and nursed him back to health!! (Loving service) Once healed, Calyrex "emitted a dazzling BLUE (heavenly) light" that turned the tundra into lush plains. The people then thrived DESPITE the frigid & barren region BECAUSE CALYREX SUSTAINED THEM WITH HIS CONSTANT BLESSING. The people now considered him their KING, perhaps because his life-nurturing power already did hold a sort of honorable rule over them, in gratitude & goodness (you WANT to serve such a gentle & loving King).
✱ CALYREX ALSO PERSONALLY PROMISED to tame Glastrier/ Spectrier, a "ruffian" & rebel, and soon enough he was "BENDING HIS KNEES" to Calyrex in CONVERSION & LOYALTY (lost sheep/ prodigal son?)! THAT'S when the people made the Reins of Unity FOR them, so Calyrex could "command him with ease."
✱ I find that detail SO notable-- Calyrex DIDN'T & perhaps COULDN'T make the reins; he didn't demand Glas/Spec's loyalty so "hard." BUT the bonds were forged BY THOSE THEY SERVED, not as a control device, but as a SIGN OF GRATITUDE, and even a SYMBOL OF FRIENDSHIP, as the reins REQUIRE a GIFT OF SELF from BOTH parties, which the people only UNITE for a new purpose of closer unity-- more loyalty & ease of obedience THROUGH self-giving relationship, NOT control or force, just GUIDANCE (easy yoke)! AND IT HAD TO BE REMADE YEARLY. Their relationship & commitment NEEDED that regular, true rededication & renewal... BUT. IT ALSO BANKED ON THE FAITH & GRATITUDE OF THE PEOPLE THEY SERVED. Without their love, Calyrex & Glas/Spec's bond would weaken & break-- pride & arrogance would again replace Glas/Spec's humility, angry as he would be with their lax hearts, & Calyrex would lose his ability to do them good as their hearts would slowly but surely turn cold towards him as their faith & love waned.
✱ Glas/Spec LEFT Calyrex then, as they had no power or purpose, & thus no reason to stay united. Glas/Spec went to the Crown Shrine & Calyrex disappeared?-- a show of arrogant taunting vs meek humility, it seems.
✱ The Crown Shrine was built AROUND a "sacred sapling"? No origin given. Perhaps it was the first green thing Calyrex brought forth. But the Shrine/ Temple, like a Church, was built TO GIVE CALYREX A "WORTHY HOME." You can't ignore the Catholic architecture here... nor the fact that, when they LOST faith, CALYREX (the gentle king of life) LEFT IT, & GLAS/SPEC (rebel of pride & destruction) TOOK OVER. It was heavily symbolic of the state of the people's hearts: who & what they were REALLY worshipping in their forgetfulness of LOVE & the King that loved them (Christ parallels). The barrenness in their hearts brought the same fate to their land, & they began to starve & freeze again, without the warmth & nourishment that grateful faith & love ALLOWED to enter & change their lives!
✱ There's a WEIRD myth post-Calyrex that claims he would "steal the body of those who misbehaved," which strikes me as a GROSS MISUNDERSTANDING of the nature of his bond/union with Glas/Spec. Their fusion was NOT a "stealing of one" BUT a "sharing of TWO." Their bodies remained INDIVIDUAL, BUT now operated AS ONE, in a sync born NOT of force, power, or control, but of HUMBLE, LOYAL, GRATEFUL, FRIENDLY LOVE. It's a COOPERATION for a GREATER GOOD & PURPOSE THROUGH self-giving & self-sacrifice to the point of achieving a FULLER self, FOR OTHERS' SAKE. Also, the specific mention of "misbehaving" also reveals their fear (therefore NO "perfect love") of justice & inability to grasp BOTH mercy AND conversion??? Because Glas/Spec REALLY misbehaved, BUT he never lost his body-- actually, EVEN IF HE DIED & SPLIT IN TWO, HIS BODY WAS NOT LOST TO DEATH?? Big Christ/ resurrection vibes; "if you life IN ME and I IN YOU, YOU WILL NEVER DIE." But the people couldn't grasp the SHARING & SELF-SURRENDER/ GIVING for the sake of cooperative love & SERVICE!!! Yes they worshipped Calyrex, yes they had faith, BUT was it only "because he multiplied the loaves"?? Was their devotion corrupted by becoming complacent in abundance, forgetting the utter famine he saved them from? Did they forget the tender compassion they showed him, which he reciprocated a thousandfold-- OR did they decide he OWED them, forgetting pure charity?? Either way, they could no longer even conceptualize the truth of Calyrex's actions; their lax hearts were blinded now. They forgot his face, & now could only mourn that vague yet keen loss of a King who once loved them so, & gave them riches untold without cost-- "come, all you who hunger, and dine without cost"-- recognizing their hopeless & powerless need. BUT THAT'S THE DOOR, THAT HUMILITY & CONTRITION & SEEKING, however feeble. Deep down they could still taste the heaven of mutual charity & I think they hungered for THAT even more than food. All they had now were fables, which kept their faith from totally dying thanks to HOPE-- an abandoned BUT extant church, testifying to a greater yet forgotten purpose AND the King for whom it was built (a King who COULD NOT MOVE BACK IN until/ unless they STOPPED WORSHIPPING IDOLS. so to speak)-- and a poor yet sincere effort at a statue, a sign of repentance and affection, an apology & a consolation all in one-- the King couldn't have been a mere myth, to hold such a place in their hearts, and that statue was a reminder of & hope for his literal presence to return & take its rightful place again.
✱ BUT THIS is the BEST part-- if the Crown Tundra people were prodigal children, then Calyrex was ABSOLUTELY the father. He NEVER LEFT! He is seen WATCHING OVER THEM, assumedly heartbroken & yearning too, POWERLESS to help WITHOUT FAITH, HUMILITY, LOVE, and REPENTANCE. Their doors AND hearts had to be UNLOCKED & OPEN for him to come back in & reign there... just like Glas/Spec, who would have to do the SAME now in the present. We'll get to that!
✱ BTW, CALYREX & GLAS/SPEC'S INITIAL FUSION WAS OF THEIR OWN HEARTS!! The reins, made by the people, were only a symbol OF the people, & only STRENGTHENED their unity BY GIVING IT A DIRECTION OF PURPOSE!!! It's not a chain, but a BOND. I can't emphasize that enough. It's becoming a SLAVE OF LOVE, a HUMBLE SERVANT, under a HUMBLE MASTER... Christ, His friends, & His people. I ALSO reiterate: The reins ALLOW the connected TO communicate with each other! They heighten their relationship from simple cooperation to DEVOTION. "I no longer call you servants but FRIENDS." This bond UNITES THEM AS BELOVED (!!!) and thus boosts Calyrex's ability to flourish life AND FOOD; again, Eucharistic vibes, as it is a SACRAMENTAL BOND, a COMMUNION, and LIFE-GIVING FOOD, THAT UNITES YOU TO THE WHOLE BODY OF CHRIST, His CHURCH-- the Temple of which HE is the Crown, the Head-- for the sake of LOVING SERVICE in FEEDING HIS SHEEP in the cold-hearted, desolate wastes of the devil's destructive attacks on the world. Calyrex, imitating Christ, is RESTORING Creation to its INTENDED state of nourishing life & love & giving & sharing! Food is grown AS A HARVEST not to be hoarded or gobbled, but to FEED THE HUNGRY, and to rejoice in CHRIST'S ABUNDANT LOVE, with "plenty of wicker baskets left over."
✱ THE CARROT SEEDS. "To plant IN A FIELD (parable of the sower!!!); the kind of carrot is determined by WHICH field you plant the seeds in." There are only TWO fertile grounds available... the SNOWY VALLEY (slope) and the OLD CEMETERY. Calyrex, imitating Christ IN HIS LOVE FOR THE LOST, is bringing food-- nourishment AND communion, a deeply natural act of love-- OUT OF BARRENNESS. Without cooperative love & care & concern, NOTHING would grow! You humbly buy the Seeds from an old farmer, it's so simple & pure. NORMAL carrot seeds, purchased from an old man who is STILL growing vegetables to feed his people, despite the cold & hard ground, sells YOU seeds so YOU can feed others too... and YOU'RE only buying them FOR a friend in need. It's all charity, simple as food & friendship.
✱ Carrots are hardy ROOT vegetables that can withstand tougher climates; they are actually TAPROOTS, reservoirs of nutrition for the plant, which are designed to dig DEEPLY into the soil to REACH WATER & SURVIVE DROUGHT. They are difficult to remove & are SINGULAR in purpose, not a tangled mes, and you CANNOT DIVIDE IT & have it still grow WITHOUT THE CROWN & ROOT IN EACH PART!!! "I am the Vine," etc., but ALSO Christ is our CROWN! And attached SINGULARLY to Him, we too can send down DEEP taproots int he dark yet fertile soils of life, where we WILL anchor in BY UNITY TO CHRIST BY FAITH, and absorb life from deeply hidden springs of LIVING WATER despite any lethal droughts on the surface world.
✱ OH. Also, Glastrier is PESTILENCE. He WEARS A CROWN & USES ARROWS (AGAIN). White horses in general were associated with warrior heroes, fertility, & END OF TIMES SAVIOR, Who traditionally rode a white horse in triumph over evil-- but white horses can ALSO mean DEATH, and when linked to pestilence/ disease, we have a tie to ETERNATUS as well. BUT. In general, horses represent freedom & power & spiritual awareness, BUT when the ego takes over that you get the ANTICHRIST, not the real Christ. In any case, it is CONQUEST.
✱ White horses are often PSYCHOPOMPS, guides between the LIVING & DEAD (Christ or Satan, abundance or famine, etc.). They are also heroic & pure & the ONLY fitting mount for a King! So there's a dichotomy, with which one Glastrier can become-- alone or serving Calyrex. An evil white horse has poison arrows; a good one, LOVE.
✱ Tangent: the BLACK horse of famine, Spectrier, is JUST (scales) in how misuse, neglect, & luxury will lead to LOSS & DEATH: "Memento mori," the ghostly steed reminds us of consequence and the beyond. It is ONLY by honoring the reality of death & the soul that we CAN let go of greed & gluttony, and THAT is why Calyrex uses Spectrier to BRING ABUNDANCE. "Our daily bread" is still needed, but we MUST RECEIVE IT FROM THE KING, and use it JUSTLY! Spectrier reminds us of the alternative & cost.
✱ White is FALSE PROPHETS of pride, of whitewashed tombs, of power held through lies.
✱ The Black horse DOESN'T TOUCH the oil & wine (blood & anointing?) but there's NO BREAD (Christ)!
✱ Carrots symbolize HONESTY, confidence in good conscience, integrity, wellbeing, HEALTH & PROSPERITY, fruits of labor, success in efforts, LONG patience (esp. hidden & dark). They also IMPROVE OUR EYESIGHT-- BOTH STEEDS ARE BASICALLY BLIND. They have NO vision on their own, wild & free but with NO DIRECTION. Calyrex's carrots are PURPOSE-- a vision of meaning & a future! This WILL bring them all those other good qualities.
✱ In Hebrew, CARROT = CUT ("g.z.r." root), as in making a DECISIVE CHOICE ("cut" a choice) one way or the other.  Combining this with the carrot-- given as FOOD, requiring a sort of surrender to humble service & helplessness (can't feed self, need help to live, NO PRIDE)-- is a choice between LIFE & DEATH again. Relatedly, the "carrot & stick" metaphor contrasts "hard vs soft" power-- obedience through punishment, OR through reward. Yes it's a basic start, BUT any good heart will inevitably soften to true devotion towards someone who is/was willing to feed & guide you even when you were greedy & stubborn & ungrateful. Calyrex just loves his horse and wants him back. So he, although nearly powerless alone, humbly asks others to aid him in this mission of mercy & kindness, PERPETUATING those virtues, all to grow his friend's favorite food as a PEACE GIFT-- Glas/Spec used to STEAL them! But here is one JUST for him, growing right in the midst of ice & graces-- love & life flourishing hardy & strong despite all odds. This carrot is the ultimate reward in what it manifests, of Calyrex & their bond. 

1. CROWN TEMPLE / SHRINE (CHRIST/ CHURCH HOME)
GLAS/SPEC IS STILL THERE, WATCHING, but WON'T COME OUT WITHOUT THE CARROT! (needs that tangible good, that hope made REAL)
2. PATH TO THE PEAK (CROWN PUN; "HEAD") = ALL barren snowy trees. STEPS! & AWFUL Giga beams. NO ABILITIES; stripped.
3. TUNNEL TO THE TOP/ SUMMIT (EUCHARIST REF, "source & summit") = CAVE. Winding! Tied to HEART; INITIATION? SEARCH FOR MEANING. + TOMB! ✞
4. SNOWY VALLEY/ SLOPE = FIRST snowy spot. Going UP! (get ice carrot)
5. GIANT'S BED = HUGE. → GIANT'S FOOT (scary) RUINS. DEVIL TRIED TO "STOMP OUT" GOOD??
(RUMBLING SEA CAVES  THREE POINT PASS  SPLIT DECISION RUINS FRIGID SEA)
↑(FROSTPOINT FIELD = BETWEEN 2 PATHS. Cold. Flat, or UP) → FREEZINGTON (The ONLY settlement!!!) → (DEAD END) SLIPPERY slope/ Max lair (HELL)
6. OLD CEMETERY (shade carrot) (No snow. Lots of ghosts BUT ALSO NIDORAN??? "Till death do us part" pair??) (AUDINO too!! "Listen" and "hearing the HEART"; life despite death) (THERE ARE RUINS?? of CHURCHES??)
7. [RIVER] BALLIMERE LAKE
→ (surrounds) DYNA TREE HILL (in it) (GLUTTONY.) (Also NO HEALING POSSIBLE; just the tainted Berries!!! LOST EDEN SATAN TREE) LAKESIDE CAVE

✱ About that fear of Calyrex "stealing bodies?" DEER & RABBITS DON'T EAT PEONIES.
✱ Peonies cure many diseases, and WHITE ones show APOLOGY. Also peonies are for 12th anniversaries= 12 is PERFECTION OF GOV'T AUTHORITY-- the King has returned, contrite, and seeks to COMPLETE his love-- Christ marrying His Church, and lovingly ruling Her.
✱White Peony ROOT is said to cure pain (sin), inflammation (vices), cramps (sin hinders), autoimmune (selfdestruct), & bloodclots (wrong life). There's TONS of symbolism! White Peony symbolizing "apology, regret, shame," and Peonies being generally "compassion, honor, fortune, joy, etc." = White: PURE, VS "White horse" paradox of PRIDE! The "King of Flowers" (CHRIST) purifies this color true, making it a bridge to HIM & His cures THROUGH that humility & love! For Calyrex to speak THROUGH PEONY exemplifies this. He's the flower given a HEALING gesture, to RESTORE relationship, allowing PERFECT KINGSHIP to be restored, thus curing the ills of stubborn pride and FLOURISHING THROUGH SERVICE & COOPERATION.
✱ BTW Peony really seems to have a pure heart. He is SUCH a dad... and he has GREAT FAITH; open heart.
✱ THAT SCARY DYNAMAX TREE has FRUITS that are basically SATAN APPLES (fallen Eden) (the birds that eat it FIGHT): the tree is IN THE MIDDLE OF THE "GARDEN" (vs. Tundra), surrounded by water, and IF YOU EAT OF IT YOU WILL "BE LIKE A GOD," but an EVIL "god," ETERNATUS... because Dynamax energy IS PART OF ITS BODY/ ESSENCE and it's a HORRIBLE corruption of intimacy, an power, in AWFUL contrast to Calyrex = His power is FOR OTHERS, supportive, humble, etc. But Eternatus power is FOR SELF, offensive, proud, etc. ALL "MAX" FORMS LOOK DEMONIC... & BIBLICAL GIANTS WERE DESCENDED FROM FALLEN ANGELS. The "Giant's Footprint" appears to have STOMPED ON CHURCHES??? There are RUINS BY A GRAVEYARD. And that area of misleading verdance-- oh yes, it's a "garden," but the ONLY food is TOXIC and NO ONE LIVES THERE, ONLY GRAVES-- opens up into SEA CAVES & a FRIGID OCEAN... inhospitable, undrinkable, rough waters bringing DEATH, NOT LIFE, & symbolizing the devil again. "Three point pass" leads to 3 dead ends. It's a scary mockery.
✱ BUT!!! THAT THREE WITH THE FRUIT WAS NOT CREATED EVIL, and there IS HOPE OF REDEMPTION FOR IT... IN CALYREX. That bud on his head isn't a "flower," per se. IT'S A FRUIT BUD. And it appears to be the SAME KIND AS THE DYNAMAX TREE, before it "fell" (when Eternatus fell)! In official art, the "bud" LOOKS TRANSLUCENT even, as if it weren't a flower but a FRUIT.
✱ Calyrex's "bud" LOOKS just like a Peony, BUT its connection to the Dynamax & large calyx makes it STRONGLY RESEMBLE A PERSIMMON. And some persimmons ARE PURPLE. That's very close to the Red/Blue dichotomy in Dyna/Caly, as persimmons are Orange/Purple, and purple is RIPE? But the shape is EXACT, even with the "bulge lines" into 4 sections. It's soft & translucent and the ONLY RIPE FRUIT LEFT, truly-- the only one that is NATURALLY EDIBLE, not "mutated" & toxic! OH-- AND IT'S ONLY "GLOWY" WHEN HE'S ON HIS HORSE. Otherwise, alone, it's the same opaque dark green as the "buds" around his neck, which don't change color on the horse.
✱He has 8 buds, which symbolizes HOPE, "new beginnings," salvation, triumph, bright futures, etc.
✱But he's ALL BUDS. He's a CALYX, NOT A BLOSSOM HIMSELF: The calyx is the FIRST part of a flower that develops, and the petals & parts grow WITHIN. The calyx PROTECTS the flower as it develops, preventing it from drying out.
✱BUT. "After flowering, many plants have NO MORE USE FOR THEIR CALYX, AND IT BEGINS TO WITHER." THAT'S what the villagers did-- when they finally had food & flowers, they LET CALYREX WILT... but they didn't realize that THEIR SOULS WEREN'T MATURE, and Calyrex was PROTECTING & NURTURING THEM. So once he was thrown off... the cold returned & crushed them. Their hearts dried up from lack of gratitude & love. They weren't ready to bloom on their own yet-- and wouldn't be WITHOUT that cooperative unity!
✱"THE HOLY GRAIL OF FLOWERS IS THE BLUE ROSE." They DON'T EXIST in nature, but are rich with myth, symbolizing a LONGING FOR MIRACLES, the "search for the impossible," wishes/ dreams becoming reality, etc. In general, roses symbolize ARDENT LOVE & BEAUTY, the "QUEEN OF FLOWERS," and a blue one in that respect speaks to a PERFECT love-- a HOLY love, blue as the heavens. There are also 2 myths in which a woman would only marry a man who gave her a blue rose: many tricked her with stone, paint, magic, but this is not true love. Ultimately, a simple & pure man gave her a white rose-- "if their love is true, it will be blue." And so it was!! Blue roses are NOT unrequited-- just "unattainable," and for GOOD REASON: true & perfect love CANNOT be "attained," or created, or hunted down, or bred, etc. Blue roses, according to myth, ONLY come through a PURE & HUMBLE GIFT OF A WHITE ROSE. Where others gave up of this "impossible task" or turned to trickery, the one who valued LOVE persisted in HUMILITY... and FAITH, NOT POWER OR PRESTIGE!!! That's why it's "impossible"... BUT "nothing is impossible for God." In the Chinese marriage folktale, actually, the princess ALONE could see the blue in the white because THROUGH LOVE & TRUST, HER FAITH LET HER SEE THE HIDDEN TRUTH. Tying this to Calyrex, and the mythicality of the blue rose, HE grants miracles THROUGH FAITH, FOR LOVE WITHOUT COST, selfless not sensual, BUT power schemes & doubt & the like BLOCK both his power AND will make him fade from sight! His love also cannot be forced. He can only bless through pure gift: notably the Reins, which REQUIRE A PETAL, a beautiful blue one that OBVIOUSLY is from a rose... a WILD ROSE. And it GLOWS.
✱ OH, BY THE WAY. The reason why the white rose alone can become blue is because it is HUMBLE = EMPTY OF SELF so it CAN HOLD THE UN-EARTHLY COLOR. All other roses are full of THEMSELVES = pride in their power, beauty, etc.: in their own merits. But you can't love like that... blue pigment DOESN'T EXIST IN NATURE. Blue ONLY exists AS LIGHT. So ONLY a white rose can BE blue, by BOTH RECEIVING & REFLECTING that blue light-- the color of heaven, UNATTAINABLE UNLESS GIVEN IN LOVE to a heart that is PURE enough to reflect something BESIDES ITSELF. The "Holy Grail" is holy BY HOLDING.
✱ If Calyrex's 8-bud garland truly is of ROSEBUDS, they symbolize UNAWAKENED LOVE, but a garland of roses symbolizes "THE CROWING REWARD FOR THE MERITS OF HOLY VIRTUE"... but remember, "Virtue is only virtue in extremis." Roses HAVE FRUIT when they bloom BUT "fruit flesh becomes soft AFTER A FROST." So there's a LOT to unpack. Unawakened love = 8 buds for HOPE & SALVATION = Calyx protecting from death by inclement weather = Those buds will only bloom AFTER A FROST that will ALSO allow their eventual fruit TO BE SOFT, SWEET, & EDIBLE-- not hard & bitter & inedible. ALL of this is a recipe for LOVE, humility, self-giving, perseverance in virtue, purity of heart, right relationship & communion, etc. This is the journey of Calyrex & his people... and ALL OF THE ROSES ARE BLUE. Their whole story is one of sheer generosity-- it's ALL GIVING & GIVING BACK, and being open to receive IN LOVE. The INSTANT ego & pride & complacency fill up gratitude's humble place, THE BLUE CAN'T GLOW.
✱ About rose hips: they eat them IN SCOTLAND for their ANTIOXIDANT properties that FIGHT DISEASE (Eternatus)! But the Scottish rose (petal match) is the wild DOG ROSE, said to soothe "rabid bites" (DYNAMAX) and its 5 petals representing the WOUNDS OF CHRIST. Roses are also "pain & sweetness" which is VERY CATHOLIC. You must be willing to SUFFER FOR LOVE.
✱ The bud-mantle Calyrex wears is also marked by little TRIPLE TRIANGLES; an obvious tie to the HOLY TRINITY & Their Love, Communion, & Generosity. They are pointing DOWN & are dark blue, blue-gray, & white at the heart-- the latter an also OBVIOUS CALLBACK to the Blue Rose myths. When the heart-- where the Spirit dwells-- is PURE & WHITE, humble & not trying to glorify itself with pigment (earthly color), then it is EMBRACED BY CHRIST, Who is WHITE-BLUE as the INCARNATE GOD-- the truly divine FUSION of white & blue, literally impossible in anyone BUT Him-- and His Life in/ through/ with ours is the BRIDGE to TRUE Blue... God Himself, Love itself, the "ever-unattainable" BUT ever-given in love.
✱ The Blue & White triangles point DOWN: a symbol of receptivity, the WOMB, & the CHALICE! We must RECEIVE the Spirit, THROUGH God's grace poured out in BAPTISMAL WATER (cup), for our soul, like Mary's womb, to CONCEIVE THE SON... Whose Blood FILLS the Chalice.
✱ CHRIST is an UPWARDS triangle because it is PASSION & the force of action, the SWORD OF TRUTH that can ONLY occur INCARNATELY. Thus ONLY Christ can hold this "masculine" vibe because its ties to energy & activity REQUIRE A BODY-- the "feminine" down-shape is more subconscious mystery, in how they operate. BUT, NOTE THAT THE "FATHER" TRIANGLE UNITES BOTH.
✱ Three-triangle patterns ALSO symbolize many trinities of existence, notably PAST/ PRESENT/ FUTURE & CREATE/ DESTROY/ PRESERVE for Calyrex's powers of psychic vision & abundance.
✱ Three as a number also symbolizes harmony, completeness, & new life, and triplets emphasize the importance of something. Applied to these symbols on the BUDS-- 8 meaning hope & salvation-- shows how our salvation & hope is ONLY complete THROUGH the Trinity working in our hearts, working as a PROTECTIVE CALYX as our souls mature into wholeness of new life in Him, blooming as blue roses of selfless love, colored by the Divine.
✱ Alchemically, the up & down triangles are the unity of fire & water: two things plants need to grow (fire's light) and symbolizing the unity of power & meekness, justice & mercy, etc. Calyrex's kind kingship exemplifies this.
✱ Triangles in general mean "growth into higher states of being," higher purpose, transformation, etc. This applies to both Calyrex's calling Glas/Spec & bringing harvest ot of famine, but also its trinitive aspect reminds us that ALL those good things can ONLY occur THROUGH GOD WORKING IN US. Triangles are always spiritual, it seems; not carnal.
✱ Those buds are arguably SIERPINSKY TRIANGLES, too-- SELF-SIMILAR FRACTALS: zooming in on ANY part of one reveals a PERFECTLY IDENTICAL COPY of the original. VERY EUCHARISTIC! Fractals are found all over nature, too: in three branches, snowflakes, flowers, cabbages, etc.! They are proof of Divine order & elegance-- "patterns that the laws of nature repeat at different scales... we see this basic principle repeated in the fractal structure of organic life forms... every tree branch is a copy of the one that came before it." (CHRIST = VINE = LIFE; ALL THINGS THROUGH/ WITH/ IN HIM!) A fractal is like, one big basic heart-form that keeps "self-replicating" at increasingly smaller scales until you can't even SEE the original, all-embracing shape-form anymore... but you see all its fractal copies, echoing its essence infinitely. THAT'S GOD & CREATION!!
✱ FURTHERMORE, the also-ubiquitous natural FIBONACCI SEQUENCE-- recurrent geometric patterns & numbers-- began with RABBITS and is most clearly seen in FLOWERS. Everything has this divine ratio & symmetry as its wholeness. I just love that. There's no "deep symbolism" other than its referring to Calyrex's species, the bud-triangles speaking of uncomparable life & abundance despite all famine & loss, and the innate reflection of God in all things, giving them true life. The greatest fractal in existence-- indeed, the clearest-- is the Eucharist, the BREAD OF LIFE. Christ, our true King, gives us Himself PERFECTLY & INFINITELY. Calyrex cannot & does not, but his generosity does at least reflect that miracle of heavenly abundance, and the triangles remind us WHO is the source & summit of that.
✱ At its heart, a fractal is the great guarantee of infinite life & abundance, through the eternal life, love, & generosity of God. Look at Jesus & the "fractal bread." Have faith, & He will sustain you despite all famine.
✱ CALYREX'S EYES ARE ALSO TRIANGLES. The iris is 3 TONED: pale blue, grey blue, dark blue-- and the pupil is WHITE. This of course hearkens back to the blue rose + fractal points, BUT! 4, Biblically, means completeness & perfection, notably in CREATION: the divine 3 plus the 1 "other" that He has made in Love! So for that to be CALYREX'S EYES immediately ties into his GIFT OF SIGHT: he can see all events, past & present & future! True sight is COMPREHENSION THROUGH FAITH, seeing by the same Light of the world that makes white roses blue, seeing His infinite Being in nature... and Calyrex uses this sight TO HELP OTHERS, that extra 4th color of pure white, of selfless humility & purity OF sight-- of understanding.
✱ His eye color is the REVERSE color of the buds, giving a vibe not of "becoming/ maturing" but instead of that 4's PERFECTION, of being spiritually cognizant of God in all BUT recognizing Him AS Him, first. Christ is again the bridge, but here, the Spirit's color is the outermost and it's ROUND?? Which lends itself to seeing His influence IN all things, AND people, THROUGH CHRIST. And all of this is again set in white-- the same purity of heart at the core is ALSO what unites it all, "as within so without," the Golden Rule.
✱ Some notes while reviewing Calyrex's Pokédex data (because this is a very fluid "document")-- flower "crowns" are for the triumphant & faithful, but Calyrex's isn't a pagan garland but a ROYAL CORONATION CROWN: a symbol not of award, but of SERVICE TO THE PEOPLE! And in heraldry, green is both nature & WISDOM. Hope & health & life are other associations. But BLUE is ALL ROYALTY & PIETY, TRUST & LOYALTY, patience & understanding & humility & peace. Also rare virtue? Wisdom & intuition are united in it, and it is surrounded by similar spiritually calm virtues. So for Calyrex's bud to be primarily green with a blue heart gives vibes of that "green" life & hope & health, connection to others & need of community (lushness of rainforests, rich in chlorophyll, PINE green that survives the cold & shelters others), being what PROTECTS & NURTURES the deeper heart-virtues of BLUE; trustworthiness, wisdom, peace, understanding, loyalty, piety, stability, spirituality, etc. In the spectrum, Green is the BRIDGE between "body & soul," the hue of pure natural life, bringing the holy color virtues to the more earthly tones. Blue is all about honor & truth, but is softer in tone than indigo, bringing a sense of gentleness & mercy & empathy despite its "ethereal" essence.
✱ Calyrex's blues are notably unique-- the palest is PERIWINKLE, a flower color that symbolizes new friendships, new beginnings, purity, strength, & eternal love. It is all about cherishing; that's all Calyrex (bless him). It's also hop, innocence, peace, kindness, protection, loyalty, devotion, comfort, etc. It's also the "Virgin flower," for MARY, the CHALICE OF GOD! The next blue is actually CORNFLOWER, another flower hue! Cornflowers are "very courageous, being able to stand strong against all the elements of nature." They are signs of unfailing hope, they're edible, and in Greek myth, they were said to-- AGAIN-- HEAL WOUNDS CAUSED BY POISON ARROWS. They are fragile in appearance but terrifically hardy. They can represent chaste love, purity, & blessedness; hope in love; fidelity, life, resilience, tenderness... AND MARY, who gave us the true "corn," the grain of Wheat from Heaven, to feed every heart forever. They are super medicinal, too, especially for tired eyes-- symbolic of relieving the soul, too, of long watching & waiting for hope & deliverance. They herald good fortune, and "each bloom is a blessing." They are said to notably wilt when one's true love is unrequited-- that, too, happened to poor Calyrex.
✱ The final, darker blue is, unsurprisingly, royal blue. Its first notable association is with "paranormal vision"-- seeing beyond the physical, into the "royal kingdom of God" which is only visible with the heart. It also is associated with INNER sight & wisdom, clarity & decisiveness. It opens the heart & mind with integrity. Like most blues, it is trustworthy, reliable, calm, and communicative, but all of this is enriched further by its REGAL aspect, that encompassing honor. In general, it's about DIGNITY & KNOWLEDGE, uprightness, fidelity, and the essence of both AUTHORITY & SPIRITUALITY, notably UNITED. Royal blue is serious but emotionally sincere & deep, conservative but respectful, professional but courteous & peaceful, humble yet kingly IN such virtue. So this is all obviously very applicable to Calyrex: he is a gentle, wise, trustworthy, solemn, & honest king, not aloof but not attention-seeking, etc. Remember: Blue is the color of HEAVEN so inevitably it will carry those virtues, AND making this last hue on the bud-triangles (and his eyes) ROYAL emphasizes the fact that ALL kingship is ordained BY GOD, FOR GOD, and IN GOD. The ONLY true King is CHRIST, so ALL earthly authority is spiritually OBLIGATED to imitate His example in reflecting His royal role! That Divine authority symbolized by Calyrex's royal blue AND its placement: His sight & knowledge come FROM God, and it is God Who protects & nurtures all blooming virtue in our souls. Lastly, Calyrex's cape (+WINGS) follow the same pattern as the buds-- interestingly, as they symbolize quite literally both his kingly role AND the holy "angel = messenger of God's plans & purpose" aspect: Calyrex's kingship is not for himself, but for others, in BLESSING THEM. The cape/wings are primarily PERIWINKLE, only bordered by royal blue-- putting the emphasis on FRIENDSHIP, PURITY, KINDNESS, & ETERNAL LOVE, which are ringed with HEALING & COURAGE and only tipped with REGALITY & HONOR. All these virtues are present in equal importance, BUT!! In his normal form they are small and almost decorative, mostly hidden behind his back, and LOOKING LIKE TEPALS: a sepal (protector) that resembles a petal. HOWEVER. This is interesting because, although Calyrex does have floral ties to both Peonies & Dog Roses (btw HELLO HERO DUO), this little addition of his wings adds elements of a LILY: notably the AGAPANTHUS, the "BLUE LILY," whose name means "FLOWER OF LOVE." Like cornflowers, they are tenacious and strong, symbolizing the heart's power & spiritual strength. Notably their blue color, associated with their name of love, emphasizes HEARTFELT & NOBLE LOVE.
✱ They are believed to PROTECT FROM STORMS (Eternatus) AND HEART DISEASE (Calyrex mends hearts), as well as signifying valiant & caring protection in general.
✱ Tying into Spectrier, Agapanthus is often used in FUNERALS, made into wreaths & placed on coffins to "represent the beautiful soul of the deceased"!
✱ And, again, it's a sign of purity, "fertility," beauty of soul, & loving relationships. They are ALSO tied medicinally to HEALTHY BABIES-- noted because flowers/ buds/ fruits are also reproductive.
✱ "Generosity of spirit" too! "AGAPE!"
✱ Note that Calyrex ISN'T wearing a CAPE (sleeveless), but a MANTLE!!! --and ONLY ON HIS STEED!!! By himself, he only appears to wear a BOLERO jacket. I note this solely because a "bolero" is a genre of song, "characterized by sophisticated lyrics dealing with love." It's all about heartfelt emotion, with a "beautiful singing melody," simple & purely romantic. It's like courtship; whereas the MANTLE is a symbol of AUTHORITY and POWER & RESPECT & PROTECTION, all Kingly aspects. The mantle "REQUIRES respect for the authority of the wearer," ESPECIALLY IN THE BIBLE: "there is no one in authority that GOD didn't put there!!" So HIS Power is working through them & protecting them. It is a GOD GIVEN power & authority that ONLY GOD CAN TAKE AWAY-- even if people disrespect it or forget or hate the king, GOD STILL SUSTAINS THEIR AUTHORITY, BY HIS WILL, FOR HIS PURPOSES. God also did this with PROPHETS-- their mantle was a tangible sign & proof that GOD CALLED THEM & they SPEAK FOR HIM. It is a sign of the HOLY SPIRIT upon them-- and for Calyrex, HE GETS WINGS TO SHOW THAT. This is why he continues to exercise power over his steeds, & has power to influence nature-- he's doing GOD'S CHARITABLE WORK, serving & blessing & healing others, with NO thought for himself-- he does assert his kingship, but NEVER demands or coerces obedience, or even loyalty, as it were-- his people lost faith and he did not retaliate; he respected THEIR free will-- for only freedom allows for GENUINE faith & loyalty & love. His power DID NOT DISAPPEAR-- it only was BLOCKED from affecting them, due to unbelief-- like Jesus & His miracles. SO. He manifests his mantle when his kingship CAN manifest, notably BY THE BOND OF UNITY with his steed-- no good & humble kind rules alone-- but he wears his "bolero" when alone, a symbol of SEEKING reciprocal love, of "romancing" his beloved people with sincerity & giving of himself. HE CANNOT RULE WITHOUT PEOPLE TO RULE, AND HE WILL NOT/ CANNOT RULE WITHOUT LOVING RELATIONSHIP.
✱ The "WINGS" are different too: his mantle has angelic/ bird wings, BUT his bolero has "fairy" or bug wings. Although yes, I consider them tepals in truth, the visual effect is still valid. Avoiding paganism, Calyrex's four tepal-wings resemble those of an iridescent beetle-- notably a JEWEL BEETLE. Not only is that an obvious reference to "CROWN JEWELS," the objects of metalwork & jewelry that "symbolize the particular power & continuity of the monarchy" (crown, sceptre, orb, sword, mace, ring, etc.) (BTW during coronation with these, they are ALSO ANOINTED WITH HOLY OIL!), but jewel beetle wings have been used AS ART for centuries, notably in RELIGION, for both their ethereal & unfading beauty (literally), but also for what they symbolize: beetles fly "between heaven & earth," dwelling in both, and they were used as FOOD-- notable because food = life, and eating something of such God-given yet humble beauty & flight was hoped to bestow such virtues upon the eater.
✱ In MANY shamanic societies, the beetle is mythically & profoundly linked to CREATION: their working with dirt balls evoked primordial "potter" themes & planet-shaping, in "retrieving/ shaping" that raw matter into shape. BUT note!! The beetle ONLY SHAPES, NOT CREATES! He's God's HELPER, in forming order out of chaos, & life out of death-- turning empty waste into a flourishing land. Very Calyrex! And the ball-pushing is WORK, spiritual work symbolically, but also LABOR FOR OTHERS, as the beetles do that FOR THEIR CHILDREN. In Egypt, this rolling is tied to the SUN, another life-giving symbol, yet ALSO tied to death in its setting, although still carrying the promise of sunrise. In his beetle wings, Calyrex evokes the essence of this "life cycle" with HARVESTS & HOPE, his ability & promise to work for others to bring blessings, his powers to make new life flourish AND help hearts "fly to higher things," the lasting beauty of SELF-GIVING, rebirth after suffering & apparent death (famine, Eternatus), the requisite of "dying to self" for the SOUL to be reborn "like the sun," ALSO BY THE SON, the spring after AND WITHIN winter. ALSO HEART SCARABS, focusing ALL of those virtuous things rightly in one's heart, not in any outer object, for all virtue comes from cooperation with God (the Divine)-- the One Who created life from dirt & can transmute ALL sorrows, & Whom the beetle "flies up to meet & bring His blessing down"-- MORE ANGEL VIBES! Honestly, there is SO MUCH Christ-parallelism with beetles in Egypt; it's notable, especially in its staggering humility... & overlooked beauty... & FOOD ASPECT, HELLO EUCHARIST = UNITY.
✱ Beetles were ALSO, like Christ, tied to DEATH as well as life, IN THE CONTEXT OF REBIRTH, & therefore also INITIATION = CORONATION in terms of being a "spiritual warrior," notably-- and all Kings carry a Sword.
✱ THERE'S MORE BLUE-DEER "SACRED ALTERATION" in that the scarab beetle was the "CUP OF DIONYSUS," relevant ONLY in the chalice & wine aspect, and the resulting "holy drunkenness" being a means of "communicating with the divine," noting wine's "inner fire" = HEART, & again lifting all this up to the Eucharist, a HOLY BANQUET given FROM SELF & ALTRUISTIC LOVE.
✱ HERE'S A KEY: THE SEMITIC PEOPLE WERE THE FIRST TO PORTRAY THE BEETLE WITH 4 WINGS = it being COMPLETENESS, only possible BY self-giving & communion with God & others, a holy paradox. AND. SAINT AMBROSE & OTHERS EQUATED THE BEETLE OF HABAKKUK 2:11 TO CHRIST, the true King & CREATOR! (Also Psalm 22:6 for His humility!)
✱ LASTLY, the beetle's "creator/ helper" myth was purified by this, in alchemical reference to Christ: the beetle was the "prima materia" of the great transmutable work of the soul, from dung to divine-- CHRIST was the "stone" created AFTER & BY HIS DEATH & RESURRECTION (SUN/SON), the jewel from the mire, the crown gem from the beetle's wing. This is the beautiful hope He gives us all, despite our wretchedness, and this great hope of life from death, of flying from dirt into heaven, from emptiness to fullness, is the King's promise bestowed on Calyrex to carry, the blessing of both physical & spiritual rebirth & growth into ever-lovelier things. Beetles are all about CHANGE!!
✱ As for the angel-mantle having those LONG GREEN ENDS, they simply remind me of EVERGREEN enedles... notably YEW. THERE'S A YEW, IN WALES, IN A CHURCHYARD, which is one of the OLDEST TREES IN THE WORLD. Like 5000 years! That's VIRTUALLY CANON with the sacred tree in Freezington!
✱ Yews, again, are symbols of LIFE & DEATH, said to transfer longevity to the warrior who used weapons of its wood, and said to protect against evil, notably against the devil himself.
✱ They resprout from a dying trunk = rebirth, but their RED BERRIES are lethally toxic = DEATH!
✱ CHURCHYARD YEWS are especially sacred, through prayer & proximity-- with weapons OR branches from it being vanquishers of evil. They decorated places of worship, reaching up to God yet rooted in the earth-- like the Church herself-- and its longevity a hope for eternal life in Christ, crucified on a tree, dotted with "red berries of blood."
✱ Some even say that the Cross WAS a yew!! This is fitting, as ancient cultures associated yews with death, funerals, sorrow, mourning, etc. It was also said to "draw out the poisons from the air" in graveyards, warding off evils. So it is treated with solemn honor in this "memento mori" respect.
✱ BUT. Remember that it is ALSO RESURRECTION, which requires death first!! Their presence, however melancholy in some respects, are also POWERFULLY HOPEFUL, living reminders of life AFTER death. Extracts from their bark have even been proven to fight cancerous tumors (DYNAMAX)!!
✱ BTW those berries AREN'T TOXIC TO DEER OR RABBITS.
✱ Their bark can withstand unlimited clipping & shaping-- metaphorically with Calyrex, no amount of "reshaping" his memory or "clipping" his power could damage him; the yew's wood is SOFT & grows slowly, giving it great strength & resilience.
✱ OH, and that ANCIENT Fortingall Yew was once used by locals to carve out DRINKING CUPS: "quaich" cups, inspired by ancient BLEEDING VESSELS-- even MORE Eucharist/ Cross connections-- even morseo as these quaichs are used as signs of FRIENDSHIP & WELCOME in community gatherings.
✱ There is an old legend that the yew was also the BURNING BUSH (sent by God to DELIVER HIS PEOPLE from slavery & starvation) & the tree "of Golgotha, growing FROM ADAM'S GRAVE." That's more death/ life, which is ALL super fitting as Calyrex ONLY wears his yew-like mantle ON HIS STEEDS, who are VERY death-associated BUT who paradoxically BOOST Calyrex's life abilities-- that's resurrection! "This is the tree of glory," BECAUSE Christ worked His redemption FROM one.
✱ Evergreens in general speak of life undying despite death (winter); BUT they have NEITHER fruit NOR flowers! Calyrex's ties to the yew are small yet significant BUT ONLY IN THE CONTEXT OF HIS MANTLE-- his sign of HOLY & PIOUS AUTHORITY. He is not immortal, nor is he so directly tied to death-- BUT that mantle gives him a SOLID RESURRECTION MISSION, something even greater than his life-blessing gifts.
✱ This is ALSO different from his beetle wings as they represent the JOURNEY TO & COOPERATION TOWARDS resurrection-- they do not herald it so immediately as the yew & its ties to the CROSS!
✱ Next up-- his last color! It's actually NOT straight-up gray; it appears to be IVORY, or even cream? But either way it's a WARM tiny, not a cold or neutral one, but its subtle enough to, again, give that vibe of gentle hope. Ivory in general is pure & comforting & soft, good balancing qualities for the authority of blue & formality of dark green. It's sophisticated, elegant but simple, pleasant & unassuming, but never harsh, aloof, or obtrusive. it's also close to BEIGE, which often gets a bad rap for being "boring," but it fits his humble nature perfectly. Beige is loyal & dependable, reliable & practical & constant. Predictability is not a bad thing when it concerns virtue, & the comfort sought by those in tumult & turmoil! And this is his BODY color-- not his flowers or bud or wings-- it's his own natural heart's purity. AND THAT IS WHAT BECOMES HIS ANGELIC MANTLE: could ANYONE truly serve God, or seek to work as His messenger, if they were not so humble of heart & poor in spirit?
✱ Ivory is "understated elegance," "a place of refuge," gentle warmth, reverence & humility, etc.
✱ In many images, though, Calyrex's color is more of a silvery GRAY. That color is "the perfect neutral," calming extremes & balancing between absolutes. It is intelligent & diplomatic, refined & dignified, authoritative & wise-- the virtuous benefits of "gray hair," as it were. Gray is reasonable, agreeable, sophisticated, and serious. It is "the soul of all color," and "a gray day provides the best light." It is a stable "middle ground" of clarity & prudence, free from wilder emotions. It makes all other colors glow without overwhelming. Gray "doesn't lead with emotions," is mature & stable, "solid as a rock" & therefore a safe soothing haven for turbulent & aggravated hearts. It avoids attention and publicity (private), but will offer practical insight to all who ASK. Gray can "overthink"-- Calyrex's massive noggin!-- because it sees AND UNDERSTANDS "both sides" so clearly. But it will never force anything, being supremely patient & still, maybe even too much-- it can miss opportunities to act? It is deeply self-reflective BUT needs help from brighter colors to take more active decisions according to it. Despite this, its "dynamic humility" makes it the "ideal authority figure," honoring & respecting others & always acting with equity, integrity, & candor. Lastly, gray can be grim; it does not deny darkness; but it also always holds on to the light.
✱ Calyrex is LIGHT GRAY which is MUCH more soothing & even hopeful than darker shades. Calyrex is arguably almost WHITE, too-- emphasizing "lighter" virtues while still preserving gray's roots-- and the warmer, ivory/ beige overcast is a perfect finishing touch for this king, making him approachable, personal, & amiable, but not overly so-- he is still private & unassuming. His neutrals are therefore the perfect complement to his dark blues & greens, adding levity & a touch of warmth without burning, and without stifling or muting them either-- the snowy gray even HIGHLIGHTS the "life-giving" hues in quiet contrast!
✱ One last color bit that I forgot before: the bud on his head DOES look like a PERSIMMON, and I still theorize it being a "FRUIT BUD" connecting him to the Dynamax tree & its fake, toxic "harvest"... notable because the Persimmon is also known as the "FRUIT OF THE GODS" or "DIVINE FRUIT"-- in this context, an EXPLICIT warning against the idolatry of power & self-worship, & another mini sermon about CHRIST being "THE VINE" apart from which NO FRUIT can grow in a soul, with the BLUE ROSE & PEONY/ PEYOTE ties emphasizing the elements of pure love & gracious healing.
✱ When RIPE they are nutritious & sweet; when UNRIPE they are BITTER, SOUR "CHOKE FRUITS". Pride has no humility or patience & you WILL choke on its impatient, immature, inedible "fruits."
✱ Persimmons symbolize PERSEVERANCE & HARDY ENDURANCE, as they thrive in many soils & can survive SUBZERO TEMPERATURES!! They are also DROUGHT TOLERANT & RESIST PESTS & DISEASE to a great extent. They are signs of "increased blessings" in one's endeavors, and their sweet beauty promotes joy & peace. The trees are ABUNDANT in fruit, promising prosperity, especially with its durability, and the branches are a protective home for small & weak creatures.
✱ They also represent TRANSFORMATION, ENLIGHTENMENT, & PRUDENT JUDGMENT-- this last bit as their inner-shape was said to PREDICT WINTER WEATHER!
✱ There are ISRAELI PERSIMMONS (Christ's land) that are ALWAYS SWEET, even when hard. They are called "SHARON FRUITS," after the Biblical plain, which was "proverbially fertile" & known for its ABUNDANT FLOWERS, and referenced in the Song of Songs with the "ROSE OF SHARON"-- a beautiful flower that grows in dry, unfavorable conditions, and whose delicate beauty was matched only by its HUMILITY, despite being a "lily among thorns" for that very fact. But this flower refers to CHRIST-- the bridegroom, the King of flowers, giving Himself to us in a gesture of totally committed love, unique in rarity & beauty & perfection. And, again, this desert rose was ALSO a HEALING flower, making this gift even more benevolent & selfless.
✱ Connecting these virtues to the persimmon-- notably since Calyrex's is GREEN, symbolizing "immaturity" & need of growth into wisdom-- shows that ONLY CHRIST gives us WISDOM & SPIRITUAL FRUIT, which requires LOVE & HUMILITY to receive.
✱ This "unripe green" is only tangential though as the INNER color is BLUE. So the TRUE fruit is ripe with HEAVEN'S color, but it is still in its green calyx because NO ONE BUT GOD HAS PERFECT WISDOM. Even if He gives us the fruit, it is paradoxically "never fully ripe," always needing more grace & patience to become more full of truth-- a process that terminates only IN heaven. So the "blue" impossible color hearkens to that unattainability, as does the blue rose: their fullness is ONLY tangible, whole, & accessible THROUGH PURE & HUMBLE LOVE.
✱ A note on Ravel's Bolero (as in the jacket)-- "the repeated theme & slow build has been called an 'exercise in hypnotism.'" It is "nostalgic, sweet, & quietly complex." Being a LOVE song, the repetition shows persistence in its devotion, & the slow build shows how, like fruit & flowers, true love sweetens & matures over time, with fidelity-- it is no wild, sudden infatuation. The "nostalgia" also refers to the people in Freezington reminiscing on when they knew & loved Calyrex, after they had become "hypnotized" by his constancy & forgotten how precious it was-- had forgotten to reciprocate or be grateful, their hearts lulled into complacency. They weren't truly listening-- for although the tune & harmony stay the same, more & more instruments come in over time, enriching the orchestration & adding flourishes of color to the heartbeat of a theme. Like the cycles of seasons & harvests, predictable & repetitive & slow, there is nevertheless always a new joy to it, a new sweetness, dear in its familiarity yet never quite the same twice. Love is not novelty, but fidelity, a solid prism for the light of grace. Itself it does not change, but every tiny shimmer of light casts new yet familiar rainbows. This is true, committed, joyful & grateful relationship. It is the "bolero" of perpetual courtship, of the core of love recognized by all yet always new, always returning even sweeter. Ravel himself disliked the bolero, claiming it had "no music in it" due to its repetition-- but isn't life itself repetition, cycle, pattern? And it IS music. Calyrex's little jacket is a little reference to the loving reliability of the harvest, but also of winter. Wisely, he heralds both, but with the inherent reassurance that spring will return, that hopes will be fulfilled, and that life cannot be stopped. Neither can love, and its power to GIVE life.
✱ Hares in general are a symbol of vitality, rebirth, & resurrection-- life & fertility, spring & autumn. The white color is for chastity & purity, removing all unsavory connotations. They are also PREY animals-- more self = food symbolism. In Egypt they are notably tied to the life/ death/ rebirth cycle too. Some myths see them as "spirit messengers," bringing wisdom from heavenly realms. They represent attention & contemplation with their ears & watchful nature. They are mild, humble, lucky, & good-natured, solitary yet auspicious, resourceful & clever. They can also be tricksters; there's definitely a hint of this in Calyrex's sense of humor.
✱ BUT! He is also PART DEER. They are typically seen as spiritual & mystical.


(black apples, avalon)
(GRAIL (+ calyx/ sepal))
(
↑KING ARTHUR (+ ZACIAN??))
(CELEBI ties? vision + element typing)





blue vibe

Apr. 3rd, 2021 10:00 pm
prismaticbleed: (rosewindow)



The BLUE realms have always been, inexplicably, electronic. Even in the rebirth, this remains. It’s a liminal feeling, an in-between, a tangible gate between the world and the imagination. The blue glow of technology has always been a herald of crossed veils. Time flows differently here, bubbled. Night is transformed into endless space, living dreams, traversed thoughts. BLUE is a beckoning into other worlds, inner worlds.

We have not yet explored the powerful presence of electricity here, of plugs and power cables, outlets and other things. This, too, will open more doors, as electricity is inherently connective. BLUE connects in a unique way. This is its special power. There is a great childlike wonderful love at its heart.

062717

Jun. 27th, 2017 11:58 pm
prismaticbleed: (held)


this morning:

KERRY??????????? WALDORF'S SISTER??????
POSSIBLE LIME HOLDER. NO IDEA.
her anchor vibe is still super strong and we haven't seen her SINCE Waldorf "went to sleep" but whoa. talk about a surprise. definitely looking into this


tonight:
movies! transformers.

scene with laurie fighting. lynne joins, with shield. then julie, with whip-- realizes it doesn't fit her anymore.
laurie gets "stabbed through" with tar. jay immediately realizes that he was "assuming she'd be OK" but there was NO guarantee of that. so he just as quickly reaches out and telekinetically "pulls out" the tar and she heals. laurie looks to him, shocked at this

laurie despairing over feeling like she wasn't getting anywhere with fighting?
questioning her purpose again
no matter how hard she fought, they fought back just as hard

jay runs into the middle of the battlefield, "maybe it's not about fighting that way"
just shines; lotus-heart crystal feeling. tar literally cannot go near him

laurie starts tearfully laughing at this
mentions the "beating our swords into plowshares" verse

then the environment shifted?
everything became crystal-clear, white vibe, but not stark?
including our bodies
hearts visible, all colored our spectrum hues
laurie immediately wrapped her arms around her chest, eyes flooding with tears

javier standing in doorway, "what does it mean that we all bleed red?" also crying quietly over this thought

sherlock downstairs, blood was SILVER.
put his arms up to the air, "I'm part of this System," really hit him hard for once. deep "centralite" vibe in him. blessed
wreckage runs down stairs, as she does everything shifts back to normal (sense that the Spectrum itself would not force anyone who was "not ready" to experience that clear-vulnerable state)
in tears though. asking sherlock, "is gold my color, or his?" referencing watson.
we're not sure. watson still has no face inside. we'll have to help him out


josephina & waldorf talking later? about their purposes. jo's original "anti-id" role.

everyone getting emotional over the movie. julie screaming "no, no!!!" when people were dying. laurie looking a total wreck, "I've never felt so helpless;" wanted to jump in and fight off the attackers, but couldn't. leon weeping and being unable to watch
brief "heartspace" visit to scene though; laurie just put her arms out and tapped into inherent Violet energy? HUGE bass rumble like thunder, feeling like she was pulling some cosmic force out of the earth

mention of angel helmet later. laurie still carries it in her personal pocketspace apparently. also her laurel crown, which SEEMS CONNECTED TO IT??? it, too, gives her a gold-based form shift.
MORE QUESTIONS ABOUT THAT COLOR.

most importantly, who was out most but JEWEL!!!
realizing that SHE is STILL the one who can "reach OUT" and walk into other worlds; also, like Jay, she LOVES EVERYONE but in a TOTALLY DIFFERENT WAY.
Jewel could casually kiss and flirt with everyone around with no reticence or shame or hesitation, BUT she could never be in a relationship with any of them. jay, on the other hand, cannot be casual on the outside!! he's one-on-one intimate and close with people, and ONLY on the INSIDE. whereas Jewel doesn't have any such connections with nousfoni???? she's ONLY OUTSPACERS.
but only Jewel can GET people from outside inside in order to BE close to Jay.

ALSO. 'feeling out' rio and markus in all this; we KNOW someone inside us still loves them, but it's NOT Jay, not like that at least. they're still heartspace-rooted, still a totally different level; they CAN'T be close to Jay as a result.
but we THINK Jewel is, still?? at least one of them.

also thinking CANNON-- the ORIGINAL one, with the red hair-- was the one in love with JC & DP???
still learning to feel out who feels what inside. but it's getting easier, and it's so beautiful to really realize that NONE of the love we've EVER felt has faded. it's just held by different people.

on that note, the Jewel who's our "core sister" is NOT the one from 2006 or so who is in love with Davy. that's POSSIBLY hoseki, not sure. still a jewel, but might not even have the klonoa hair??? we'll see!

later, markus & rio talking to THAT^ jewel (I think?) about they possibly having their OWN "pentagape" group, but theirs would be a hexagon, assuming their daemons were all involved???
jewel saying "I don't think dendrite would be interested" but markus interjects, surprisingly adamantly, "that's because you don't talk to her." which is true.
also realizing that rio's "yami" is VERY similar to Laurie (always was) and that rio probably loves him terribly BUT he's so hidden and keeps getting corrupted by outside sources; system probably keeping him from being around at all r/n to keep him safe in that sense?
"phoenix" is entirely his own thing though.
in any cases the "yami" phenomenon as it exists in headspace is still a total anomaly; they were all very "malevolent" during that triple incident BUT that's because they are super vulnerable to TAR/PLAGUE INFLUENCE just like daemons can be so yeah that whole thing needs to be very much reviewed and looked into currently.
NEED to go back and reread that stuff with them, solidify their history in our present memory.

HEARTSPACE AND HEADSPACE WERE MADE TO WORK TOGETHER.
JAY & THE NOUSFONI ARE ANCHORED IN HEADSPACE.
JEWEL & THE OTHERSPACERS ARE ANCHORED IN HEARTSPACE.
BUT NOUSFONI BENEFIT INCREDIBLY FROM VISITING HEARTSPACE; THAT IS WHERE DEEPLY IMPORTANT, INFINITE-POSSIBILITY SCENARIOS OCCUR BASED ON OUR HEARTS AND THEY ALLOW FOR MASSIVE PERSONAL GROWTH THAT CANNOT HAPPEN IN HEADSPACE WITHOUT OUTSIDE TRIGGERS.
THIS IS WHY JEWEL NEVER HAD TROUBLE; SHE WAS ABLE TO LEARN ALL HER "TRAUMA LESSONS" ON THE INSIDE INSTEAD OF SEEKING INCITEMENT FOR SUCH OUTSIDE AS HEADSPACE TENDS TO DO.
SO, IF WE START ACTIVELY VISITING HEARTSPACE MORE OFTEN, POSSIBLY JOINING OUR REALMS TOGETHER (THROUGH COLORSPACE???????), WE WOULD ALL BENEFIT HUGELY FROM IT!!!
THIS WOULD ALLOW NOT ONLY FOR CLOSER RELATIONSHIPS BETWEEN NOUSFONI, BUT IT WOULD ALSO RESTORE THAT FEELING OF WONDER & LOVE THAT WE USED TO GET ALL THE TIME AND HAVE BEEN MISSING LATELY DUE TO STAYING "OUTSIDE" TOO MUCH.

also Jewel has NO TROUBLE EATING, even when she does so casually. she was nibbling on stuff when we got home (cinnabon popcorn, blue corn chips, cinnamon grahamn crackers, and pistachio ice cream; jeepers girl talk about a sweet tooth) but she only had a tiny bit of each and she had NO disordered urges and she STOPPED IMMEDIATELY when she realized she "didn't really feel like eating"
bravo to you girl, you are a literal godsend today, as always



DON'T FORGET= YESTERDAY, NATHANIEL & JOSEPHINA TALKING OUTSIDE AS WE RAN
discussing nat's past? "death" being a big topic I recall-- notably when giving jo the flower for his hair!!
concept of "dying to give richer life through beauty"; very moving and interesting




ENERGY DOES NOT HAVE "ELEMENTS," IT HAS VIBES!
THIS IS WHY WE KEPT GETTING STUCK WITH IT BEFORE.
they can have elements but mainly it's what they feel like.

RED= BLOOD? "entrances and exits/ ends and beginnings"
VERMILION= FIRE
BROWN= earth, soil, stone. very grounded. bone.
ORANGE= WOOD, especially like in musical instruments.
AMBER= lights on in houses at night, christmas light glow?
YELLOW= electricity? "voltage." sharp power. bright sunshine?
LIME= komorebi, open fields of grass, and the smell of grass
GREEN= forests, dense vegetation, and the smell of trees
"SPRUCE" = pine forests, and the smell of pines
AQUA= water, esp. the ocean
SKY= air, blue skies
BLUE= ELECTRIC POWER. like everything in the movie! also electronic sound!!
INDIGO= ice, winter fog, twilight? silence. serene, uniquely.
PURPLE= robes? oddly "religious" feel. ritual and solemnity.
VIOLET= power in a different sense? thunderstorms, space (like nebulas),
PINK= very gentle, soft. light? cherry blossoms.
CERISE= velvet, roses, cherries, 'SENSUAL' LUXURY, NO LUST
GRAY= paper, ink. the smell of both. dusty bookshelves. (very archivist influenced; that's interesting)
BLACK= dark churches/basilicas, night skies, dark food-things like molasses/ licorice/ clove??
WHITE= snow, crystals, sunlight, prisms,


 


 

 


prismaticbleed: (Default)
 

 

 JANUARY

 


Brainchild, Chapter 1, page 45.

 

This comic is incredible on any given day, but this recent update just kicked me in the chest with personal relevance.
I... I have experienced this, too many times over, with aching furious weeping real headvoices, over and over, and each time is a new sword to my heart. Don't you dare tell me I'm not real.
...I won't. Not anymore. Not after everything I've seen and felt and heard. I'll never say those blind words ever again.
You are real. You are all real, so beautifully terribly real.
Don't ever let me forget.

#normally this would go on the system blog but i want it on my main to force me to be openly honest with myself about this #really though this aches like hell #but that's a good sign #also i adore this woman's art style and aspire to emulate it one day

 

 



"prayer" and "lovers," two of my favorite works by my favorite artist.
Their work in this style is surreal and strange, unexplained and imaginative, oddly delicate and innocent. It's my personal vibe in a nutshell and I adore it.

 

 

artandspirituality: In Islam it’s forbidden (perhaps more like impossible) to depict God by name or icon, so they just draw its essence directly, and make entire buildings in homage to the structure, beauty, and intricacy of God.
It's a visual koan, almost-- the mind is stunned to ecstatic silence from the overwhelming incomprehensibility of such a place. Yet even in its grandeur, it only captures the tiniest splinter of the essence of God, just a fragile formidable glimpse of something ineffable and sublime.
And that is true representation of God as far as I am concerned, something that cuts through the muffled familiarity of icons and statues... it is something incredible and terrific and almost alien, a snapshot of that which is within all Creation, portrayed in the only way we mortal beings are capable of enduring and understanding. But it is truth enough.

I'm rambling. This just means a lot to me.

 

APRIL 

 

 
This pulls at that quiet part of my heart that adores math but doesn’t quite know how to speak yet.
There is this strange unsettling vastness to numbers that shakes me to my roots. It’s scary sometimes but I’m drawn to it like a moth.
In any case this feels like the universe...and that last panel is a punch straight to the chest.

Also this feels SO much like the lower city rooms in headspace; the stuff deep down in the building underground... especially the red glow of that exit door.

 I have so much to say about this and no words that work. 

 


 
May 30: Feast Day of St. Joan of Arc
ST. JOAN OF ARC WITH ST. MICHAEL THE ARCHANGEL- William Hart McNichols (Fr. Bill McNichols)

This is going on my main blog instead of my religious one for these reasons:

1. Joan of Arc is my personal “patron saint,” mostly because 2. everyone used to compare her to me as a child, and when I got older I learned that 3. she had some really unusually religious experiences too, like me, with a particular connection to St. Michael. So those alone merit a personal resonance with this painting.
But... reason #4 is that, in this picture, she looks just like I did when I was about 19, during one of the most trying times of my life. That means something I can’t quite put into words. 

 



Every year, at the Easter and Christmas vigils, I get this exact feeling.
It’s a unique sort of quiet promise, a knowledge that in the morning there will be a fulfillment of the joy we are celebrating in these finals waiting hours... but not just yet, not yet.
So I would stand on the sidewalk and look up at the stars and snow and church towers and I would just... be. Right in that moment, the last night before the brilliant dawn.
It’s a hard feeling to put into words, but it is deep and real and it shines, and it’s the sort of thing that defines me personally.

 

 
The feeling this gives me is indescribable.

...It’s the feeling of long car trips to faraway places, really.
Driving early in the morning or late at night always makes time dissolve for me. So does seeing those dark green road signs. There’s a strange liminal magic to car travel that I adore. It’s the same thing I get in airports.
Cities also hold an odd sort of living moving magic, quiet but powerful, flowing under bridges and in summer shadows and up sparkling skyscraper windows... burning and cool and laughing and formidable all at once.
Pairing those two things, cities and travel, gives me a feeling like a dream, like being alive in some sort of lucid wonder, and that is really something else.

 
 

My dream is to be both.
I cannot create something without melting into it. If I am an artist, then I must become what is becoming through me, if you get what I’m saying.
Effectively, music is etched into my bones and paint runs through my veins. No matter how much I may doubt it, I cannot deny the fact that, in one way or another, I AM an artist.

 

MAY

 

(art credit to imagni)

I can empathize with this far too well.
It’s a big strange fear as an artist: that I have no real identity or worth aside from the work I create. In a way it’s really not a bad thing... but some days it’s an awful sort of existential ache, because I don’t want to just be a channel for art-- I want to BE art.
I want to be just as colorful and inspiring and magical as what I can make with my hands... and on the bad days I’m afraid that’s just not possible. But I will never lose hope.

Sorry for rambling, but this is important to me.

 

 

This is the sort of imagery that makes me really existential and really peaceful all at once.
Technology from the 80s especially tends to do that to me; it feels like this clumsy excited grasping of the staticky ichor of the universe-- the building blocks of structure, the impossibly simple language of infinite complexity. It’s all vivid color shocks, contained in geometry and grids, stark against sheer blackness. It’s so childlike at times, even in its surreality. But it’s because there’s something genuine trying to be communicated through it, and anything less simple would only distract, detract.
To me, it’s like... if space tried to talk to us. I feel this is what it would turn out like. Something untranslatable, unbearably rich with the unknown, and the only way it can possibly be expressed, is like this. Color and math and black expanse. It’s the minimum, and it’s the maximum.
Modern technology feels too personal to me, to capture this? Oddly, in becoming more streamlined, more elegant, almost more “organic” in its fluidity, it has lost this sort of raw alien honesty. Down to the bones it’s still circuitboards and code, and I love seeing that hidden even in the prettiest new gadget... but even moreso, I love when this sort of old-but-newborn language breaks through the glamour, reminding us of just what we’re playing with.
It’s why I love glitch art and music. It’s a break in the matrix, a sudden jolt through the comfy predictability and softness we tend to get complacent in. There’s a somewhat disturbing incomprehensibility to it, but... it’s the same feeling I get in churches sometimes. Out there, in here, echoed in every atom, something is grander, something is stranger. And I think that says a lot too.

 

I could write for hours on this topic. It’s oddly dear to me.

 


JUNE




cparris"I had never heard of Denis before making this, and once I found out about him I couldn’t resist. He was a Bishop of Paris and was martyred by decapitation. He then picked up his head and walked six miles while preaching a sermon. Some artists have depicted him with the halo behind his head even when it’s in his arms, but I just loved the idea of an empty halo too much!"

#symbolic imagery #laurie #jay #gorgeously painful #i adore this #both the art and the story behind the saint




"your [characters] are like geodes. if you want to see what they're really made of, you must break them."

#gemstones in general are tied to the system #it's surprisingly subtle as gems are hugely significant in the leagueworlds #but in any case this post feels very applicable to us as of late #with no small share of warning #many of us have not 'broken' yet and those people are all being pushed to #so here's some hope as to the outcome



#we have a problem where our 'happy people' always come out in therapy #and always end up saying this #even if a drastically suicidal alter was out five minutes prior #and there is blood all over our arms #that happy dude is going to insist that everything is sunshine and rainbows #because to them it really is #so this is both a good thing and a bad thing



This happens frequently when our trauma-related stress level gets too high– everyone gets forcibly “switched out” to leave the body empty and numb, and this is exactly what it feels like.


+When you’re trying to make a decision, but your alters keep arguing/talking so loud that you can’t think straight:


#floating voices #every time we go out in public this happens #this is also why we hate going shopping


#i adore this #the damaged ones #healing work #this is heartbreaking and hopeful all at once



#water has always been this constant background presence in headspace #but its significance is ASTRONOMICAL #this image looks like it would be foreboding but it doesnt feel that way at all #which is very interesting #reset attempts #hope #strangest set of tags i've ever put in succession




caitlynkurilichPenance, Labyrinth, and Array, Graphite & Digital Media, 2012.
"Hey, would you look at that! Here are some illustrations on the relation between torture and the old Catholic Church that I possibly completely forgot about."

Torture and religion have become almost inextricably bound in our subconscious (thanks to an unhealthy upbringing) and that is deeply damaging.
The first image is terribly applicable to what we feel like fairly often; penance and contrition are driven by the “holiest motivations” but they always end in someone bleeding… and convinced that that is the holiest result.
The second image sums up our current state in healing all this stuff.
The third image is the Retributors in a nutshell.

 



#tar #symbolic imagery #the sink #strange as it seems that damn bathroom sink is one of the most traumatic places in our house #it has held far too much blood and fear and panic #and yet is is also where we found xenophon #the entity that somehow defied all the odds and offered healing and forgiveness to that same location #considering her 'mother' was the first black slot holder this is interesting #it means it can be read as good or bad depending on what SIDE of the black energy you are sticking your head into #the traumatic destructive side #or the healing creative side #take your pick #also i just realized that sinks are also tied to WATER #which adds even more significance to this #hmm

 

 
#rorschach #gif #relevant #retributors #protectors #there's still an oddly fierce affection for this guy #or at least the concept of him #which is kind of how the old outspacer anchor thing works #seriously though this is a VERY important message #outspacers

 


#this is bizarre but interesting #white #brown #plague rooms #water #hmm #spine look

 



agnes-cecile: frail lull - https://www.youtube.com/watch?v=ZypgzxyQrN4

The manner in which this is painted is just as personally resonant as the image itself.

#this captures a certain feeling perfectly and there are no words for it #it's when you endure something painful and awful but it brings everyone inside together #and at the end this is the feeling you get #at 2am with a whole crowd talking in your heart #and you love every single one of them #and that makes you want to try once more #to survive the night and wake up in the morning #no matter how unwound your head feels at the moment #it's the sort of hope you can only feel when your heart is broken wide open

 



sbosma: "Space Paladin and limited color version for the woman warriors zine AbbyJulia, and Roxie are putting together for MoCCA..."

#jay look #infi look #swords #rainbows #symbolic imagery

 



fohk: Do Ho Suh constructs a home within a home at MMCA (source)


This is effectively what manipulating Whitespace is like.

#the 'blueprint' imagery is interesting though #especially because Blue deals with technology in our system

 



mocodeeeeeeeeeesu:「ブッ殺してやる」


#art #resonant imagery #swords #hosts #cores #ohhh wow this is scary #reset attempts #this is what happens after the worst hacks #the red-level kids are hurt and terrified #while those in the b/w slots get corrupted by the tar/plague influence #and typically the white kids decide that the best option is to just annihilate the red levels #because that's where the problem is coming from right? #except its not #the real problem is IN that very b/w thinking that causes such coldhearted violence #the ones who have bled and suffered dont need to die #they are the victims not the perpetrators #even if the line may seem blurred to some #they need to be helped and healed #but good luck trying to convince the calcified kid with a sword of that #he just wants it all to stop forever and to him this looks like the quickest option #in a nutshell: if you're black or white then for god's sake don't turn your back on your fellow colors #or this will happen #red #white #black #plague #tar

 



perplexingly: making Cole more human

#symbolic imagery #hosts #this cuts straight to the heart #the fact that the single hand he's holding is armored is especially relevant to us #and the hat over his eyes makes me think of jay's apprenticeship

 



joh0002naga: 2015.05.14 mermaid and ant.


#insects #ants #flowers #tobiko #insects in our system have a very subtle role but they feel very significant #tobiko is one of our most quietly damaged alters as she exists only to purge pain #the vibe of this is that of a peace offering and a hope of brighter possibilities #i dont know what color the ants are but they feel red or brown #either way i really like the feeling of this picture

 



thisisnojay: some conscience

#geez this is literally jacinth in art form #colors and all #cel look #i'm sorry i know it hurts but just remember this okay #you taught us a lot with this #you redeemed like three solid years of hell with this #im so sorry it happened like it did #but thank you #for being the conscience she didnt want to have

 



#i really do like this #it hurts but its true #coming to terms with the fact that we basically are -insane- in many peoples eyes is terribly jarring and rather frightening at times #but. #inside we are so bright it's incomprehensible #and if the price of that is being seen as crazy then we're just going to have to cope with that #relevant

 



c2oh:tumblr wont upload my shit.


#seriously though this is exploding with relevance
(halo, b/w split, white hair, red eyes, laurel crown, zeros, butterfly-esque cravat, sharp teeth outlines, teardrop... you get the idea)

 

 
#hmm

 

 


prismaticbleed: (aflame)

 

okay I apologize if this is an utter mess but I need to write this down now, because I will not remember it in the morning.


11:30pm. hack attempts. cannon screaming in car. her shouting hurt terribly, mentally and physically. then went on porch to try and find quiet, but she was still screaming, threatening, insults. very loud. then laurie showed up, they were fighting? it's blurry. anyway I know for a fact that julie showed up, extremely distraught, began angrily asking why this was happening. who in the world was causing hack attempts again, and why?? again I'm sorry but I can't remember much of this, just visuals and vibe. cannon asked her why she was "dressing like a two-penny whore" (julie still wears minimal clothing) and julie just straightened up, gave her a stern look and said that she was dressing how she felt comfortable, and that only cannon was calling her a whore. she strongly added that no one deserved to be called such things based on their dress; it was completely unwarranted, and in truth only spoke as to the inner opinions and vision of the one using the term. anyway cannon backed off at this, I think faded out? because then next thing I recall is laurie and julie sitting down, discussing the situation, trying to pinpoint just who was responsible, who was just letting hack attempts happen without caring or fighting?
I mentioned the numb-gray voice that's been fronting for weeks, said it was "so tired" all the time it literally just did what it was told to do. like the AP but not robotic; this one was absolutely resigned and just wanted total nothingness. it wasn't fighting off hack attempts because it had no strength or motivation to do so; it just gave up and then hackers took over.
somewhere around here laurie said something a little too flippantly, julie jumped up and told her to stop acting like that. "I miss the old you." saying laurie was losing her edge, she was slipping. surprisingly laurie agreed, said that her new tendency to laugh everything off was a "different set of walls," and it was "making her color gray out." julie vehemently agreed, said laurie needed to be fierce again, unflinching, and not tolerating of the things she was now just mocking or brushing aside. she had to be a knight again, she had to get her brutality back because without it her function was failing. ultimately laurie did tap into this and her color notably clarified, it scared me a little to think that she had been falling somewhat. I'll admit I'd been terrified too and she'd been feeling too strange lately but I had been too doubtful of "whether or not this was better" to speak up. again, due to the numbness.

anyway on that note I think they asked me to look for the numb voice then, so they could deal with it somehow. all I know for sure is that I tried, and felt that gray voice move in almost immediately. laurie reached forwards and yanked it out, upstairs it manifested as an almost ghostly form-- no real body, just misty white in a humanoid shape.
I think julie was yelling at it, no idea. it was unstable and kept catching vibes of other 'bodiless' voices so laurie was trying to keep it solid but it was getting violent. then, at some point javier showed up! that was a surprise. he was very angry, actually pushed laurie back and grabbed that spectre by the throat, demanding what it was trying to prove, etc. shockingly it grinned and immediately turned into jezebel?? javier let go in surprise, there was tar on his hand. laurie tried to zap it off but javier said no, then summoned flames up and down his arms, burnt it away. but jezebel kept attacking, getting more on him than he could handle. laurie was holding her off the best she could, but then she shouted for infi's help.
ze showed up immediately in a very shocking manner; sort of a full-room "coalescing" vibe, wings wide and angry. grabbed all the tar off javier, split it into three throwing daggers and flung them at jezebel. pinned her to the wall! she grinned, that was of course only temporary, and pulled them out in order to be able to move again. however those few seconds were all infi needed-- ze instantly became this monstrous thing of crystal teeth and eyes, loomed over her. jezebel actually looked afraid, but she then laughed and turned into a semi-humanoid mess of tangled tar, tried to infect hir. but infi said (voice sounded VERY different) that she could not corrupt hir, and in an instant ze chomped down on the jezebel-tar thing. that caused the tar to break and then splash as neutralized black energy; the immediate conversion was clearly visible.
jezebel was still fighting, trying to infect hir still (if enough pure tar got into infi at once it would indeed be a problem), but then infi did something unusual. maybe via hir teeth, when ze bit again, all the black energy began to pop and crackle in this bright white explosions? picture several flashbulbs going off at once, with a sound like fireworks. this caused the black energy to be totally flipped to white energy on the spot. jezebel stopped fighting, left nothing but the tar, infi kept eating it. again every single bite caused the white light pops, even as ze swallowed it. once the tar was totally converted to white energy, infi changed hir form a bit again, huge mouth, snakelike. coughed up one huge crystal (hexagon? hit floor and barely even rolled; very heavy), then did a lot of almost convulsive form-warping to spit out another, slightly bigger one. infi then reverted back to normal I assume-- for some reason, as infi was coughing up the second crystal, I completely 'tuned out' of headspace. no idea why; I can't remember.

the next thing I can remember is infi kneeling in front of me, asking if I was okay. I was sitting on the ground and feeling incredibly dazed. javier and laurie were behind hir, julie standing a little behind them. I can't remember if I said anything.

anyway, long story short, infinitii decided to try to "tear" the foggy gray voice 'into' me, instead of out-- so it would take my place in the upstairs body (that can happen for cores, only them though). that way it would stay stable and maybe they could talk to it. I know for sure that nathaniel was called in to 'hold me down,' to be an extra stabilizing force. so he knelt to my right and held my shoulders.
well anyway the first attempt or three didn't work entirely. infi reached into my chest field and pulled out this stringy-gray (like actual tangled string) energy mass, looked somewhat confused at this. no matter what it wasn't clearing out though. I still felt awful inside. anyway I was already massively dissociated so infi pulled me half-out of the body (reached way back in and yanked). I immediately lost body senses-- I was now floating in some vague position 'within' the body field, but I was technically not in the body anymore. however no one else was fully in it, and I was stuck somehow. not a clean break in any case.
then after a moment of consideration, infi apologized, flared hir wings and shoved me out, with a double-handed push to the chest. it had massive force. flung me back into 'levelless' white space (straight out of that headspace level!). I hit a wall with my back and then fell forwards to floor, on my knees. crystal shards fell scattered around me? like broken glass. anyway the impact helped too, as I felt disconnected but clear now, except for my head, which still had that tarry fog feeling.
realized there was this wand-shaped crystal going straight through my skull, from the center of my forehead back to the base of my cerebellum? slight angle. this scared me, but I tried to calm down, wanted it out. remembered that inner imagery is very important, figured this was symbolizing some sort of plagued 'frozen' effect on my third eye or something. but it was definitely showing me a big problem.
I think I called leon. either way, he showed up, to my left. I couldn't quite talk, so I indicated the problem. he moved in front of me, then carefully pulled the crystal out. some residue got on his hands from it? looked like silver skidmarks. I think the crystal crumbled. he burned it off with a flare of indigo energy points, the white residue fell off softly like snowflakes. I thought that was fitting.
then leon placed one hand on both 'holes' in my head, said that needed to be 'flushed out.' he considered calling someone but neither of us knew who, so after a moment of hesitant anxiety he decided he'd do it; after all he was the best man for the job. so through his hands, he began filling the hole in my head with indigo light.
as he did, I saw the energy filling my vision downstairs, this gorgeous hue, but all sparkly dots slowly filling my head and my eyes. there was a moment of fear and awe; "this is real. this is actually happening." I pushed the fear aside, focused on the feeling of healing. very peaceful, grateful.
leon said we needed to 'cover up' the holes? essentially said it couldn't be left wide open like that or dangerous things could get in; it'd be 'too open.' I had a sudden mental image of a bandage on my forehead like naota from flcl, didn’t question it, felt relevant.
leon then asked, couldn't I keep power jewels on all the time? I said yeah, probably (I think eros had the set in the past). leon said I should, if I could. that would help immensely.

I could feel they wanted me back upstairs but couldn't get back myself. leon said he'd warp me back, so he did. laurie immediately asked how he got there, leon briefly mentioned the mind's-eye thing. then he saw nat to my right and smiled so genuinely, greeted him. and I got this huge flash that 'that was important.'

on that note, I was still super-dazed so memory is bad. but I clearly remember that leon ended up back in front of me, and I wasn't in the body?? he was talking to the numb gray voice!!! (which was responding to the name 'fogbank?' at least temporarily)
it was actually very upset about this topic? it kept trying to leave, to unplug the entire inner vision from headspace and 'numb out,' but although its influence was surprisingly powerful, infi wouldn't let it leave; kept pulling it back in. we asked it why it was so exhausted, why was it so loathe to perceive the inner world, why was that so tiring for it? leon added something to that question, asked if that feeling was tied to the 'floating voices?' it said yes, that was especially exhausting, but then it explained why. apparently this gray voice was terrified that, if it did open up its third eye in truth (leon said it was closed in fear), that it would be "obligated" to become a channel and nothing more. it would then be required to become nothing but a conduit for floating voices, for angels or aliens or whoever, to do nothing but become their mouthpiece. it felt that, if it became aware of such beings outside of itself, then it HAD to sacrifice any and all feelings of individuality, of having a body, of being a person. it needed to become "totally selfless." it saw no other option, and it was so tired, it just numbed out rather than face that "inescapable fate" that it said would happen IF it tuned back into intuitive knowing and things.
laurie spoke up here, said that's exactly how the child fronters thought. they existed ONLY for the leagueworlds; they lived to write and draw, and that was it. only the dawn of headspace forced a 'sense of self' to truly develop, and that occurrence has long been seen as a sort of "original sin" by many downstairs voices in the system. anyway leon added that there was nothing wrong with individuality, but even in his saying that I could feel a massive denial from the mind. it didn't believe him and was afraid to; it still strongly believed that "only total selflessness was good." at that, either laurie or javier said that's why headspace is being ignored; we're all facets of self, we're all individualized parts of soul, and according to that old moral code we shouldn't exist, because that very individualization was "wrong."
right around then leon moved his hands on the body's head again, filling it with indigo light. he looked upset and sad, but began telling the gray voice that this was what real intuition felt like; it wasn't barking orders, it wasn't constant stress, it wasn't fear. he then said "it's this," and actually kissed my forehead where it had been impaled. instantly there was this slow bloom of compassion from somewhere down in the chest, deep indigo color.
leon continued talking to it. he said that if you hold fear, you see fear. if you hold love, you see love. therefore the fogbank voice, as long as it was quietly terrified of what it might see, would never be able to see us in that mindset. but by the same token, it didn't ever have to be afraid of us. we would never treat it like the floating voices would. ultimately at the end of whatever he was saying he paused and then deliberately kissed its forehead again. right then, whoever was speaking through the body changed. like the fogbank voice couldn't hold that feeling so strongly. this new voice felt like pieces of someone forming, or trying to anchor. but it spoke to leon for a bit, repeating back that same train of thought, so leon's eyes lit up as he realized that whoever was in the body now understood.
however, the most notable bit about it was, right before it left (it was fading fast), it was holding this feeling of water internally? like an actual space, inside the chest cavity, this indigo-blue deep water in a very mosque-like room. both leon and nat caught attention, infi too due to the architecture. leon was excitedly talking about it, saying "that is what I meant" as far as energy vibes go, asked where that water was? infi said it was definitely not the chthonic water; that was very different (I think javier said something about it). and yet both those waters were "held" in that space in the body: within the ribs.
so that on top of leon's compassion made us suddenly realize the most important thing: the mind and the heart NEED to be linked. especially in order for intuition to work right at ALL.
I also remember, after that realization, leon ended up embracing nat in tears, really sincerely. I overheard him say "I love you" and I realized that was the first time I'd heard him say it in front of other people. nevertheless nat responded to him in kind. the whole thing was deeply moving personally.

power jewels were again mentioned somewhere around here. I couldn't get any to manifest though; instead there was this really bright flash like a lightbulb blowing out and it hurt, I apologized. felt like my forehead was charred. leon said he was sorry, didn't mean to make me feel like I had to force anything. I said I was just surprised I couldn't get the old ones to work anymore.

something happened here; I 'shorted out' mentally due to overstrain and the SPECTRUM started talking on the mind-heart topic instead?? everyone shut up quick, that’s like having god suddenly send you a telegram. I am so sorry but I forget its exact words, because since my body has to be technically empty for that to happen, the plague crept in fast. it was talking about the fogbank voice at the time; said it was allegedly a Gray slot holder? but which slot we didn't know. anyway I clearly remember the Plague asking if the fogbank voice was the true gray core, as a neutralizer. it then asked if Sherlock was "neutral or not" but that felt accusatory and proud. anyway we felt the switch, upon which infi ran over, and fiercely got it out of my body (easy as it was the only thing in there)-- ze threw it across the room I think. all I really remember is seeing this huge evil-feeling crystal mass over to the right, laurie quickly asked infi if he could purify it, ze said "I could but it’s not easy; that's jay's job." well I was still stuck in interim space but I was not going to slack off. so I focused as hard as I could and willed myself into the crystals. laurie saw this, shouted "jay what the hell are you doing" and got out her axe. but i wasnt scared (too floaty to be so) and i quickly sent out a burst of light to fill the crystals, and held it like a glow. that clarity defused the plague, it was gone; I was now inside the crystals. they collapsed all at once like flour or snow, I was some sort of amorphous shape in the middle, rather dazed. everyone ran over, infi first, ze took my face in hir hands and pressed our foreheads together, I felt ze was overwhelmed with relief. ze then asked me if I was okay, but that action basically white-washed my mind with content bliss, so I couldn't respond. laurie was worried at my silence, but infi smiled and assured her that I was fine-- basically, since i wasn't responding in words to that action, that was a good sign. if i hadn't been so affected by hir sincerity then there would be a problem.
I was very tired, slipping a bit. infi embraced me then, head to my chest and wings around me. everyone resumed the conversation while I just soaked up the positive vibes finally and held the consciousness stable.
on that note, as we spoke we realized that the fogbank voice actually has a VERY important role if used right-- it keeps the mind from being too overwhelmed?


archivists showed up; opened ceiling gate and jumped down (left it open for light).
I cannot remember when or why, just that they were a massive help for the current topic.
I do know they were talking about the water from before-- water in and of itself was important. I remember thinking of cz, knew there had to be some sort of link. garrison said, rather brightly, "chaos zero has had a profound impact on the aqua slot," despite him now being in the White spectrum (due to outspacers finally moving entirely).
someone asked if aqua was still tied to "devotion and fortitude," garrison said that was still being checked. isadora said that definitely fit him; he was utterly devoted to his work and the service of others. garrison agreed like she had just stated the weather; a nod and a 'well of course,' as if not being so devoted was unthinkable. I think isadora said, maybe aqua is tied to 'selflessness' of the right sort? garrison wondered momentarily, then animatedly drew up the aqua slot hexagon in the air, began comparing that to its other holders.
minty, our sleeper, works as a messenger and comforter. her whole job is helping other people. einsatz is mute but a musician, who lets himself 'be devoured by' the music (as isadora said) so he can share that same absolute wonder of it with others. emmett and tobiko are both e.d. voices who make sure the body doesn't get sick, and deal with maintenance to alleviate any sickness that may occur. both also deal(t) with the purgation issue, which although a failsafe measure, is still problematic and depressing-- and which takes a lot of guts and selflessness to hold as a job.
so yeah that might work for aqua. anyway the core is still unknown.

i remember that as garrison was finding stuff out, kalisha was writing it all down on a big clipboard pad, as she did it went into the data archives? that was awesome to see.

isadora has this ability to "pull things out of thin air," both with ideas and also in the way people kept pulling stuff and people out of me earlier. apparently she has a powerful knack for it.
I know she DID pull something/someone out of me at one point, but for the life of me I cannot remember what.

someone called sherlock in. he was "below" our space, he seemed reticent to come up at first but did. opened a gate like a door and walked through it. the other archivists actually bowed a little in respect when he showed up.
(I keep getting this weird feeling that sherlock heard the plague accusation earlier but that doesn't fit temporally; I'm probably getting something confused. I apologize for any inaccuracy as a result; I'll fix this later if my memory cooperates.)


in light of the individuality thing, sherlock did point out that's what causes "name mixups" among partners in headspace usually. like I'll accidentally call nat 'leon,' etc. sherlock said it's because when people's energy gets that close, that it blurs a little? and so on some level of consciousness they're recognized as 'one being' in a sense. kind of like a smaller manifestation of how we are as a system.


I think we started discussing colors again then.
anyway, ultimately I remember javier telling nat and leon what red energy's 'role' felt like; he said it was tied to the raw joy of life? it was the feeling of existing, of residing in a physical form, of being a living being. it was like the feeling of blood in the veins, of creating art with your bare hands. like a fire inside. he was excited and wrapped up in describing it, although struggling to find fitting words. but really he was radiating the essence so we got it.
he then asked spine to describe what brown energy was like, because that was a totally different sort of grounding. spine paused, then said it was like the earth, like stone under the earth. it was silent and solitary, but it was strong, and it knew and cared for all the 'red' life that it supported. she said it was the bones in the body, like her; it was a foundation, not holding the passion of red but instead holding a sort of calm power. again the vibe was crystal-clear from her. also the whole time she spoke (deliberately, with slightly broken language) lynne was giving her this look of total proud affection and admiration. spine looked at her once and since I was a 'floating awareness' then I saw it, and it was so clear.

someone asked lynne what orange was like? "was it tied to femininity as a whole"? the conversation got kind of convoluted, lynne said she was originally reddish but it was more cerise, and then julie asked "is that what the cerise slot is like?" lynne said she didn't know, I think javier asked what the difference was between pink and cerise. julie said we weren't sure, but she began describing what pink felt like-- it was soft and light, like cotton candy and flower petals, totally soothing but affectionate. very light! while cerise had a sort of denseness to it.
mulberry and jeremiah showed up then, had felt the resonance (that's typical). jeremiah smiled and walked over to sit by javier, just seeing him look so simply happy really lit me up.
mulberry talking about her role, kind professionalism. some confusion here as there's no cerise core yet and mulberry has had role trouble. I remember sherlock was helping her out on that topic though (they are buddies after all).
someone said cerise felt like 'femininity plus masculinity,' like a balance?
jeremiah spoke up to support that; said his job was that of a protector to the children, to take away all pain from them. it was a 'masculine' role; he had to be strong, tough, unflinching, unafraid. and yet he also had to be 'feminine' for the children-- compassionate, empathetic, soft, nurturing. his job required a balance of both in harmony. this fit mulberry, too.
so that's the main difference between cerise and pink; both hold femininity but cerise has a "punch" to it

lynne finally got to talk about orange in light of that. again reiterated her role wasn't just femininity. her role was literally becoming the sort of person our core could never be: a woman who loved what she was, who loved her life and could live it in total joyous strength. that feeling was very 'orange' really

jo said yellow was more exuberant, fiercely independent in a personal sense. orange was more 'mellow' and dealt with interactions; it was more community oriented essentially. 'personable' vs 'personal'
waldorf spoke up for a while then. said blue was tied to communication, but she had started off as a sort of 'literary muse'-- a being who held bits and pieces of every source that inspired jewel's work style. but that was communication too; people put their ideas out there into the world, fearlessly, not being afraid of their own voice. and others listened, and shared in it. waldorf was saying that's kind of like blue was like? both the speaking and the listening; like this sharp inner awareness within a sense of calm?
she used the phrase "truth in technology" at one point, I caught an allusion to her techno-trees from yesterday before she went on.
she also mentioned the scratched-disc necklace, not only was that an outside borrow (xilats), but in a way it did fit her role? she got a bit angry/upset, I remember her saying "hindsight is 20/20" and she was one of the oldest headvoices in the system. so she knew what people kept trying to "rewind" to, and it wouldn't work. too much had happened, too much had grown, and it was beautiful. you can't try to reset everything to live in a false projected "everything is perfect" ideal. waldorf said that wasn't the truth, and it was effectively a desire to "erase the story that was written" or something. a blackout of communication, a total lack of listening to truth. really blue is quite complex! there's no real "roots" to the color, shockingly, not yet at least. it's rich but vague. garrison agreed; said the only other confirmed blue is "nienna," who also deals with communication.
(the gent was not mentioned, which garrison realized with shock later; this may be because he's still arguably a fragment, totally faceless. nevertheless unintentional skips must always be taken seriously.)


concerns about color slippage.
MAJOR warnings to laurie, from sherlock notably. julie backed him up on this again. laurie didn't disagree at all, promised to do better, sincerely.
lynne saying laurie was "whitening" too much, but she herself was getting "too dark?" there was too much negativity getting thrown into the feminine idea, and it was catching her badly.
julie got very upset about this again, I remember her wringing her hands in her hair and trying not to cry from anger.


I cannot remember how all this ended.
my brother came out onto the porch while lynne was speaking at one point, so suddenly there was light and noise, and I had to move inside. when I did I realized it was 12:30 and, now that I was up and moving, that the body was massively tired. so I jumped back inside for a few minutes, we all agreed that I had better go write this all down before it started to fade (total consciousness level switch!) and here I am.

now honestly it is 2 hours after that and I cannot think. so this is what we've got. hope it works!
much love to all my system mates I love you guys so much

 

----------------------------------------------------------------------------------------

@ 03:46 am

oh. almost forgot to post this earlier.

today i went outside and i never wanted to go back inside.
the sunlight was so warm, the leaves are starting to fall, the air is wonderful. it's heaven.
i forgot how good pine sap smells. it got all over my hands.
i went and stood by the lilac tree, put my hands on a branch, felt so much life in it. i was really humbled by that. everything outside is so tangibly alive. i miss it terribly, getting buried in it all.
of course i said hello to my favorite cherry tree, i love it so. i hugged it and realized that its bark smells really lovely too. not something you can put into words at all.
stood on the lawn for a while and watched the sun go down. i keep wanting to drink sunlight. like i am literally only ever hungry for light or sound anymore. the other day i actually tried to drink the sunset like gaudior drinks moonlight. it surprised me when i couldnt do so actually. kind of heartbreakingly frustrating when things dont line up like that.
but i will need to start going outside for at least a solid hour every day again. i need to. i have to, it's too nice


the only problem dear is be careful, you forget everything else.
you get so lost in the trees that you forget to live. you want to stand on that lawn forever and never go back to being a person.
definitely go outside, sure. definitely immerse yourself in that love. but be careful.
that massive dissociation caused some massive hack attempts this evening, which you wouldn't know about. but please be careful.


...
jay here. it's 3:25am and i am listening to this and i need to write this down.
last night. i went to sleep around this same time and cz was there, as always. he was mostly asleep though due to the time.
but... i forget what i said. i remember feeling sad because emotions are still tricky. i wondered why he was always there, i asked him don't you have anywhere else to be?
his eyes were barely open, one arm around my shoulder. he said no. i asked why.
...he said i was his home. literally, "because you're my home."
i laughed at first. what do you mean, i'm your home, what about the emerald shrine? what about the places where you were long before you met me? you belong there more, surely. why aren't they your home, even now?
and he just said, "because home is where the heart is."
...
he wasn't even looking at me. he was barely even awake. and yet isn't that when we're the most honest?
my eyes drifted down to that ruby and i failed to hold back a sob, only to have it come out as "i love you." it ached.
and he just smiled. "i love you too." eyes still closed. but i could see him clear as day.
i miss that.
i miss all of this, and i hate this lie of a void in my heart, this hollow emptiness brazenly standing in front of everything and pretending that there's nothing behind it.
but the air has the scent of the ocean, of the rain, of the river, always, always. and even if it makes no fucking sense you can't lie to me. it's there. and it has never not been there.

the night before, his eyes were green in the dark again. undeniable. i still don't know how to explain that.
genesis was there i think. infi was with us on friday. laurie is always nearby.

you know laurie keeps teasing me about the kissing thing and i know it's because she's got walls up
she knows the real reason. it's because i can't do something that intimate with someone unless there is sincere trust there.
laurie has seen me at my worst. she's seen me bleed. she's seen me die.
and she's seen my brightest days, too. all the love and light and hope.
well guess what, i want to have that level of personal understanding and compassion with everyone in the system.
i want that sort of bond of trust between me and everyone else.
some people are really close to laurie's level already. we've seen enough of each other, enough rawness, enough genuine life, to have enough genuine, pure love between us by now. the sort of love that erases fear, that makes you completely comfortable and reverent around the other person.
i don't know why laurie is slipping. it breaks my heart. is she still scared of being used? was this a failed failsafe?
i don't know but i will talk to her. everyone. i want and need to. daily priority, all of them. they're my life. they're my life.
i want to kiss everyone in the system because i adore them and damn it i don't want any walls up between anyone at this point. i don't want to feel this stupid downstairs hesitation and self-doubt around them. there is no need to be afraid. none.
this is what leon was talking about. guess what he's the first headvoice i kissed besides laurie, no surprise.
but i can't joke about this either. i wish there was better, more delicate language. stuff untainted by tar.
maybe we just need to scrub it out. or realize that the tar was just put there. it's not part of it.
well infi's watching me now, i better go upstairs. ze says i should get some sleep but also that i should stop talking about this for now before i overthink it. good idea.

anyway i am so sorry boss for going to sleep at 4am, things were just all over the place today, you know weekends.
we'll do better tomorrow. we always do. i love that about us.

i love everything about this, who am i kidding
good and bad
it's all part of the kaleidoscope
this paradox of stained-glass color and shadow
of light and dark and beautiful broken pieces
and i am madly in love with it.


have a good morning.

 

 

prismaticbleed: (held)



quick stream-of-consciousness update because this needs to be a daily thing again.
i don't want to forget anything, and the more i tune in, the more happens. man i miss this, it's beautiful.


first, laurie told me to write this down-- on friday, on the way home from grocery shopping, I had apparently sadly said "I wish people would just front like they used to," and since I was so distraught (and having trouble fronting myself) laurie had called josephina in? and he had fronted very well for about ten solid minutes! I don't know what he did or said but that's awesome. I am very very glad to hear that people can still do that. odd as it sounds I miss that, I miss being actively and undeniably plural; I miss feeling that I am sharing this body with everyone else. I miss the strange richness of it.

unfortunately friday is marked as being "troublesome" and so it is largely missing from memory. all I know is that it was a cloudy day.



last night.

talking to knife, laurie, lynne, and infinitii.
started out as I was going to sleep. we were all in the underground 'lobby' (relatively new), this open area between the main ground and the stairs that lead into the lowerspace and the underground. it's all warm glowing light and wood and it's nice.
knife was there because we had brought him there I think. I know he had been 'sleeping' in the christmas tree room? like that big church room where he set up the tree last december, he never took it down, it's still pink. he loves it. I had gone to talk to him and found him dozing off on one of the seats in front of it. gently woke him up, again I forget for what purpose-- there had been an important question-- and he came with me back to where I was talking to laurie.
lynne joined us shortly after, I forget when exactly. same with infi; ze had been floating around me all evening I think? but hir presence had been there and ze likes to talk to me at night. so it was the 5 of us just chilling out at 1am or so.
anyway laurie and I were again discussing 'getting everyone back together,' forging stronger ties between everyone in headspace, in light of the past 8 months of quiet. but then of course laurie had to also start teasing me about wanting to kiss everybody, asked if that was still a thing. asked if I'd kiss knife, we both got hilariously flustered for different reasons. I said "he's too adorable," but knife just wanted to know what that act would entail? he was blushing over the details really. he's like that. but laurie was cracking up at this. lynne was giggling about this too, I think she joked that she'd kiss me first as an example or something. I again protested that I couldn't do that so casually, but wondered how much of that feeling was old social programming, having to act a certain way. somewhere around here I paused, and asked knife if he was aromantic? it had just hit me. he asked me what that meant. laurie joked "what do you mean knife's not romantic" because he fits the literal term to a T. but she then said that she was aromantic and yet she'd still kissed me; the two things weren't mutually exclusive.
lynne and laurie got off on a tangent then, poking fun at each other as always. but as I listened I was again struck by how self-assured lynne always is. she's playful but always mature, it's a great balance. anyway I remember laurie made some joke about infinitii, how once you've been hit by hir vibe that's it, you're gone. lynne giggled at this, infi gave laurie a look. laurie shrugged and apologized, said that with me you just never sleep again. I said only because I stay up so late. she laughed and said that was the point, look at what time it was

anyway knife was still terribly confused and I guess we were all treating this topic too lightly, because without another word infi got up and walked over to me. everyone stopped talking, and I remember being both mesmerized and intimidated; the way ze walks is always so graceful but deliberate.
but if I was nervous at first, that melted almost immediately. when infi got closer (like within 4 feet) it was like this quiet black surge of love just swelled up around me, like velvet, it was heartbreaking and powerful and tore me glittering in two. I remember helplessly reaching up to hir (I was sitting on a low bench) and ze just knelt down in front of me and held my face, looking at me without a word, and I was in tears. I choked out that I loved hir, and infi said "I know." with hir mouth. that alone was huge, but… that's usually cz's line. and hearing it from hir, in a manner ze usually reserves for hir darker side, held such huge significance that it moved me to a sort of joyously humbled silence. I absolutely adored hir in those moments.
infi was talking to me then. I forget the exact words and I'm sorry. I was too overwhelmed with the sensation of hir being there; if you've ever been that close to hir then you know what I mean. but mostly it was a reminder, don't downplay yourself, don't mock or doubt yourself, etc. remember this and the truth of it. and yet there weren't much words. there was too much feeling and I forgot how much ze feels. all those eyes, and the way hir voice just echoes. I honestly forgot where I was for a while.

knife teared up after seeing all of this (caught me by surprise as I forgot anyone else was in the room), said "that's what I mean," and explained that he wasn't yet 'accustomed' (wrong word? more like he didn't know how to handle it) with the sort of 'love' that sort of behavior would elicit or require? he was stumbling over his words too; very strong vibe of him being surprised at his own reservations.
I pointed out that he didn't seem to have a problem with infi, but infi said that wasn't surprising; ze didn't require any sort of behavior from anyone. people reacted to hir in the way most natural to them I guess.
we tried to reassure him but he had too many questions in general. then oddly, when trying to explain what he saw as that 'more romantic' sort of love, knife gave "lynne and spine" for an example? that caught me by surprise. laurie said "wait what" and asked if this was true? lynne paused for a moment, then nodded, said yes. explained that although she was 'dating' julie, she wasn't 'in love' with her, at least not yet (that 'growing into' possibility was important). but she did love spine, the same way I loved laurie.
laurie paused and said 'holy shit' at this, rather reflectively. she also said that was really sweet actually.
(also! note to self: remember last month when lynne and spine 'started' the orange realms? they were walking through the woods. I saw it secondhand and it was very dreamlike so it's hard to remember but I never wrote it here so there's at least a mention)

anyway, knife was torn, he loved people naturally and simply, was it 'bad' or otherwise detrimental for him to not find that sort of behavior similarly easy?
infi then strongly reiterated that the sort of pure, innocent, affectionate love that Pinks held was incredibly important and that knife should never downplay it or think of it as 'less' than anything else.

sorry that whole bit's a mess. the Pinks are still clearing out residue from the julie days obviously. I just wanted that written down because it happened.




today.

infi was in my dream before I woke up? some odd thing with weeping angels and someone almost dying as a result? but jessica was there, styled like a powerpuff girl oddly, but still actively vicious. the partner of the dying person was trying to save them, tearfully so, jessica kept trying to sabotage it. the person was making some sort of poultice out of gems?? like there was an opal at the center, and all these rubies in what looked like white icing. they had to knead it to get everything at the right consistency or something, they had to ultimately put it at this spot on their partner's back. apparently that's where the "lethal injury" was, it had split their spine or something? very sharp memory of the color green at impact point, like a geyser pool in color and shape.
anyway. right before I woke up, infi showed up in the room, which caused jessica to disappear entirely. ze then gave the distraught person a lump of gold to put at the very center of the poultice-thing. then ze gave them all the final instructions and helped them apply it to their partner's spine, reassured them everything was fine, they would live and heal completely. anyway I thought that was interesting, that ze just walked in and helped the situation resolve so compassionately.

had to drive to mum's house to get vegetables, randomly said hello to waldorf while walking to the garden (I missed her all of a sudden). she was putting up light flowers like bruce munro's work, all in this blue glowy techno-forest area. like a city street lit up. she said she was trying to build the Blue realms, bit by bit, she was experimenting with ideas. I said it was gorgeous so far, but then asked why the sudden nature imagery? I thought she was more technological in general. she said yeah, but she figured she should work with elements too?
kind of blurry, I'm not sure what she said blue was, hinted that yellow was electric and that sky was air? but also MIRRORS. very clear flash of that! green was nature, aqua wasn't mentioned but I wondered about it.

at some point during church later (xennie was there too!) I was strongly reminded of laurie, I don’t recall what exactly, but I remember holding her hands (both at once, together) in this meaningful aching way. there's this crystal clear visual memory of the bandages on her arms, and that her hands looked slightly battered (little red cuts and things). she gave me this very meaningful look that I didn't meet exactly because it would've broke me I think. was too enraptured by her hands, the moment was practically tangible
in any case some minutes after that she said we should "do that rotating thing," in terms of who would be my main advisor or confidant for the day. I wanted deeper emotional and mental connections with everybody, and besides Central needed to get a deep understanding of the daily life too.
long story short laurie pushed me a bit and told me to go talk to someone else for a bit. so I ended up spontaneously talking to nathaniel.

nat's got this lovely little pocket-realm going on for Green, branching out from his room (which is mostly thick forest branches and pink roses-- always has been). we were sitting in the boughs of some ancient tree, surrounded entirely by that flowery canopy, watching the sunlight filter through the leaves. I think I was holding his hand, something simple like that.
nat reiterated that he dealt with "love in the face of change," or "love throughout all change"
also said why his being a moth was significant. not just the metamorphosis, but also because moths fly at night, and they are drawn to the light. even in pitch black they will find it, but in the darkness they are not lost. they have a sort of quiet inner peace, a silent and unhurried faith. nat said Greens are like that, that's their virtue, is that serenity and faith in the universe.
he said sergei fit that extremely well too. it struck me that so did the queen, surprisingly.
reminder that aqua voices hold devotion, or fortitude?
also total agreement that violet was tied to the cores? like all their roles are partly to advise and support the core, not just laurie. I said that made sense, was definitely possible.
anyway I remember as he spoke about the moth thing, he was talking with his hands, eyes so bright and wide (such gorgeous eyes; they're like big emerald cabochons), but still radiating that essential calmness. kind of like the sunlight in the trees. but he looked so genuinely happy and inspired, I smiled so much just listening to him, feeling his history in his words, knowing how much it meant for him to be here now, as he was, talking like this.
also I think he has moth fluff. he has to. I remember there was fuzzy green around his sleeve cuff, couldn't tell if it was part of his outfit or not. I've never seen him without his robe, so I have no idea.

"navy singer" out to sing during mass, she's finally feeling more like her own person now. name is "nienna" I think? root letter was "n" in any case. I originally thought she was tied to sapphires but that's a (small) aesthetic tie, not a name tie.
her role is actually "the ability to 'join the song' without being afraid of your own voice," so to speak. so yeah she's a singer, but more specifically, she sings to be part of the music, part of the choir, without a shred of self-doubt or misplaced guilt. that was very clear today.
she also has heavy hair. long, and wavy, like silk. reminded me of water, very subtle 'wave' to it, all in one piece. it's not like lynne's! hers is lighter and curls softly. they both love their dresses though, but even then the styles do differ!


got home at 6pm or so. xenophon spent most of the evening with me and oh my lord she is such a sweetheart and a godsend.
she is definitely violet, haha. unflinching integrity. kept keeping me on track, not letting me slip, et cetera. making sure I was talking care of myself. and best of all? there was NO backtalk to her orders from the floating voices OR the old girls. it was the best and safest evening I have had in weeks, dead serious. I love her so much, I am so humbled to have this kid calling me a father, her love is absolutely unfailing. I hope I can give her the same.

massive e.d. voice resurgence later though, that was a shock
the destroyer was talking to xennie for quite a while! that's new. xennie was distraught about so many other people being out when she was just trying to help me, to that the destroyer said "jay doesn't eat; he never eats" and it later hit me that dude, I DON’T, that's not my job! which explains why there's so much difficulty there. on that note xennie asked something about that, forget what exactly, but the destroyer ultimately said that's why the "eating" concerns were such a huge battleground-- I'm the core, the person supposed to be fronting benevolently whenever possible, but the eating thing isn't my fight. I can't take up that cross, by my role. so other people like to sneak in and 'act in my stead' then, claiming authority, but harming the body. so lots of headvoices deal with the e.d. stuff as a result, it's a mess since as soon as that battleground is entered, so to speak, switchiness becomes the norm. several people phase in and out without any real sense of order. the destroyer said we needed to get some coherence there, emmett needed to be on-call at all times, spice needed total authority given to her if at all possible, etc.
then the destroyer said she works with fig-- confirming her as both alive and nonhuman, but still not a fully developed individual yet-- and that fig's job is to hold the idea of "joyful eating," something totally alien to us currently. fig is the childhood experiences of actually sitting down and enjoying meals, of seeing eating as something caring and thankful. however the curse is that she holds a lot of outdated memories, of childhood foods that are no longer safe or appetizing or even wanted. so we're working through that. but since fig wants to 'enjoy' those old data foods, but cannot know (due to that old data) whether or not such a food is even edible now, she is trying everything. but we cannot eat like 98% of it so that's where the destroyer jumps in, to get rid of toxic food.
xennie asked her at one point why she can't just leave the food for other people in the house? yeah it's 'poison' for us but not for the family. if we know we can't eat it we don't have to. the destroyer paused, notably, and said that she hadn't thought of that before. that definitely was an option. so that's good.


this evening laurie and I agreed that xangas need to start happening again.
there has been too much downtime, as a whole, and that's giving the ego remnants (the "old girls") too much power and influence. that hit me today, sharply, during church. so we need to put in heavy duty work now, just like when this all started, to connect back together as a system, as a whole.
laurie's idea is to write down, during the day, discussion topics both good and bad. like if a problem or concern comes up, write it down and we will discuss it like we used to, with anyone who we feel should talk about it too. same with good things that happen, write 'em down. basically I should start carrying sherlock's book with me and keeping a running log. really that would be very beneficial.


anyway it is now 2:30 am and I cannot think coherently long enough to type anything else! good night.





oct 26

Oct. 26th, 2013 06:45 pm
prismaticbleed: (worried)


Lots of important stuff today, good heavens. Let me write down the important stuff first.

- First off, THIS HAPPENED last night, it is relevant so there you go.

 

- There was a "hack" this morning, if you can call it that, since we usually reserve that term for Julie's efforts. However, J REALLY slipped, and Infi is aware of that. However, since everyone was incredibly vigilant this morning, surprisingly, that painful experience triggered a lot of new awareness, since we were actually paying very close attention to every little detail this time.
The most important realization was this: J's very function PREVENTS him from being conscious in those situations! We didn't know that up to this point, but it explains why every attempt to fix or stabilize him fails disastrously-- he doesn't need to be fixed, and we're all getting confused because we're dealing with different people every time. On that note, if you readers didn't know-- yes, in our System he CAN dissociate in headspace. Our System is internally based after all. Only the bloodline fronters seem to do this though; when other voices slip, it's a result of energy confusion or bleedover, not an actual identity split.
So when J suddenly stopped acting like J, Laurie stepped in and took charge. Since J was in a mostly-energetic form at the moment, she literally reached into that, and pulled out whoever this split person was. Well, the person she removed had red hair and eyes, and although he looked different, the first name on our minds was Eros. That guy's been a 50/50 threat since he came into existence last December, and when he disappeared we were all wondering what happened. See, J has to stay separate from the things Eros holds, as they stand in total opposition to his function. So having the two of them unknowingly share a body was just a disaster.
After that, the memory is extremely fuzzy. J cannot access it, and we do not know who stored it. Infi remembers most of it but he won't elaborate. All we know for sure is that, after everything settled down, J "showed up" and said he had no idea what had just happened. That is when Infi declared the second paragraph here (J himself isn't damaged, he's just tangled), but then the body fell asleep so recall is also mangled thanks to that.

 

- We were right all along; J is NOT the default fronter now, even after the reset attempts, and there are a LOT more than two people who cycle that role during the day. Since we've been paying a lot of attention to it for a while as well, and today there was some notable clarity, our tentative knowledge of the people who typically front is as follows:

 

 

  • J (white hair and eyes). He is the observing inner consciousness, but he is not tied to the body. Ironically, although he is unmistakable when he fronts, it is notoriously difficult to tell when he's not fronting due to everyone assuming he's in charge downstairs as well. A rule of thumb is that he's very childlike; his central tenet is innocence.
  • Jay (brown hair and eyes?) He is NOT the same as the above guy. We're still trying to pinpoint him actually, but he has no trouble fronting in the body as long as dysphoria does not become an issue-- then he gets kicked. He's eccentric but relaxed, preferring to keep to himself. He seems to be somewhat "cut off" from upstairs, meaning he is likely anchored on the downstairs level. He also appears to be the "default" fronter, instead of J. We are also NOT SURE if he is tied to "Jayce" at all? But we haven't seem him interact with a reflection yet, so.
  • Jewel (brown hair and eyes). She still wears her backwards baseball cap and Klonoa-styled hair. Her age is still unknown; although she appears around 13-14, she often gives her age as either "12" (her original, most stable age) or "16," possibly because 2006 was the last time she was actively able to front in the body. She's always optimistic and loves life, but she finds it incredibly difficult to interact with other people due to her internal roots.
  • The Autopilot, who does have a corporeal form: it's a cyborg, all white plating and black wiring, with red accent lights and eyes. It doesn't have a "personality," but it IS self-aware, although it refuses a "self,' if you can grasp that concept. It gained its "overlay" form (the personal physical appearance that a fronter projects "over" the body; they're not necessary but they are helpful, also they do not need to also exist in headspace) when it fronted for several days in early July, during the first massive reset when Infinitii was temporarily dead.
  • An unnamed female voice, who is only triggered by 'casual' social interaction. She's been around for years, possibly being born at our first job, and she causes us a lot of trouble because she is almost entirely automated, without any "personality." As a result we think she's a splinter, not a headvoice, and we're going to try and either reprogram or dissolve her.

 

There are likely others, but these are the only ones we are sure of.
Also, it still seems to stand that any Leagueworld fronters have NO "SELF," as that severely interferes with Link function. League work usually occurs with marked dissociation, but no fronter-- meaning the body is running on automated programs during that time. This can be very dangerous, which is why we are trying to fix programming, or at least put ourselves in safe situations where harmful automated functions would not be available.

- It appears that, if two headvoices from different levels are trying to front, they CAN co-front to an extent, since they are operating in different respects (typically downstairs voices stay in the body, upstairs voices stay in headspace). This is interesting and offers new possibilities that we may be able to use to our advantage.

- The "underground" (Tar level) headvoice that has been tormenting David has been revealed. Her name is Sharona. She is an adult woman, which is unusual. She has long black hair and shocking blue eyes, which is noteworthy, as Julie also has blue eyes and this may be playing havoc on the BLUE slot upstairs. In any case, Jeremiah and Mulberry have taken a specific stand against her for the sake of protecting the children.

- I just remembered, we were doing the laundry earlier and Jeremiah suddenly fronted? That was surprising; it's very rare for headvoices to spontaneously front as their functions are mostly internal. Apparently, my grandmother owns this really fuzzy blue sweater, and Jeremiah saw it and showed up immediately, cuddling it up to his face for a while. Apparently it was the "perfect sort of sweater" in his opinion, which is good to hear actually, as he's very picky with clothing due to not feeling "safe" in most of it.

 

- Knife, Laurie and I (J) were trying to talk to Christina for a while this evening. Laurie was right; she is scared. She was trying to explain the whole "Jesus died for your sins" thing to Knife, due to his 'atonement' role, but he was struggling with that concept apparently? Then at some point he let it slip that he was a vampire and she freaked out. Knife was confused (as usual when that happens), but so was Christina, because Knife wears a cross, and those are usually used to repel vampires down here in the physical world. Anyway I have no idea what else they talked about, all I know is that Laurie was standing further down the hall from where Christina was (she was in some sort of small chapel; it felt like it was underground), and the two started talking. Knife asked Laurie if he should stop wearing a cross, because he didn't want to casually wear a Christian symbol if he didn't identify with that, and that's when I showed up because I clearly heard that line and decided to speak up. So I phased in and told him that Hosea, a character from Hokthai, wears a cross because he sees its ties to the Jesus act as a reminder of "someone who loved humanity so much that they were willing to die to save it." However, we all had a bit of trouble with the idea that humanity was "inherently bad," in the original sin idea, so we were discussing this again when Christina stuck her head out the door and grumpily asked us why we were there. Now that's when we all started talking to her, but you'll have to forgive me because my memory is awful and I don't know most of what we talked about. I do know that she was mad at us because we all have qualities she views as "wrong" somehow: Laurie swears and "isn't a boy or a girl," Knife is a vampire, and I'm apparently a "homosexual" (which is a common but not entirely untrue misconception). Of course Laurie kept trying to get her to explain her views on this, but Christina essentially refused to question things too much, as she viewed us as "devils tempting her," trying to get her to "lose her faith." To that Laurie specifically said that no, she was trying to get her to "expand it." She could have a much more inclusive, open-eyed faith if she would stop refusing to consider other facets of things. But Christina's fear won out and she said no. Again, we talked for a while, but we didn't give up and leave until Laurie somehow ended up mentioning Julie, and Christina got stuck in this bizarre moral complex, saying that it was wrong for Julie to rape people because that was "abusing the gift of sexuality" (which Laurie was actually thankful she said; it meant that I couldn't try to convince myself that being abused was a "good thing" out of my own fears, if Christina of all people disagreed)... but then she said that Julie was doing the better thing in "trying to cure me of my homosexuality," and although she couldn't justify the rape with that, she couldn't completely condemn her either. At this Laurie literally threw her hands in the air and said "that's it, we're done," and left without another word basically. She knows when to stop! Anyway after we left we all agreed that we were going to stop having such spiritual/ religious talks with Christina because, really, we were doing the same thing we wanted her to stop doing: trying to convince people to change their opinions to what we wanted. As a result we all decided to let her do her own thing, unless she started actively harming people, then of course we'd have to step in. But no more controlling, even in indirect ways. That's not good.
Oh, and I almost forgot: at one point Laurie asked her if she was trying to convert everyone because she cared about them, or because she cared about everyone having the same beliefs as her? Would she still care about us if we weren't Christians? I don't remember if she answered that; she seemed really conflicted over it, especially with how "morally corrupt" she saw the three of us as, for different reasons.

 

- Lastly, most importantly maybe, Waldorf managed to FINALLY anchor back into headspace today! Josephina (who has been unstable but at least he's not dying) was ecstatic to see her of course, so that was great. Wally is seriously considering moving back into the Central BLUE slot if at all possible, since she misses us and really, she could hold that role really well if only we could fix the inherent instability in the Blue slot (same with Pink obviously). So we'll work on it. We missed her a lot.

- No wait, on that note, I forgot to mention why we're so worried about Sugar right now. Besides notable inner instability, the biggest warning sign that a headvoice is slipping into demanifestation is that people tend to forget them. Like they actually "slip" out of awareness. Before Waldorf left Central last year (as she was slipping too badly at the time to stay), we kept "accidentally" leaving her out of headspace lineups, forgetting that the Blue color existed at all, stuff like that. Major warnings that we couldn't believe were happening. And it's happening now, with Sugar. Although we're all aware of her, in therapy she often gets excluded from lineups, which is bizarre, and lately I've been forgetting her color slot. Which, again, is freaky, because I know full well what it is, but it's the present knowledge that falters when someone starts to slip. Thankfully we're at least now able to tell that she IS being "hacked" by faceless people, in that they are literally using her like parasites thanks to her energy being so close to theirs, so we can drag her out when we catch it. And thanks to that, her internal form IS becoming more clear and stable. Turns out there is a faceless voice that took on a temporary form that looked almost IDENTICAL to her, except it was brown in color. I daresay that sounds familiar? (We were vaguely suspecting of such an individual over a month ago). AND that weird faceless voice that seems to be protecting the Spectrum room has latched onto the idea of holding a Pink slot, thanks to us talking to it about it... problem is it has become fond of Sugar's slot, specifically, which isn't good as she's already in it! That needs to be fixed, we don't need it being stolen. So we'll continue to be vigilant about her.

- Oh wait. Forgot to mention this too because it felt too much like "nothing changed at all."
CHAOS IS BACK IN HEADSPACE, AND HIS COLOR CHANGED.
I am dead serious, he's something like this starry dark blue it is CRAZY. Also I think his name changed in headspace at least? Like with Ryman and Markus and Genesis. And that makes me wonder; I think that NEEDED to happen. He was the only one out of our original group who didn't fix their manifestation in that sense, so this was surprising but not unexpected if that makes sense.
Anyway, I didn't get to talk to him yet. Not much, I know I saw him talking to Laurie and I said a few words but I don't remember that sadly. All I recall is being unable to access any memory of him again, and Laurie said maybe we just need to get to know each other again? Like just be friends and spend time together without any preconceived notions. Chaos smiled and said he was perfectly fine with that. So we'll see on that too.


That's it for tonight; battery is about to die again so we need to call it quits for now.
Tomorrow is Sunday, with the NNWM thing that we're honestly not sure if we can pull off: writing books is beyond the abilities of most of us as we don't think that way; plus we have no idea what "normal people" live like... but thankfully we don't write about "normal people" when we do, so that's a slight relief, haha. In any case we did sign up, so we'll have to deal with it the best we can. Here's hoping there's no social fronter interference though; being in a group of people like that usually causes instant dissociation. We might have to rotate people, who knows.
In any case, no use worrying about it. Let's just give it a shot and see how it goes.
See you tomorrow evening, let's hope!

 



 

 

 

prismaticbleed: (held)

 

 

Disjointed running entry while I'm thinking of these things.

WAYS TO TELL APART SIMILAR DOWNSTAIRS VOICES...

FEELINGS OF ANGER
• Overload is the trickiest: she doesn't get "angry," she gets overwhelmed. Waves of outward violence are common, BUT they are backed by feelings of trapped panic or desperation, NOT fury or rage. Triggers for her are also NOT related to human touch, those will trigger a fear-alter instead.
• Sugar only gets angry at sexual/ suggestive things, or suggestions of such. She is NOT triggered by actual touches; again, fear-alters react to those. Her anger is outer and caustic, like a focused explosion, and it is often spontaneous. She WILL attack people if not stopped.
• Jess gets angry at being told not to do things, or by feeling "controlled" in any way. Her anger is inner and feels "toxic;" if she spits it at other people it's passive-aggressive and usually verbal. She will fiercely judge and hate people, but she does not attack.
• Knife has a quiet and "dull" anger, more of a feeling of judgment. It does not hurt or burn, it feels more like a shadow. His anger is ONLY directed towards fronters. He has no concern for the actions of outer people.
• Razor DOES NOT GET ANGRY, contrary to popular belief; she's only "manic." Her sole concern is whether or not she can cut things. However this means she CAN co-front with an angry person, waiting in the wings for permission to attack. Thankfully she has only actively directed that inwards so far.


FEELINGS OF FEAR
• David immediately starts wailing and/or crying. However the AP will usually send him back inside shortly, so he will front for about 10 seconds and then the body will "shut down" temporarily to recover. If forced to stay out (typically by social interaction), David will begin stuttering and sobbing in terror, running away whenever possible. He is most often triggered by touch.
• The "dead red" guy goes into an unmoving, unspeaking state, usually shaking and with very closed body language. However, there is always a very real feeling of terror and hopelessness buried in him. He is only triggered if there is NO way out of a situation, as he has no capacity to run away on his own.
• The little yellow girl panics immediately. She does not run either, but only starts shaking and holding back screams; she doesn't cry. She's more often triggered by potential danger, such as being in the same room as a threatening person.
• Jeremiah panics and looks for safety, but he's more "hopeful" than the others and will not focus on the trigger itself. Weirdly, so far he has only fronted AFTER hacks; he seems to exist to "buffer away" that stuff from the littles. He is not triggered by fear of any other sort.
• The other little boy DOES NOT FEEL ACUTE FEAR, only a sad, surrendering sort of defeat. Therefore he is triggered passively, and has not yet fronted in the body actively. He types more than anyone else in this group, but is still mostly an enigma.


IMPORTANT NOTES

• In light of recent events, there seems to be a MAJOR DISTINCTION between physical and non-physical sexuality. Most fear-alters are triggered by suggestions-- voices, mannerisms, movements, sounds, colors, and the like can ALL elicit either Sugar's rage or David's terror, for example. However, when actual physical touch is involved, explicitly sexual contact gets a FAR different reaction than general touch-- the latter almost always triggers David, while the former gets the "dead" alter. Anything that's a threat of sexuality gets a reaction of fear, panic, violence, rage, etc... but when ACTUAL physical sexuality is faced, everyone SHUTS DOWN and the body goes into a DEAD STATE, dissociating entirely. THIS IS WHY HACKS ARE COMMON AT NIGHT; THE PEOPLE WHO ARE TRIGGERED BY ACTUAL SEXUAL ABUSE DON'T FIGHT BACK. THE ONES WHO DO FIGHT BACK ARE ONLY TRIGGERED BY THREATS.
• David and Kyanos were "fused" for a while, because they were trigger-forced into manifestation in the same slot on 042313, with David being the stronger consciousness. When Kyanos died in May they broke apart, and gained their own respective bodies after the 060113 bluescreen. This fusion occurred because, at that point, the Spectrum had a very finite slot lineup, with only ONE mutant blue position.
• Minty MIGHT be semi-responsible for this splitting of their consciousnesses, as the night before the bluescreen she found Kyanos in the city, ghostly and barely alive, BUT with his new angelic body (apparent non-manifestation; he was effectively "ghosting" in headspace from his formless state, that is BIG in and of itself). He wished that he could "live a life where he wouldn't be afraid anymore." Minty said she'd try to "grant that wish," imploring to the stars to do so. The next time Kyanos was seen was 060813 (possibly thanks to the Subeta visual aid), he had a solid body and was anchored into an entirely different slot.
• Jeremiah was FORCED to manifest by the AUTOPILOT on 060813, during a graduation ceremony, WHILE Central was still locked out! I have a snapshot memory of the AP and the younger Jewel in the mid-levels (the stark white hallways beneath Central City), surrounded by several formless voices, most of whom were trauma-triggered due to all the females in gowns around us. The AP demanded that anyone who fronted should have a face and name, and therefore "shocked" the loudest one at the time into doing so. That person was Jeremiah. THAT WHOLE INCIDENT HAS BEEN OVERLOOKED because it occurred during the "dead period" and it is ONLY accessible via archival memory.


QUESTIONS TO ASK

• Concerning the sexual abuse point again, what the hell is Eros' deal? Sure, he's our biggest help in 'coping' with triggers, since he can view them from a non-traumatized perspective... BUT HE'S ALSO THE MAIN REASON WHY WE KEEP GETTING HACKED, BECAUSE HE'S INCAPABLE OF COMPREHENDING THAT SIDE OF IT! Needless to say, the entire Underground is pissed off at him, and I know for a fact that Sugar has every intent to kill him if she finds him. I, for one, am disturbed because this guy specifically splintered off of my consciousness and I DO NOT want him back, but I'm scared because Christina keeps demanding I "accept" that stuff and frankly I would rather die. Anyway that's not the point. Figure out what in the world is happening here, and whether or not we can turn Eros into a safe individual.
• Were Kyanos and David fused with the THIRD little boy from April, the one that is STILL unmanifested and likes to write in this journal a lot? Find out as much as you can about this third person, because being formless yet, he still has access to archival memory. (He simply might not have a solid anchor yet.) See if you can talk to him late at night when he likes to come out.
• On that note, by 052313, Kyanos was still dead BUT David and the other boy WEREN'T. Sugar was also evidencing through spontaneous fronts at this time.
• WHO exactly is the "red voice" from around April? It WAS female, but felt like a weird fusion of Jewel and Jess. Since the Tar was getting into everything back then, it might have been so! Either way it still exists, although it does not have many fronting opportunities now due to the Lowers manning the house (thank God). Get as many details on it as you can.
• HOW DID CHRISTINA TRIGGER A LOCKOUT/BLUESCREEN AND WHAT EXACTLY HAPPENED THERE???
• Razor and Jess killed Christina on 062213, but she manifested EXTREMELY quickly, and didn't reset. This is disturbing, especially because Razor refused to kill her again until she found out WHY that happened, to prevent it. Christina apparently HAS reset recently, though, judging by her dramatic personality switch. FIND OUT HOW/WHEN IF POSSIBLE.
• There was a malicious headvoice in a dream on 061213; was that her, or someone else?
• DID THE LOCKOUT PERIOD "FRACTURE" HEADSPACE?? Prior to that the Spectrum was the core, but afterwards, TONS of broken color positions opened, allowing all the voices to anchor into bodies of their own. Was this intentional, or a side effect??
• Are Sherlock and the Autopilot linked? REMEMBER, Sherlock has fronted for many of our therapy sessions and research binges (he's obsessive with knowledge). On the contrary, the AP is more robotic, and has only fronted as an individual ONCE, during that job application at the beginning of June, when Central was locked. During that time, it could ONLY communicate with the child Jewel. Similarly, Sherlock (when inside) could only talk to Mulberry at first? Basically just look into these two, and clarify the contexts of their consciousnesses.
• Sugar and the overload girl MIGHT have been fused while the former was gaining manifestation energy; ironically, they both deal with entirely different things BUT some of the things that can trigger overload (and David) also trigger Sugar (certain sounds mostly). Basically that whole group is a sorry mess, so work on helping them refine their energy if possible (overload isn't solidly anchored yet btw, and Sugar feels highly unstable).
• Eros is an incredibly intriguing individual, mostly because he was co-fronting with the red incarnation of J for MONTHS before he "split off" and became his own person-- and that possibly didn't happen until AFTER the Scratch, when J completely switched colors: a phenomenon never before seen (all previous core-fronters have been Red).
• Why is the Red slot still such a mess? NO ONE BESIDES RAZOR HAS ANCHORED THERE, and those who have tried have all been "splintered" or otherwise highly unstable.
• On that note, why is the Blue slot similar? So far, EVERYONE who has tried to anchor there has DIED IN SOME WAY (Nathaniel, Kyanos, David, even Waldorf). WHY??
• What is the Brown slot? Is it really a mutation? Since that slot seems tied to body voices (Jewel, Jayce, Jess), there are a LOT of questions surrounding it in general.


THINGS TO DO

• Make a list with lower alter names on top (Sugar, Overload, David, etc.) and then beneath the names, WRITE MENTIONS OF THEM PRE-MANIFESTATION. For example, under Overload, you'd post the example of her freaking out over car exhaust and FRONTING while we were driving home. Make sure you have a clear picture of these guys, because doing that will help THEM to anchor more clearly; energy is a mess right now and you're the man who helps it get back in order!
• REVIEW EVERYTHING FROM THE LOCKOUT PERIOD (ESP. THIS)! The lockout lasted from 060113 to approximately 062013, which is INSANE.
• A lot of crazy stuff happened on 070213 AND 070313, please review them, esp. the latter because I wasn't there for most of it but it was HUGELY significant.
• The Lowers are trying to figure out which of them spoke in which hijacked entries from here. Help them out, because the more we learn, the easier it is to pinpoint typing styles and attitudes-- which is difficult as we don't have the visual aid of handwriting, or the mood of vocal tones.
• START HOLDING WEEKLY XANGAS AGAIN. No matter what, those ALWAYS super-boost System growth, so having one right around now would be hugely beneficial.
• Draw people. That is all.
• Draw up a tentative "map" of Headspace if possible; remember it's NOT "physical" so it does not obey earthly laws of space; several areas "float" or do not "exist" in physical terms, at least not in comparison to their appearances within headspace (think the Tardis, AND that room Laurie was in in that one dream).

 



 

 

 

prismaticbleed: (worried)

 

We need to learn not to update so quickly after events start developing in headspace... 24 hours can last an eternity, and can change just as many things.

To begin: that "positive" human alter (who called herself "Jess") was not positive at all. This is not the first time we encountered an individual claiming to be benevolent when they were, in actuality, trying to undermine the system. Long story short, she appears to be a splinter of Razor, a phenomenon we were warned about in the past but never witnessed. The two are intrinsically linked to each other, especially in behavior, and we are striving to distinguish all triggers for them in order to keep our system safer-- Jess is much more volatile than Razor, but if we are aware of her reactions, we can silence them before they allow Razor to break through and harm us.
Most notably, she has once again resurrected the old "this is my body, get out" complaint that Julie parroted during her original possession. Since we've never really known who the original body host was, this may need to be investigated.

The second alter, the "snakelike" one, is named Emmett. He's still very primal but he is learning that there are limits as to what he can do to the body, despite his good intentions. He finds eating to be "traumatic" so we're wondering if he anchored to one of the eating disorders our original host had. If so, we will need to work to help him overcome that and become his own person... or snake, if you will.

Third, Kyanos finally manifested on Tuesday evening. There was a severe family conflict downstairs that triggered his consciousness (such conflicts are thankfully rare as the blood family members do not associate with each other often anymore), and allowed him to anchor.
His manifestation raises many questions, though. First, he anchored into a light blue slot, and he is a child-- which is notable because that slot seems to be exclusive to "littles" (Nathaniel originally held it in a child form before he died and reset). Secondly, his behavior is very distressing: he stutters, cries a lot, and is constantly claiming that he misses his "mom and dad" and that he "wants them to be happy." Despite this he is terrified of being touched, and even the suggestion of such from a downstairs family member ("can I hug you?") can be traumatic enough for him that he will burst into tears and try to run. We have no idea what has caused any of this yet.
He's taken a liking to Nathaniel though, who is taking care of him in return. Nat's the only one of us who had an actual "child stage," so hopefully he can help soothe Kyanos's tumultuous emotions.

Lastly, "Jewel" is still a mess. He seems to have split himself between the Red and White system slots, as his pre-scratch self is almost inaccessible and he is having notable trouble remembering even major details concerning it. He also seems to have "splintered off" ALL of his emotions as a result of the same scratch attempt, and so we are trying to figure out just how severe this is. In any case we cannot say anything for sure concerning him, as he is a total anomaly to us right now and we do not know how to approach this situation safely just yet.
We also do not know whether or not he is tied to all the others that held the Red slot over the past 13 years, as they have all faded from existence.


In other news, Jess broke our computer so we no longer have internet access at home. We're trying to fix this, but it may take some time.
There are no other alters or splinters rearing their heads after the mess of the past week, which is a relief. At the moment we are focused on differentiating just who is who as far as energy goes-- it's loud and busy up here, and with the Tar still lurking (we haven't heard from it directly in a while, as it seems to be intimidated by Infinitii, but its uncharacteristic silence is worrisome) we cannot be too careful.


That's all we have to say for today. Any thoughts?

 

 

preamble

Nov. 13th, 2012 10:48 pm
prismaticbleed: (held)

 

Guys I'm sorry this is such a short update but I am just so sparkly-happy right now.

True, today's been a bit rough-- heck the past few days have been a bit rough-- but it's all for a very good reason so I'm going to keep on truckin' because it is entirely worth dealing with.
As for the roughness... well. You know that "mind=blown" update I posted about four days ago? Apparently, coming to that huge of a realization about our headspace opened up a LOT of doors... both up and down the hall, so to speak. Let's take it one person at a time.

First, Nathaniel finally decided to step up to the plate with his new color's responsibilities. Quick recap: his old function as the "blue" headvoice (when he was still female) was unstable; he couldn't communicate, and was manifested almost exclusively through a reflection, which had happened almost purely by accident and wasn't very strong. Nat didn't start forming an identity of his own until just minutes before I had to "re-absorb" his energy in April of 2008, an act which effectively killed him temporarily. Yes, both he and Lynne managed to reform in early 2009, but his existence was so unstable that he looked chronically sad and a tad sick. Then Julie straight-up murdered him, and when his energy managed to scrape itself back together, his form had "reset" to that of a mute child. But he was still unstable, and a few months later, he had literally deteriorated out of existence (His dog, Vincent, was also a "fragment" of him that formed due to his incompletion during his reset. Vincent never fully stabilized either, returning to Nat's own energy between '09 and now). Anyway, you all know that thanks to some psychological shenanigans on my part, upstairs energy finally became receptive enough for him to resurrect in 2011... except this time, Nat was a dude, and he was green. That was a surprise to all of us, but we just rolled with it. Problem was he never seemed to really "settle in" to the new position, and no one had any clue what his role was supposed to be. Well... I think we figured it out, on Friday. The short version? Look at a chakra chart. I'll elaborate on that tomorrow when I don't need sleep. (I think his appearance totally warped as well; he looks kind of moth-esque now which is boss but I'm curious as to the energetic cause of it so I'll get back to you on that too.)

Second, we discovered where Spine and Julie's "slots" are in the spectrum: I'm still trying to refine my hospital-induced sketch to more closely reflect the Kabbalah info I'm slowly accumulating (because it does fit), but in the original spectrum-centered diagram they were "beneath" the main seven colors? Without a visual it's complicated to explain, but Spine is beneath RED and Julie is beneath VIOLET. Apparently my behavior as a child screwed up the whole system but that was supposed to happen anyway, so... it's complicated but incredible. On that note there was apparently a "forced energy flip" due to overload in my and Julie's colors, which externalized to form the midpoints between Red/Brown and Violet/Pink... Xenophon is on the White side, and guess who's on the Black side? Razor. Dead serious! Also I keep thinking her name was supposed to be "Molly?" That stuck out in a dream I had about two months back as "belonging" to a headvoice I "didn't have" so I don't know. I'll look into it. Anyway little me really threw a monkey wrench in the system as it was forming so everything related to Red is completely anomalous, and I still don't have a full grip on it. Apparently a few people were shoved out of their "intended" places and the entire sub-spectrum was forced into existence when I decided to create Julie because of energy misplacement... long story! Once again I'll explain that tomorrow.
BUT! The big event concerning the mess with Spine's slot and color mismatching is that I think Spine looks like she does because someone else originally held the Brown slot, and their "essence" was stripped leaving HER as a skeleton, and forcing the "rejected" energy straight down into the Black or something? I have no idea, I'm trying to figure it out... but yeah apparently that "rejected individual" never really died, so to speak, and the implications of that (keeping in mind the color shenanigans) are pretty disturbing, but they make SO much sense.
That's where the current roughness is from though. Let's just say she's not too happy with how much has changed as of late.

Third, the reason why I am inwardly giggling like a freaking Care Bear:
WALDORF IS BACK.
Guys you have no idea how much I missed her, oh man, I didn't know if she was dead or just buried but DUDE I am so happy to see her again. She was my literary muse during 2002 but she never stuck around because I don't think she had enough energy to fully stabilize? But here she is! And do you know what that means? OUR SPECTRUM IS COMPLETE!! Seriously she fits perfectly into the Blue slot Nathaniel just left (Leon is actually INDIGO which is huge and I don't know how I never saw it earlier but we'll get to that too), which is the slot that deals with communication, and if anyone is a natural-born expert at that it's her! So I'm psyched, and I'm already making mad progress in typing, haha. Dude this is great.
Also apparently her hair lights up?? I always thought they were scaly-dreads like Kerrigan's but no, they're actually translucent tubes of the same shape and they glow blue, it is the coolest thing!!
I'll have to see if her eyes change color or not; they're still red at the moment... and still terrifyingly gorgeous as usual!
...
fffffffffffff WALLY I MISSED THE HECK OUT OF YOU WHERE HAVE YOU BEEN ♥ *continues fanboying*

Lastly, and most briefly... in light of all of those events, I've come to a more complete realization of who I am, and why my dysphoria's been spiking lately in response. It's somewhat scary but incredibly inspiring and it just gives me so much hope. If I can stabilize... I know, without a doubt, that everything will fall together. Consider that my spirit quest for this new moon! I'm sincerely dedicated to this, for my sake, for everyone's sake.

Oh, one last tiny thing for my own consideration... if Lynne's in the Orange slot, Spine's in the Brown, and I'm in the Red (as there was confusion there for a few months), does Dagger fit the long-empty Red/Orange midpoint slot even if it's not his "typical" color? Because all the other mids seem to be bending the rules a little, and seriously if he fits our system then GET BUSY with that mad potential the dude's buzzing with; I swear if he doesn't end up with a symbol and soulwings before the month is out I will be sorely disappointed in you, haha. I mean come on, he even fits the "ambiguously gay swordsman" in-joke everyone in our coregroup matches already. The kid's a shoe-in.
HOWEVER I am completely unsure on the lower-spectrum individual placements, as I have been for years, which is a significant fact in and of itself. Lynne keeps sticking to Red, at least in her general appearance, BUT she's always had either a Pink or Orange tint to it?? That NEEDS to be looked into, now that I've realized it... on the same note, Spine felt surprisingly Orange in the past BUT she can't hold color because of her skeletal structure, obviously. If my theory concerning her "stripped energy" creation is correct I don't know if she's even SUPPOSED to hold color.
Plus, thinking back to how I only started to feel genuinely "like me" AFTER the "Jayce" phenomenon in 2010 started, and that didn't solidify until my title switch in January... let's just say I have a LOT to think about concerning that.

Also I surprised Xenophon today by making kale soup entirely without warning and she was so excited it was adorable (she loves that stuff). God I love her so much, I really do... last night I honestly just went into her room for a few minutes to watch her sleep because the fact that she exists is just... it's incredible. I am so honored to have played a part in bringing her here. I am so honored to be her father.
I know I can live up to that role. I will.


So yes. Life's been awesome even if I do feel somewhat sick right now due to either stress or food or both. Ah well. Can't complain!

Now I seriously need sleep so you guys can look forward to tomorrow's major headspace update until then.

 



 

 

 

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