JANUARY

Beinecke Rare Book and Manuscript Library, Yale University.
This reminds us of our internal data archives (the ones that Sherlock manages), for some reason?
It's not a total environment match-- the biggest irony is that our archives seem oddly 'digital' or even 'magical;' there are no books-- but the color, height, and atmosphere of this photo
feels SO much like it, that I had to reblog it.

This,
everything about this is me, this is the scenery of my heart captured in photographs.
The vast and empty roads, the all-embracing hugeness of the world... I've said it before, but these are my dreamscapes, exactly so.
Waterfalls, keepers of secrets and fountains of life.
The wild and lonely oceans, which I love.
The snow, blank white promise, from horizon to horizon...
And the verdant joyous green hills, beckoning adventure.
I love this photoset. I really do.

Credit to the amazing
kichaa/notmusa.
Honestly, as strange as it may be, this is
exactly what it's like when I slip back into fronting after one of our self-destructive alters has been out.
plus panel 3 really captures the exact moment of "dude who was doing that"

These feel so much like headspace... it hits hard.
#1 reminds me strongly of a bridge I saw Lynne and Spine on a few weeks ago, in an autumn wind. I don't know where it was.
#2 is almost
identical to the Underground pathways.
#3 isn't exact, but the mossy walls by the river, and the trees above, is very strong internal imagery nevertheless.
#4, more Underground tunnels. It's actually really pretty down there.
#5. Central City's streets are lined with trees like this... and Laurie has a thing for cherry blossoms.
#6. I adore circular ceiling windows like this. I had one in my room.
#7 & #8 don't match anything inside, but the feeling of vastness and silence they radiate is very close to my heart, for lack of a better term. Our internal world is huge and quiet and spacious... my dreams are too.
I think these are from Cambridge. Either way, they are beautiful.

This reminds me of our Marigold, actually. She's about 7 too, but she's always looked rather dirtied and roughed-up like this. The outfit doesn't match, but that hair is perfect.
I also like that this girl is out looking at the grass like that, for a different reason. Marigold has rarely ever been outside (she lived almost entirely in the Underground prior to January), so she'd probably be a bit hesitant but fascinated by nature if she were to be so immersed in it.
Okay, we've had an awful night, and seeing this on our dash immediately after was too significant to ignore.
Our situation's a bit different, but this is more for personal records and reflection than anything.
1. One of our oldest and biggest safety measures during the "Julie days" was to turn on the lights. If there were a lot of lights on, there was nowhere for us to get trapped, or hidden, in the dark where they could get us. So for us this was different; the lights
revealed the monsters, but they were loathe to attack us in brightness. And when we could see them, we could get away.
2. This is why we have so many protectors and retributors. That's essentially their mission statement, in different words.
3. We've never done this, but the "water" bit is significant in a sad way. One of our outspacers-- Chaos 0-- is basically a liquid being, but he's one of the biggest targets for malicious forces in here. Maybe that's why.
4. This is VERY true. It's why Minty is working with the bear army actually. For whatever reason, plush toys ARE amazing protectors, to the point where hackers will actually go to significant lengths to get rid of them when they find them... or, to corrupt them. We've had to actually destroy a few old plushes because they became Tar anchors, and therefore lethal.
5. This was not vividly significant until tonight. We had a GREEN alter come out, brandishing blades, and shout to the shadows, "I'll fight you!" And she was not afraid at all, jumping at all these dark dangers with the unflinching intent to protect everyone else from them.
However, as far as Green goes, that is probably the most closed-out color in the Spectrum-- no one even held the
core slot until 2011!
I'd vouch that our demons are more afraid of the color violet, though.

In the old headspace, I had a huge window like this above my bed (yes really). I'm rather enamored by circular ceiling windows... and the way the building itself is wrapped around it.
I tend to dream about spirals and rings a lot, if that makes sense? At least in terms of memorably architecture. There's always staircases, and tiered walls, and huge open lobbies, and balconies in loops. It's gorgeous really.
Either way it was nice, being able to look up at night and see the stars high up above, and the sunlight in the morning.
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FEBRUARY
I need snow tonight.
I'm feeling shaken up and old pains are making my soul seem painted black, tarry and stained, wrong. But this strange and fragile powdery whiteness just washes it off, all of it away, in an instant.
Something about snow... it's absolving, exonerating. It's unconditionally forgiving. It covers everything,
everything in quietly cold crystal, sweet and soft, light and beautifully serene. It's magic. It's beautiful. And it makes me laugh, joyfully and without cause, like a child, no matter how lost I felt the moment before.
I love the snow.
I can't wait for tomorrow. We're totally going to get buried in it.♥
More snapshots of what the world inside my heart feels like.
Amusingly, only the bottom two pictures (
original post) don't quite match-- there's almost no yellow in my landscapes, or dry grasslands. For me there's just fog-kissed oceans, and mountain crags dripping with snowy pines, and the smell of ice and hope and tiny spring flowers. And then there are the massive beautiful cities, as clear and bright as the frost that paints them, where everything always feels like Christmas.
And I'm always wandering, always running about wild and free, giggling and feeling the wind swirling about my arms. Always smiling and practically bursting with a bright childlike love for this endless place, this reflection of me.
But you'll notice, I'm virtually always alone too. And I'm happy like that. There are plenty of places where I can gather with other souls, where there's camaraderie instead of solitude, and maybe we'll talk about what our inner worlds look like but we all know that those places are beautifully, perpetually private. We all know that they bloom the strongest and shine the most vividly with self-love-- something no visitor, however beloved, can ever bestow.
So I run around alone, and I love it all.
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MARCH
We decorated the streets of Central City with luminescent trees like this, a while back. Some had actual lights strung about them, and some of them just glowed on their own.
These are exactly the sort of color Waldorf would love, though, so this reblog is for her!
I really miss this boy right about now.
It's weird, how you can never really forget the people who impacted your life in some luminous way, no matter how small it may have been at the time… candles or bonfires, lamps or searchlights, they all tend to glow forever in your heart.
Ryou here… or Rio, as we call him in headspace… well, he turned out to be a bit of a supernova in his own right. When he appeared in my life 12 years ago I may not have realized just
what he was the herald of, but now? Now it's brilliantly staggering, really. And I'm deeply grateful for it.
Sorry I haven't said hello to you in a while, bro. I still treasure your existence up here, mark my words.
Emmett is this you
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APRIL

This was supposed to be a practice sketch but I got carried away. I love coloring this guy.
I'm trying to find a happy medium between "his canon look" and "how I've seen him in my head since 2003," but I think this works well enough for the time being.
I'll keep experimenting though; heaven knows I will never get tired of drawing him.
This is Josephina, one of my fellows from the BLC System.
He holds the Yellow slot in Central, so he's pretty important-- and he's probably our prettiest member too, haha.
So… this is what happens when I’m up until stupid-o’-clock in the morning.
In all honesty, we really do need to talk together like this again soon.
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MAY

*blows kisses to everyone online*
Today has been ridiculously nice and I'm really happy right now, so I'm sharing it. Have some sparkles!
♥♥♥!
#today really was lovely though #you guys even get sandman glitter look at that
Wandering around-- whether it be through towns, or cities, or forests, or fields-- is probably my favorite thing to do in the world.
That sense of freedom and peace, that feeling of having absolutely no limits and yet of being totally in tune with the world around you, is incomparable.
It breaks my heart how my local forests are being industrialized so terribly. I remember how huge they were as a child.
I want to treasure everything beautiful around me, every moment. I'm going to start wandering again, both externally and internally.
Momentarily feeling disheartened, "how am I going to deal with therapy tomorrow," realizing I've not been taking good care of myself lately... then I log in, and this is the first thing on my dashboard.
I don't know, it just... works. That rainbow, the geometric shape, the lovely light of it all... it made me smile, like the universe just reminded me, "you're gonna be okay, kid." But there's a solid courage in there too. You'll be okay, sure, but don't give up. Don't get lost. Keep going.
I'm not going to worry about tomorrow. I don't know what will happen. I'll just do my best with it when it arrives.
As of right now I want to tune into some joy, I want to break down my own walls, I want to feel like I'm a living breathing person. I'm just not sure how.
...aaand the universe just tossed the perfect music synchronicity at me in response to that, now I'm
really smiling.
Good night everyone. We'll be okay.

This looks surprisingly similar to the room we've all been gathering in for therapy sessions-- especially the couches in front of the big windows, and the overlook hallway from the stairs. We need spacious, optimistic rooms for therapy meetings because we might have 20 people gathered there at once, many of whom are likely agitated.
I'm not sure where this place is, exactly. It
used to be one of the extensions from Central, but after December it might even be in floating space for all I know. Nevertheless it's nice.
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JUNE
This feels so much like the deep areas of head/heartspace, where the positive monochrome energy flows about.
I've only seen this sort of firework once in the waking world, but the image of that gorgeous golden curtain slowly floating down above me was forever impressed upon my mind.
It also... reminds me of Genesis. We have this thing where, every year on his birthday-- July 4th-- he and I go out on the back lawn together, and stand at the edge of the hill, and just watch the fireworks together. It's... it means the world to me. I love him so much, I really do. He's given me some truly beautiful memories. So... really, I have to thank him for this one, too.

Her, 2013 (dir. Spike Jonze)
I love this, love this,
love this.
The compositions here, the colors, the landscapes... this is imagery all but stolen from my nightly dreams. Just silent open spaces and bittersweet solitude.
I really cannot put into words how inspiring this is to me.
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JULY

There's a place in my dreams that I've only ever seen once, and I adore it more than any other dreamscape I've seen.
I was there in 2003. I went there with Waldorf, Maitru, and Ryman-- the latter being the only reason we
found the place.
It was a small, hidden place, just a path of bright green grass lined with trees like this, perfectly lined up on each side. But in our dream, the sky was soaring blue with spires and temples of cloud, and the green hues all around us were as vivid as gemstones.
The path, though, was even more incredible. It stretched on for about a hundred meters, and then it cut off sharply-- falling away into nothing. Truly, the path ended in a sheer cliff, and standing at the edge one could see what felt like the entire world stretched out before and below them.
But the most incredible part were the stars.
Perhaps that's not entirely accurate. They were actually
crystals, floating in the air, all around our heads, but just out of reach. They were about 7cm across, and they were all shaped like crescent moons and 5-pointed stars and suns. All were intricately carved, faceted so that they caught the sunlight and scattered it in rainbows, and there were hundreds of them. They hovered effortlessly above that path alone, stretching up into the sky, seemingly limitless.
I stood there with Ryman and we laughed from the sheer joy of it. We were two 13-year-old kids completely enamored with the moment, knowing it was a dream but forgetting we were asleep, and wishing we could stay there forever.
I woke up and I can't remember having been able to visit that place since.
Sure, I've come close. I know the exact paths to take to get there. Problem is, the dreamscape itself has to line up correctly in order for those paths to even open, and with how realms shift in my dreams it is very rare for all the pieces to fit together. But I never stop hoping. I treasure all my dreams regardless of where I go, and one day I know I'll find this blessed little space again, and it will be like seeing it for the first time.
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AUGUST
I have had this exact sort of conversation with my therapist before!
I tend to feel colors/ sounds/ shapes/ textures instead of "emotions," at least as far as I understand them. I struggle to identify feelings like anger/ sadness/ excitement/ etc. because I only understand those terms as
labels, plus I do not know how others experience them. When I feel something, it's abstract all the way, and often I have no idea how to label it-- or even express it physically (that's arguably one of my biggest roadblocks in therapy).
It's utterly fascinating, sure, but it can be terribly frustrating as well, especially when trying to communicate or empathize in those respects.
I have to laugh-- in headspace, people put music on and then turn to me to see how I "manifest it," since my mind translates it into feeling-images. So I'll turn the entire room into a swirling, glowing, moving rhapsody of color and shapes, shifting with every note, all but melting into the sound as I do so. It's really fun! I'm trying to teach other people in the System to do it in their own ways.
It struck me, recently, just
how many of our Leagueworlds have this concept at their core-- the simple quiet truth that
every soul consists of stars. Every being is a galaxy in itself.
Feeling like this... I miss it. But one can never tune into it halfheartedly, or from such a feeling of false lack. The honest recognition of this ethereal phenomenon, the
participation in it within oneself, demands the utmost reverence, vulnerability, and
joy. But it's never gone. It's never lost. It's in my blood, and behind my eyelids, in every waking and dreaming moment. And that alone is an undying hope.
This is too relevant tonight.
Isn't it funny how, when I feel the bleakest and I need this the most, my mind thinks it's too good to be true?
And yet, sooner or later, I find myself at the shoreline, and no matter how battered and ashamed I may feel, the ocean is still there.
It is that sort of silent constancy that keeps me going... just the infinitely unconditional love of the universe, whether through a person or a thing or a concept. Not once has it ever failed me.
So, this is where the incredulously grateful grief shatters my heart,
and I try again.
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SEPTEMBER

Looking at this, it gives me the feeling of reaching into that solid darkness, and catching colored light
from it... like there was a hidden spectral glow within that assumed void. I like that idea a lot.
Forgot to post this.
I was scrolling through someone's archives yesterday when this post jumped out at me (obviously).
It was notable, though, not just because of my name, but because it was true. I was in a rather depressed state at the time, and any metaphorical flashlights that may have helped shine through it were misplaced or forgotten.
So this little orange card inspired me enough to pick one up, so to speak. It helped!
I miss having little things like this happen. It's nice to see them again.
Can I just say that this is terribly relevant lately?
Infi holds me just like that when we talk... and ze has this
terribly deep knowledge of the darkest parts of me/us, yet ze is so kind-- always-- to me and everyone else.
If ze can love me so unconditionally, when ze feels
exactly what I do on my bleakest and bloodiest days... then I can show the same love and kindness to myself, because I would never
ever withhold it from hir.
So this is extremely important to me tonight.
This reminds me so much of when we were in SLC... some evenings, Genesis or Chaos & I would walk up to the top of the hill our apartment was, so we could watch the cherry-red sun sink down behind the carved-out mountains. It was exactly this color.
It's a little closer to sun
rise right now, but this is lovely still. Have a good night.
#cz told me to reblog this #so here you go
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OCTOBER

The sudden, clear presence of time and death makes our awareness of life all the more precious.
It's always struck me as odd, how we can dedicate a certain place to a certain celebration, and yet the very repetition of that role can dull its significance to so many. But then there are other places, who see no such official proclamation of the same purpose, and yet which carry thousands of glittering moments within their humble walls.
Airports, places of travel and transition, places of goodbyes and hellos, are sacred in their own way, for how they frame and crown those great personal shifts and reliefs. And hospitals, places of healing and hurt, of fear and hope, labyrinthine and brilliant and cold.... they are holy too, for the paradoxes cradled within their walls, for the births and bones and blood alike.
I see both places as spontaneous yet continual monuments to those tiny, powerful events that can turn a life on a dime. In those moments, I think we can glimpse not only how beautifully brief our existence here is, but also how vast the universe is all around us nevertheless. We find ourselves suddenly suspended between humanity and eternity, for better or for worse, and that
vastness bursts from us in tears, in laughter, in prayers, in love.
It's hard to put such a feeling into words, but it's one of my favorite things really.
I love both airports and hospitals for this very reason. They feel terrifying and comforting at the same time, to me, and that sort of dichotomy is what I live to embrace.

This is kind of what it feels like when Infinitii calls me.
I'll hear hir voice, and suddenly I find myself in this barely-glowing space-- vast unknowable acres of shadow all around me, holding silence as thick as the scent of jasmine. It's a place of total enigma.
And then there's the
fog. Although ethereally inviting, all white and soft and cold, it's secretly terrifying. Like standing at the edge of a cliff, fear tugs at my heart as sharply as a knife edge, contrasting almost impossibly with the childlike bliss that is welling up all around it. The fog in that meadow, it is neither dream nor nightmare. I can't see two steps in front of me there. It threatens to freeze my very bones. But... it's so beautiful to be lost in that cloud, wandering through it with no sense of direction or destination... it's oddly divine, to lose all sense of time and space and self there. And yet that alone can be lethal.
That's what it's like to be with Infi, to talk to hir at all, to be close to hir at
all. It's unbearably lovely, as fragile as a bubble, but surrounded by hidden needles. It's the borderline between the allure of the quiet forest, and the danger that lurks there when shadows fall. It's blood and teeth, flowers and rain, dawn and dusk... still, you cannot resist its beckoning. It sings a siren song in a language I cannot translate, because words cannot hold it.
Sorry for rambling. Headspace has just felt like this more often than normal lately.

Dude someone actually has a
photo of this place I am
so happy.
This place was my
life as a kid. It was a little ways across the street from where we used to take violin lessons, and we'd go there once a week or so to get coffee for our elderly instructor. Rain or shine, snow or storm, it was the highlight of my week, and after gleefully running through the bushes to reach it I'd make every excuse to stay in there as long as possible.
Now that I think about it, those times were my first taste of independence too. We had rather controlling parents, so these little excursions to the cafe-- alone, money in hand, free to just
be without parental pressure to perform-- were bliss.
But the
inside of the place, it just stuck in my head like heaven. I still visit it in my dreams sometimes. Echoes of it are written into my creative work. The smell of the coffee, the warm colors of the wood, the newspaper-glossed tables, the magnetic poetry, the lollipops, the muffins, the books... I had never seen such a place before, back when I first knew it, and so the magnificence of it had quite the impact.
It closed almost 6 years ago and you'd never know it was there once, now. But I'll always hold it in my heart.

Sunrise in Foreste Casentinesi, Monte Falterona, Campigna National Park - Italy by
Roberto Melotti
...Chaos said I was like a “sunrise in the snow,” once.
I don’t think I’ll ever forget that. It gives me more hope than I can say.
Airplanes, for me, carry this feeling of being perfectly at home, and yet completely away from 'home.' They are returning and leaving all at once and I love it.
They feel like limitless possibility-- that exciting, frightening, humbling knowledge that
you have no roots in the air and yet, you can put new ones down
anywhere, now.
They are a commitment to the unknown, in my book, in my experience. I miss them, but they are not to be trifled with. To ride one you must become displaced from wherever you were before. My mind thinks in absolutes, when traveling. When I'm on the road, or in the air, that is all that exists.
One day I'll experience this picture again and I will treasure it as much as I always have. Until then I'll walk the earth just as happily.
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NOVEMBER

ocenotarchive: im not sure how to feel about these arms of mine
I do have “ghost arms’ like this that I use every once in a while. Now you know.

I don't hear the cruel voices on my good days (at least, not typically). On bad days though, when I'm stuck on their level, they are deafening.
So there is a profound relief and comfort in knowing that I'm not alone in this head when the voices start. Laurie's around. So is Genesis. So is Infinitii. That's three of, what, 70? I'm literally never alone. It's never more of a blessing than it is
on those bad days, really... ironically, perhaps.
But I want to mention that I now have people
downstairs, people online and even a few locally, that are willing to echo this same sentiment. That's incredible. And I just want to reiterate,
thank you, with total sincerity. There's a lot of hope here, that I will keep in my heart.
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DECEMBER

artbyjeffreymeyer: Jeffrey Meyer,
Yuck (2013), paper collage, 5 x 7 inches |
website.
This is the perfect portrayal of creative force, for me. It's this exquisite, priceless, gem-studded concept, and yet at its heart it will always be this raw, visceral, bloody thing. The idea of life being born anew is always magnificent, but everyone comes into this world covered in red. The two aspects are inseparable, and uniquely captivating just as such, just like this.
#the juxtaposition of organic and refined substances is both unnerving and intriguing to me #i really should play with that idea more