prismaticbleed: (Default)


bland

The room was the color of a sugarless milkshake, one that had sat out in the sun too long. In the stark light pouring from its single window, a cream-skinned girl fidgeted as the lurid glare soured her complexion. She ran her hands across the papery folds of her dress, longing for texture, for color. It was all so bland, so vapid. She licked her lips and tried to remember what sweetness tasted like.

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sparkling

I looked up, surprised, as the sound of the radio swiftly degenerated into a rushing hum, like an electronic riverbank on a crystal shore. Sure enough, he hovered there before me, eyes wondering but unaware, the firefly-bright motes around his head clear as ever. I sighed and flicked the radio off, feeling static jump to my fingers as the sound finally died. “You really have to stop showing up when I’m trying to hear the news,” I told him, meeting his questioning gaze with dry amusement. It wasn’t his fault. How was he supposed to know that radio waves didn’t take well to sparkling specters?

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conceal

“I’m tellin’ you Dave,” Joe whispered loudly between the two desks, “Miss Gheram’s got an eye on the back of her head!”
“Don’t you mean she’s got ‘eyes?’” Dave replied, unfazed.
Joe shook his head. “No no no, she’s just got one, like a cyclops. Right in the back. She’s got all that big hair to– to conceal it,” he concluded with emphasis.
“Stop using big words, Joe.”
“Conceal isn’t a big word! It means she hides it!”
“Whatever. I still wanna see this eye.”
Outside the classroom door, Molly Gheram made a mental note to start buying hats.

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bench

A sterling-haired man sauntered into the park, humming tunelessly, and sat down on a faded bench by the old willow tree. The wood creaked as if to greet an old friend.
“Lovely day, isn’t it?”
He turned and spoke to no one in particular, carefully shaking the jacket from his thin shoulders. Something like dust spilled from its faded folds, distracting the butterflies in the air. Sunlight glinted through the particles.
“It’s a little too warm for this. Would you mind?”
There was no objection as he held out the coat, summer winds swirling voicelessly about him. For a moment it seemed as if the man had forgotten that he was alone, his arms held out expectantly, his eyes bright.
Then his hands were as empty as the seat beside him, and he smiled.

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accordion

Accordions are ridiculous. That was an axiom I refused to reconsider, soldered into place from a childhood tainted by bad polka music. But that was self-evident, too. You couldn’t make that instrument sound tuneful if you tried.
These are the thoughts I entertained from the city sidewalk, before I was stopped in my tracks by the bellows of that same irksome contraption. It was impossible, I protested, but there he was, idling at the junction of Washington and Main, an infernal squeezebox between his liver-spotted hands.
I was vexed. Who plays an accordion on a street corner? Even worse, who plays an accordion where I can hear it? It was offensive, and I strongly considered letting the old man know, when my bitter glare caught sight of his fingers.
It was… astounding. For a moment my thoughts were silenced by the deft motions of his hands, dancing over the tiny keys with unexpected grace. For a moment I was transfixed, and in spite of my youthful enmity I found myself feeling genuine admiration for not only the man, but also for the accordion– the accordion!– as its lilting melody sang warmly in the smog-bitten air.
That’s when I realized the air was now quiet, the instrument still, kind eyes fixed on my face. I coughed, feeling sheepish, and tossed a tenner into his hat as I slid away.
His grateful thank-you reached my reddened ears without affront and I couldn’t help but smile.
Look who's talking, old man.
I guess accordions weren’t so stupid after all.

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hinge

The hinges of his jaw creaked as he grinned, his sallow skin twisting into that same dead expression my nightmares loved to remind me of. A row of unnaturally gray teeth glinted from between his wooden lips, shining like frog eggs. I shivered.
“What’s the matter?” Even his speech sounded like rusty nails. “Afraid of dolls?”
Yeah, I thought, swallowing hard. Yeah I’m afraid of dolls, no thanks to you.
Beady eyes glinted back at me in the dark, all-seeing, more aware than I dared contemplate. He didn’t stop smiling.

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racket

His feet slammed into the bronze-slick floor as he ran, breath quick with hopes and terrors, through the clamorous house of bells.
He had an absurd mental image of a box of fireworks, dropped into the middle of a pantry, sending pots and pans screaming in blinding flares of red and gold. The thought faded quickly, however– no thoughts could survive in this racket.
It was unbearable. His ribcage was vibrating, his teeth jarring together with every resonating clang. He was trapped in an absolute disaster of sound.

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switching

The colors of his irises were switching rapidly, like schizophrenic christmas lights. Brown, green, blue, gray… now deep black, now albino pink. His eyelids fluttered in time to their shifting hues.
From across the subway aisle, a girl in a knitted scarf watched intently. His pupils were wide and hazy, and seemed to be gazing straight through her into another realm. But she stared into them from across the subway aisle, just as ignorant to the din around her as he was.
Whatever realm he was viewing, she mused, it was reflected in his eyes.

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brief

Living in this blighted world was hell, he thought. On every street corner there was death, despair, devastation. Families he had known in his youth were rapidly fading from the earth, swallowed up by the insatiable maw of the plague.
Raven-dark death danced about his footsteps, jeering at his face, so like its own. He couldn’t get the stench out of his lungs.
And this child, this poor child, couldn’t get the oozing tar out of his body.
The plague doctor readjusted his ornithic mask, the scent of lavender and clove reminding him of better days, when he didn’t have to watch innocent children bleed.
“Let’s make this brief,” he rasped, and prayed that it would be true.

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straw

I looked up from the daily news at the sudden sound of jingling, a cheery metallic twinkle that cut through the din like a shooting star. I was surprised to find it radiating from the keychain-weighted hips of a young woman, bouncing on her heels as she swirled past my table.
For a moment I simply stared, caught off guard by this sudden burst of color. Striped tights, slim figure, wearing more pink than a rose garden in June… geez, she looked like something you’d drink a strawberry milkshake through. Even that swirl of vanilla-colored hair looked unusually perfect, and that’s from a guy who prefers brunettes. She was cute. Like a cupcake, I decided, and stifled a laugh.
That got her attention. The keychains jingled sharply then, and two ice-blue eyes (look at the size of those lashes!) focused on my own. The gaze she shot at me was strikingly incongruous with her cheery getup, and accusatory enough to summon a twinge of guilt. I cleared my throat, suddenly all too aware of my dress shirt and slacks.
“S’cute,” was all I said, nodding politely at her soda-straw figure.
For a second she looked at me like I was on a sugar high, then simply twirled on her feet and continued on her way, bright as a cherry against the monotonous crowd.
A moment later I put down the newspaper and decided to buy myself a milkshake.

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cathedral

Melancholy rainbows danced across the crystal floors of the Cathedral, great streaks of ethereal blood spilled by the moon. The Prince tread across them like a war hero, proud of the fallen spectrums splashing across his gold-rimmed feet.
This was his stronghold, his sanctuary: a house of worship dedicated to his own name. He was the angel that watched over it, and he was the deity that walked within it. In this hall of mirrors, he was everything; limitless, transcendent, omnipresent.
He paused, his pale face awash with color, at the largest stained glass window, where an elegantly twisted image of his father beamed down upon him. Devotion blazed to life in his chest, filling his amber-blue eyes with sparks.
I will make you proud, the gilded Prince promised wordlessly, ignorant of the creeping shadows beneath the bleeding light. I promise. I will become the god you created me to be.

Behind him, the devil waited with infinite patience, a single splinter of color scarring his darkened face. Soon the kingdom of light would fall, and his hands would have cut the first throat.
He did not smile as he swept forwards, the void about him reaching out to swallow his prey. This death would be just, he swore; this blasphemous act would be a secret saving grace.
For the devil knew, as the Prince turned to him in fear, that an illegitimate Son was no savior at all.

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chills

The glass of shocking-pink liquid spun once, like a soporific lunatic, before fatally crashing to the floor. Simultaneously, a moonlight-colored figure collapsed to his knees, staining them with technicolor liquid. His arms and legs were screaming mutely now, shivering up and down with nauseating chills that he unfortunately recognized all too well. He bit his lip, cursing his own optimism. Roseate refreshments were never safe, no matter how intoxicatingly they shimmered. Yet here he was again, crumpled on the unfeeling marble, his entire nervous system a frozen mess of crushed glass.
He fumbled for the edge of the counter, fingers numb to the icy smoothness above his head, and tried to stand, but his feet were floating and he succeeded only in soaking his silver sleeves as well as they took the brunt of his fall.
By now his body was too shocked to move any more, and his consciousness was quickly dissolving into that nightmarish static void. But even now, he could hear candy-pink heels echoing from the adjacent hallway, tapping out his fate in morse code.
God damn it, the snow king swore, as shooting stars swallowed his world alive.

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trap

The evening sky glimmered far above, bruised violet and starlit red, wrapped tightly with fishing-line threads of cloud. He thought it looked like a dying god; some great, magnificent thing, bleeding to death in the twilight of the world.
Kind of like me, was his next thought, as he weakly shrugged a pair of bony shoulders. The wires pulled tighter in response, scattering another layer of bloodied scales to the dirt floor. They lay in a pitiful mosaic around his feet, glittering like dying stars.
He did not look at them. He was trying not to show the pain that seared along his freakish spine, burying itself between his temples like a parasite.
Still, a being like him could bear the pain, the solitude, the shadows. The humiliation of being trapped was but a splinter. Yes, it would have been useless to keep him here, bound in the bowels of the earth, under any other circumstances.
But his eyes were locked on the wounded sky.
This, indeed, was the cruelest torture.
His shoulders moved again, in the memory of stolen wings, and the wires cut deeper.

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camera

I’d often wondered what I would sacrifice, just to experience immortality at her hands. She was a goddess of creation, terrible and wonderful; she was a sunbeam, turning the dust of the world into gold, and everything she gazed upon was transformed.
She made it look so simple, so elegant… but I knew better. I had tried to imitate her magic once and the beauty had nearly killed me.
And yet I knew, with absolute certainty, that she could take my broken bones and weave them into a masterpiece.
It would only take a moment, and my soul would be forever illuminated.
A smile turned the corners of her mouth ever so lightly, and she raised her camera once more, preparing to bring beauty into the world anew.

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secret


A few seagulls careened past my window, casting fluttering shadows across my perpetually catastrophic work desk. I sat alone on my bedsheets, rumpled from another restless nights sleep, and listened intently. I wasn't quite sure why I was suddenly struck by the typical silence surrounding my life, as I usually put great effort into shifting my attention away from it. Still, I guess you can only go so long before the understated gravity of such things broadsides you.
The sudden sound of birdwings was oddly comforting in light of those resurfacing thoughts, reminding me that benevolent life still existed outside of this lonely place I called home... outside and close enough to touch, which was more than I could say for the few other lives I treasured. I was at least close enough for the birds to seek solace in. As for my source of hope, well...
I let out a sigh, trying to sound nonchalant about it, but the sudden ache in my ribs spited me, too sharp and real to stay hidden in there. For a moment I frustratedly considered running to the window and telling those damn seagulls about it, but that would've been criminally uncool. True, the puppets scattered around my lonely room had heard about this a hundred times before, but I didn't feel like repeating myself, even for the sake of alleviating this recurring melancholy.
See, shouting into the void wasn't an issue. The ocean depths beyond these four walls couldn't respond, and didn't seem to care all that much anyway. The real problem was that I stored my secrets in my fingertips, and maybe I was secretly too used to this silence to risk forever shattering it, even if I'd never admit that, not even to the gulls.
The problem was that you can only live under such pressure for so long, and I knew that my heart had already started to crack.
What irony.
Sometimes it really sucked to be the last man on earth.

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event

It was one in the morning, and yet time had ceased to exist.
True, the reality of space still lingered within my worn-out bones, but even that was tenuous now, slipping away in the morning hours like blood into a drain.
My eyelids fluttered under the weight of exhaustion, adamant in their refusal to welcome sleep. I had been surviving as a mote in the threads of society for the past twelve hours– an eternity now, a tick of the dying second-hand now– and I had no intention of escaping this transient state of being. This freedom from existence itself was all that mattered.
The sparse few souls around me slept, sprawled out across hard carpets, collapsing into unfeeling chairs. I sat alone beneath a symphonic fractal and breathed, forgetting what it was like to be somebody, and smiled.
Time had ceased to exist, and so had I.
And within that impossible cosmic event, I was infinite.

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comfort

I was told that there would be blood; there would be tears, and sweat, and disaster beyond knowing. I was assured of our total failure, of catastrophe, of defeat.
I did not doubt this, when I saw the blade pressed against your throat, burning cold with inexorable sacrifice. I did not question this, as you screamed into the unfeeling night with an anguish no mortal soul could fathom.
I prayed for sleep as the shadows danced about my feet, dripping tar-pink fever dreams and bile. You never tired as you pursued them, hands stained dark beneath old bandages and scars, every last thread seared with bitter fury.
The years dragged on, and we followed suit, white and red and violet rage beneath a sunless sky. Our death had been guaranteed, but in spite of eternity, an impossible life dripped from my arms, leaving breadcrumb hopes in the soulless dust. You watched them wordlessly, as great black stains crept across your body, hidden by the void pulled tight about your shoulders.
It was a strange comfort, to know that I could gaze unafraid into your blazing eyes.
Whatever wars we may still have to fight, whatever wounds we will wear anew, whatever anguish and horror must come, in this anomalous life of ours... if only you remain by my side, I shall never despair. 

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half

Something was wrong.
Those three words, unsettling as they were, could never describe the way his very presence sent spasms of dread through my veins. And yet there he was, sitting across the room from me even now, sepulchral eyes staring into an inner world no one else could perceive. I wondered if he even knew I was there.
He was indisputably, irreparably divided, that was evident. Not conflicted, disorganized, or alienated, although those were indeed true as well: no, he was split in half to a depth I could not fathom. His heart had been dimidiated, and he had been left with nothing but sinister scars, memories of wounds suffered for the sake of a love not forgotten, but denied in agony.
The algorithms of his existence were all wrong, I decided. No matter how many times his shattered mind was plugged into the system, an answer could not be found. There were no solutions to his madness, only a sole hope of restoration, the impossible dream of a long-dead counterpart and the ashes of tortured faith.
He stared on, seeing nothing. It was all he had left.

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begin


I stood at the threshold of the Cathedral and watched in serene silence as tar-blade shadows wound about my feet. I did not resist, nor would I fight back when its imminent onslaught crashed into my bones. Its seething rage sunk metaphorical teeth into my veins but I stood fast, ignoring my trembling hands. I had survived our first encounter, had I not?
Two months had passed since then and my blood still beat within these walls, silent but strong, deep red within white, an invincible truth that this tainted shade could never defile. This atrium had not ruptured, despite the scars that lined my arms… indeed, it was only by virtue of their agony that I could now breathe, clear and faithful, in the shadow of death itself. Its devotion to my ruin had instead brought about a rebirth… a miracle manifested in the small child now entering the Cathedral behind me.
The tar rose up then, frenzied and screaming, utter destruction its only thought, but its loss was already guaranteed. In that moment, as the first blow rushed towards me, I knew that we could not lose. No one would die here tonight, not in this holy twilight. This was our atonement; we would not be forsaken.
And now, it was time to begin…

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determined

Flashes of red and pink were dancing in the corners of her eyes, filling her with a strange and impossible hope. For too long, she had simply stood and watched like this. How many years had she spent, praying and wishing and trying until her bones ached, looking to the skies for an answer? But now that the moment was here, was it worth taking a chance? Or was she really going to spend another lifetime waiting?
No… she refused to wait any longer. If there were going to be any miracles today, they would be wrought by her hands, clenched in determined fists.
I do belong here, she told herself. I am worth something. I can do this.
And this time, as diamonds sparked to life within her, she believed it.

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prismaticbleed: (shatter)

 

 

So the weekend was rough. I woke up to screaming on Saturday, after having spent the previous day battling a stomach bug and horrific stress levels from Thursday. And Sunday was spent at my dad's house, mostly listening to some woman I didn't know tell me how to live my life. I knew she cared but she didn't know what she was talking about and it made me very very sad. Then I got sick again. I don't like weekends.
However, my patience has paid off. That is why I'm updating.

I saw my therapist on Friday, after over a month of no appointments. We reviewed my neurology test results, and honestly, I am pretty surprised by the evaluation I got. Not shocked, just surprised.
Apparently I have a high IQ and I show strong symptoms of PTSD? Interesting. He was flipping out over it, haha. But he does agree that my gender issues are our biggest concern, so we're going to spend (hopefully) our entire next appointment discussing them. That will be two days after Genesis' 6th birthday, which is great.
I've been updating my IJ lately with all my minor dark personal incidents. I tend to save this journal for more in-depth evaluations of things. I won't restate those points here, as I'll only be repeating myself.
Oh yeah, and I am abysmally late for a Xanga session as of late, thanks to how difficult it now is for me to function with so much channeling. We've determined that my health is greatly suffering from my stress levels, which I'm trying to work with, but the fact still stands that we NEED to have another session ASAP. I'll plan for Monday, as my bros are out of school for the summer, so I don't have free mornings for a few months.
More time to do series research, I guess. I'm slowly getting back into drawing again, so that should help me immensely there too. The main reason why I haven't worked on several of my series very much is because they have almost no art. Without that visual on my part, it is very, very difficult to get the story down. The single reason why Oneircia isn't as fleshed out as it could be is because of Isabelle. Darn your curly hair and fancy dresses!

On a darker note, though. I was thinking about that, how I apparently show all the symptoms of a badly traumatized person.
I didn't understand how until he elaborated on it... pointed out how my eyes are always wide open, mentioned how I'm always in 'red alert mode.' Always on edge, always panicked. Too much stress, too much anxiety. Too many panic attacks. Body pain, self-harm, eating disorders, nightmares. And it frightened me, because he had NO IDEA what caused all that, but he still knew exactly what it meant... trauma.
There's only one problem.
It's mental.
Now you invisible readers should know this well enough to not need elaboration, but understand that every day, I deal with needing to do this over and over again. I repeat myself constantly. Most of the world does not know how strange my life is. And it is truly difficult to have to constantly check myself, to constantly re-evaluate myself, to make sure my life story is worded coherently and sensibly enough that my therapist, or parent, or friend, or teacher, will understand it... well, without calling me 'crazy' in some sense and tossing me out the door. It has happened before.
But I don't usually get this much understanding from a therapist without going into detail. He knows I have gender problems. He knows I've been traumatized. But I'm honestly afraid that, although I've laid down that framework accurately enough, once I start showing what that framework holds, he may view it as invalid.
I don't care how high my IQ supposedly is; when you venture as far away from the 'norm' as I apparently have, people wonder if you're crazy. And I'm honestly afraid, because I can't say that I'm not.
It all boils down to the truth of the trauma.
Typically, in trauma cases, the victim is treated to eventually understand that "their reactions are normal." Unfortunately, this assumes that the trauma they experienced was a 'normal' trauma as well. They were abused, they witnessed a violent event, etc. It is absolutely normal to become traumatized from such things.
Now, I won't deny that I have experienced several incidents that can be considered 'traumatic' in this vein. But they are not the ones that haunt me from day to day. They are not the incidents that keep me up at night, afraid to sleep. They are not the incidents that leave me sobbing in locked rooms, hiding from mirrors, praying for impossible deliverance.
Those other incidents occurred, and they ended. Those other incidents were out of my control. They happened to me and I moved on.
The one incident that has hurt me so badly did not end.
Yes, some people can be badly traumatized by incidents that may not faze others.
But what about when it's all upstairs? Does that still count?

"It's all in your mind."
I am so sick of hearing that. "It's all in your head. It's not real. You'll be okay."
Why do some people treat the inner reality of the mind as invalid? Why are psychological horrors taken less seriously than physical ones in some cases? Both physical and mental sufferings are equally damaging, are equally grave. So when I finally collapse and confess that I have been terribly hurt, but only on a mental plane, I am often not taken seriously. And when that happens with therapists, I lose my chances for a better life. They view me as unstable and unsafe, and unfit for continuing in my original line of thought. Delusional.
Let me repeat a line from an entry I wrote while still in the local psychiatric ward...
"The supervisor just asked me if I was okay. Answer? NO. I wish I could just say "I'm not safe, stable, or secure here. Get me the heck out." But that doesn't sound intelligent or sane. I try so hard to sound intelligent & sane so people take me seriously, but then I don't speak up when I'm emotionally distraught like this."
It is sick, sick and sad, that I have to constantly censor and edit these TRUTHS in my life because I know how some people react when I don't.
I know I'm weird. I know I don't fit inside the box. I've known that since I started school, since I was first exposed to the social system I would have to face and deal with for the rest of my life. It was made very clear, over and over, that I did not fit. Something was 'wrong' with me. It may not have been said outright, but I could feel it, I could see it. My life did not line up with the stories they told, with the games they played, with the values and idols they treasured. None of it made sense to me, and I was fine with that.
I am fine with that. I don't mind being the 'outcast.' My life is better for it, personally.
I am not fine with the fact that, because my pains are equally unusual, they are not seen as real.
I am not fine with the fact that, often, this extends to everything about me. 'There's no way you're telling the truth.' 'Don't be so ridiculous.' Ignored. Invalidated.
And people wonder why I keep my mouth shut.
I'm tired of keeping my mouth shut.

But I'm getting off topic, to an extent.
I have been traumatized, several times, by Julie. This is common knowledge to those who read these journals, but to no others. And it is very serious to me, but it is not serious to many others.
To quote from another journal of mine...
"People wonder why I'm triggered by so many seemingly innocuous things? Do you have any idea how easy it is to inflict abuse on someone if you're hellbent on doing so? She uses everything, anything... Everything is a potential threat, a risk of being ravaged. So I'm never safe. I'm never safe, and I hope you can't imagine how harrowing that is, for your worst enemy to live behind your eyes... I've been manipulated, beaten, slandered, raped, even murdered-- and that is terrifying-- but it's all been mental. So I know I cannot talk about it, ever. I don't want to demean anyone else's trauma, but what do I do about my own? Am I cursed to suffer this forever? I'm so sick of being too afraid to sleep or wake up. And this has been happening every single day for longer than I want to think about."
I can't believe I'm STILL dealing with this.
How many times have I repeated myself now? Simply because the horror and pressure of keeping it all silent gets too much to bear?
I really want to tell this to my therapist and have him UNDERSTAND. But if he thinks I'm insane, I won't be able to transition, and that may kill me. No joke. There are too many risks with this form; I am painfully aware of that after this past week.

Ugh, I don't want to talk about this. I'm sounding ludicrously selfish and I'm not elaborating on points and understandings that I'm assuming are implied, which is likely making this entry feel overwhelmingly incorrect. I wish I had a better grasp on the English language. I rarely seem to make any lasting sense.

...

I'm just tired is all.
I'm tired of spending every moment of every day in panic mode, constantly guarding against hacks. I know they can happen any time, anywhere. They have happened in my sleep. Waking up, shaking, my body rebelling against me, unable to function for days afterwards... it is horrible. I don't care if it wasn't physical in the traditional sense. It hurt, it was awful, and I don't ever want to go through that hell again. I am so tired of it.
I can't run. I can't call for help. I can't go to support groups, can't casually discuss this with advisors. I can't seek justice.
To them, it's all in my mind. To them, it's not real.
To me, it's the most horribly real thing I've ever experienced.
They don't understand.
It hurts.


My thanatos splinter is working quietly again.
I noticed it today, during dinner with my mom. That powerful destruction drive works even when I don't realize it. I wondered why I had an eating disorder that felt forced? Because I was trying to destroy things, not eat them. It was simply the only way I knew to destroy things without getting 'punished.' I wondered why I loved to burn things as a child. I wondered why I could never hold on to old art, old possessions. I wondered why I abused myself so badly, even without immediate cause. Everything torn, cut, burnt, eaten, destroyed on some level. I just didn't understand why I did it until today.
Destruction is a form of creation. When I recognize something as being in the way of creation, as blocking beneficial progress on some level, my immediate reaction is to destroy it.
We don't need this much excess. Destroy it. We don't need this meaningless filth. Destroy it.
We don't need this wrong body, this hindering shell.
Destroy it.
It was almost too late when I realized there were some things I could not recreate.
You wanna know how I got these scars?...

It is still so hard for me to say no.
I drown myself in responsibilities, in debts, in goals I have no means to achieve, simply because I want to make others happy.
Yes, I am still struggling with this.
I used to take art trades all the time, when I joined dA. Nevermind that I didn't have the tools or programs to complete them. Nevermind that I was losing sleep over homework each night, to the point of getting physically ill. Nevermind that my family was incessantly loud and stressful, that I didn't have any safe spaces and had to hide on the porch just to think straight. Nevermind that I was battling with a new superego who I thought was trying to kill me, that I was battling with an old id who I knew was seeking my absolute destruction.
I still faked a smile, acted overly cheery, tried to be everyone's superhero. "I'll do everything you ask!" Slowly killing myself with it, not understanding that I mattered as well.
It all fell apart somewhere during 2008. I could no longer keep up the act. My integrity rotted, my reliability became useless. I was unable to hold onto any promises, and yet I still kept making them. "I can't let these people down. They need me!" Even if I had no way of doing what they asked, I would accept. To me, saying 'no' was almost sinful. Selfish, cold-hearted, wrong.
I began to use people. Or did I? People offered to help me, to work with me, and by accepting, I felt as if I were manipulating them. I felt as if I treated them like machines, like tools. I cared for them but I felt so detached from them. Using and helping... I can't tell the difference.
But I never said no. I always felt obligated to be everyone else's Atlas, to hold the world on my shoulders, even if I couldn't possibly keep it aloft. In the end, I only hurt people by compromising who I was for who I felt I should be for their sake.
Even today, I find myself doing this. Unconsciously, falsely, I'll find myself doing things, saying things, thinking things that have nothing to do with me, with any of us. No, they apply to a soulless shell that died four years ago, when I realized how it was running my life. But it came back, vaguely but dangerously, this ego we are trying to hard to kill, and it continues to blindly work in the spaces when I forget I am driving.
I live my days in shame, knowing that those around me love that shell and not me. I grew up in an atmosphere where, if I did not fit what was exactly expected of me, I would face the consequences. I shoved myself into the mold out of fear. I never stayed in it completely; I was too aware of the beautiful things it locked out. But I spent enough time in it to be irreparably damaged.
People wonder why I seem so different now then how I had acted as a child.
It makes me want to cry. Can't you see? I have not changed!
But they only wanted the false shell they had helped build.
They didn't like it when I told them who I truly was inside.
I am scared to show my face some days.

"Children are to be seen and not heard."
Did you ever get that as a kid? I did. It haunts me to this day.
I've often heard the expression that you 'shouldn't do something unless you'd be comfortable with your parents-- or grandparents-- watching.'
If I lived by that, I'd be dead in days. I'd feel too guilty to even eat around my caretakers. Why? Because I am still a child, on the inside. I never grew up. And, children are a nuisance. You know how many adults think that, don't you? I'm an annoyance, a hindrance! I have no right to make my own decisions. I have no right to infringe on their utopia, not until they decide I've become an adult as well.
Unfortunately I missed the boat somewhere down the line.
I'm hoping that once I live on my own I'll be able to conquer that somehow. Live as a spy, haha. I used to do that all the time as a kid. No one knows that I'm a kid in an adult body! I'll sneak around and maybe no one will notice.
But there's always that fear of being discovered, of being caught turning a corner and having my disguise torn from me. "Hey, kids like you aren't allowed here!" Kicked out. Punished. Shouted at. Beaten. Locked in the cellar. The Devil is watching you sleep. Look what you've done, you terrible child. You've invoked God's wrath. Beg for forgiveness, or face the fires of hell.
Yeah, my childhood was pretty scary at times.
So I'm still living with that fear haunting me, I guess.
I never grew up, and I don't think I ever will. I don't feel it's possible for me, on an inner level.
I just hope I can make it in a grown-up world, so to speak. It's scary out there, and kids like me don't get taken seriously...

What am I talking about?

I had inner peace, two weeks ago.
I still do. But it is peace with who I AM. It is not peace with who I am forcing myself to be.
I cannot exist as a negative paradox.
If I am truly happy with myself, but this world will not let me be myself without my falling into life-threatening danger, what do I do?
I cannot forfeit my life. I was placed here for a reason. I was placed here to help others.
But I cannot help others, not well, not honestly, in this current state of physical life.
I have no fear of death, for I know death is simply an inevitable change.
I am terrified of dying without having brought good into the world.
Have I? How do I know? Doesn't it matter?
I never understood how some people could focus their lives on their own self-improvement, and not go out and try to actively help others do the same.
Is that impossible? Is it an empty goal? I cannot make anyone do anything, but isn't inspiration important? Am I seeing it wrong?
There is still so much I have to learn.

Ten simple rules for happiness.
1. Free your heart from hatred. I have done this.
2. Free your mind from worries. I cannot do this yet. When I do, I abandon my physical life completely. That can't be right, can it? When I stop worrying, I realize that life is just a game, just a crazy journey to realize what we've had all along. I know that, and I love this game. But what now? I still need to exist here, in this society, but I cannot do so right now, not safely, not when so many others are making life so much more difficult than it has to be. What is my next step? How do I stop worrying, when that feels so similar to carelessness?
3. Live simple, stay away from drama. I would live simply if I could get out of this house. But what is 'drama?' Is it simply highly turbulent situations? What if I love those? What if I love seeing that unfold, and trying to untangle those knots, to bring relief and understanding out of a painful situation? Ignoring the pain will not solve it. I would rather dive in and bring light to the source, no matter how badly I am hurt. Surely I can't be doing that wrong. Am I?
4. Appreciate what you have. I truly do.
5. Laugh and smile. As much as I safely can. It's hard for me to not take life very seriously, though. It worries me that people view that as a bad thing. Yes, life is a game, it is a bright and amazing playground, but there is so much pain here too, that needs to be worked with. I can't just laugh and smile when others are crying in pain!
6. Learn how to forgive and forget. I see no reason not to do so.
7. Love one another. The words I live my life by.
8. Never take things for granted. It has caused me terrible pain in the past.
9. Give a lot more. Is it possible to give too much? Should I? I am indeed willing to give everything away, but then I would be left without greater means to reach others, without ways to keep my own body living on this earth. I don't know if there's a limit. I'm too eager to pass it, to abandon all attachments... and that feels horribly selfish to me.
10. Expect a lot less. I'm not sure what this means. Expect less of what? If this means saying I deserve nothing, I can get behind that. But then we can get into self-loathing territory if we're not careful. We can also become jaded, pessimistic, if we expect too little. Maybe I'm thinking too much into this, but it hurts to wonder. If I'm doing this so wrongly, why do I feel miserable when I follow the instructions others give me?
But maybe it all ends up on a completely different note.
I still believe that every soul has its own path to the ultimate destination, to that indescribable sense of... geez, connectedness? Brightness? It's not something I can put into words. But I know what it feels like.
And maybe that's what I need to focus on. Reading all these different thoughts gets me confused and worried after a while. "What if I'm wrong? What if I'm doing everything wrong?"
Maybe there is no 'wrong way' if your goal truly is to live in love and light.
I don't know. I think I just need to get off the Internet for a week again and focus on my writing.

There's just so much to think about.
I have a lot of research and reading to do. My mind is a mess right now.
I feel like I've taken a couple steps backwards, and that worries me. Then again, at least I recognize the feeling.
Ironically this always happens when I look to others for advice on how I should be living.
I guess I'm just too used to being told that I'm wrong. I need to
get over that, but it's tough when your life's on the line.

I'll leave you be for now. I deeply apologize if I've offended or hurt anyone.
...
Maybe I should just stop writing like this.
I repeat myself too much. I try to live up to too many expectations.
It feels like a cage, sometimes. Being online, keeping up communications, trying to be a sort of role model to others.
I really don't know if that's self-centered or not. Part of me says yes, part of me says no.
But typing is making it worse. I'm not helping anyone by talking about myself, am I?
I need to leave. I need to read, I need to learn.
I need to write about other things, things that can help people, that have nothing to do with my physical life.

I'm a mess.
Something is holding me back, I know it.
I'm happy with who I am; why do I still feel miserable?
Is it simply my life situation? Or is there something else?
I'll find out.




...And I keep getting caught off-guard by reasons to live.
Why. Why.
Why do I have something so achingly beautiful and it's so unnatural in the eyes of others that I can't talk about it offline.
This hurts. It hurts and I love it and oh God I can't believe this is part of my life.
What do the self-help books have to say about this, huh?
What do they say about feelings that make you want to jump in front of a bus in a good way?
Destruction, creation, one and the same in this sense. Feelings so crushing they effectively annihilate and resurrect me.
There isn't a word in the English language to express this agonizing brightness I'm feeling right now.
What is this?
Why was my grandmother so afraid after that blessing I received last year? When I told her that the Holy Spirit hurt, and it was beautiful?
Why does happiness leave me empty? Why do fun and games and laughter leave me sad and confused?
Is this what I'm really looking for?




I'm going to sleep. I don't want to be awake anymore.

 


 

 

World Meme

May. 15th, 2011 09:43 pm
prismaticbleed: (league)

So I found an interesting meme online, and figured I'd fill it out.


1. Tell us about your favorite writing project/universe that you’ve worked with and why.
Dream World, hands down. It's not only been the biggest positive influence on my life in everything from psychology to religion, but it's made me a better person and has opened my mind and heart to so freaking much it's amazing.
It's impossible for me to assign second place to any one series, because they all hold equal importance to me.

2. How many characters do you have? Do you prefer males or females?

The last time I checked, I had 708 characters (it's probably increased slightly since then), 622 of whom are nonhuman. As for the gender ratio, I have 343 girls and 372 guys, which is no surprise to me. As a kid, there was an absolutely huge male majority, and my female characters were virtually all tomboys (although the ladies held the major roles). As I grew older it became hard for me to write females at all and so I began to switch all my focuses to the guys. This played major havoc on the development for some series where the main characters were female (LG*Girls, Mage Angels), as I wasn't able to put myself in their perspective as well as I once could.
Honestly, though, I've only recently been able to come to terms with my own gender identity-- no thanks to family, religion, therapists, and socially inflicted roles-- so that was probably a major reason as to why it was so hard for me to write for others in that respect. I'll definitely be putting my all into fixing what I unwillingly neglected as a result of that.

3. How do you come up with names for characters (and for places if you’re writing about fictional places)?

As a kid, I'd quite literally get the names either from thin air, or by making clever references or puns. Nowadays I still have thin-air namers here and there, but I'm infamous for often taking hours to name characters because I consider the name to be an incredibly important aspect of an individual. I also try to give all of my characters one-of-a-kind names if possible, which can be very difficult, especially when working with family histories.
Places really haven't been a concern yet, as I either write about preexisting places or places that really have no 'professional' names (i.e. most locations in the DW as of now). This will likely skyrocket as a priority once I get further into development for series like vo!t@ge.

4. Tell us about one of your first stories/characters!
I've had characters in my mind since I was first able to think, no kidding. The oldest ones showed up around 1993-1994, and were a ragtag bunch of musically inclined animals who I never wrote a story for, but who always hung out in my head... Cobra, Fans, Unisalia, and Batty. Man but I loved 'em.
Zimbo the alien showed up around '95, and in 1st grade I drew and wrote about him constantly. He was my first 'random storyline' character, in that he never had a solid plot assigned to him, but was always having spontaneous adventures not unlike those in old cartoons. He's still very dear to my heart so I plan on giving him a worthy storyline as soon as I can.
Preludove, my main muse, showed up in '98, and with her both my life and storytelling methods changed drastically.

5. By age, who is your youngest character? Oldest? How about “youngest” and “oldest” in terms of when you created them?
Concerning biological ages, the oldest (and currently alive in their storyline) are Opal and Sage, who are both about 83 years old in the current timeline. The youngest is heavily debatable, as my series have individual time progressions and characters do age in real time within them... but I suppose Anu comes close? I'm not sure. I know that if I step out of the current timeframe I can definitely name some very young characters, but I don't want to drop any spoilers, so.
As for creation times, Cobra is by far the oldest-- he's at least 17. The youngest is debatable; my 'newest' characters are actually 'realized' individuals that have played major roles in their canon up to this point without being defined... and there are several 'shade' characters (completely 'unseen' and undeveloped) lurking around as we speak, so you never know.

6. Where are you most comfortable writing? At what time of day? Computer or good ol’ pen and paper?
I'm the most comfortable writing at the local Borders, and if I'm there I can quite literally sit and type for 8 hours straight. I made incredible progress on my storylines last year thanks to my constant access to the place. My home atmosphere is poison and so it is virtually impossible for me to make any progress here whatsoever. Ideally I start typing early in the morning and go straight on until at least 5PM. I type better in the mornings, as it's quiet.
I started typing my stories when I was 10, and have done so ever since. I have a problem handwriting correctly sometimes, just as I have a problem speaking, but when that gets converted to a keyboard it oddly becomes much easier (it slices the time in half too). Up until age 10 I wrote stuff in notebooks, but never got much done due to the written accuracy problem.

7. Do you listen to music while you write? What kind? Are there any songs you like to relate/apply to your characters?

I can only listen to emotionally-relevant instrumental music when I write, if anything (At Borders I just let the background noise work as 'static'). Otherwise I get deeply distracted and lose my train of thought.
If I'm not actively typing, but do need to 'identify' with a certain mood or character, I will also listen to fitting music (Hokthai = disco, LG*Girls = JPop, etc). My Last.fm listening charts are often a dead giveaway of this, especially when I have one song by Masashi Hamauzu on loop for 5 hours or something. That, children, means I am working like a maniac.
So yes, I have many songs assigned to both characters and stories, for various reasons. For example, I've always associated Keane's "Black Burning Heart" with Justice & Revenge, and Imogen Heap's music has some very deep ties to the Oneircia storyline.

8. What’s your favorite genre to write? To read?
Concerning reading, I tend to only read books that I feel will have relevance to me, and so far I've known how to pick them. My favorite books include Catch-22, 1984, The Green Mile, A Wrinkle In Time, Fahrenheit 451, Damned If You Do, The Giver... basically, if it makes me think for a very long time afterwards, I will like it.
I also have a heavy weakness for unusual fantasy/sci-fi series, especially those with supernatural and/or 'monster' elements: Young Wizards, The Seventh Tower, Deltora Quest and Animorphs are all favorites. I actually cannot stomach certain genres (western, medieval, victorian, etc.) due to odd phobias on my part. As for comics, JTHM, Captain Estar Goes To Heaven, and Watchmen hold the top spots.
Lastly, I will not hesitate to research something if I feel I must. Heck, throughout my entire school career I've been known to read through entire textbooks within the first few weeks of a semester. I'm a bit of a knowledge addict.
As for writing, I am frequently thrown in with the 'fantasy' genre because, although I stick to modern and realistic settings, I always keep a serious touch of the unusual in my work (Dream World is by far the most striking example of this). Hokthai has cyborgs, Halcyon Days has aliens, Puppetstrings has magic, LG*Girls has superheroines... you get the picture. Whether it be a weakness or a strength, I am unable to take that element out of my writing, and honestly do not wish to do so. However, I do try to ground all of my concepts and theories in reality, or at least explain them in a very plausible manner.
Subject-wise, I avoid horror and romance, but have a deep fascination with psychology, philosophy, and religion/ spirituality, and so frequently write such topics into my work, in both subtle and direct ways. If a controversial subject comes up, I will deal with it. I also enjoy writing redemption/damnation themes as I am fascinated with emotional development, as well as how individual moralities and world perspectives impact ones personality.
Overall, I mostly deal with taking the mundane and lifting it above that drivel into something deeply affective.

9. How do you get ideas for your characters? Describe the process of creating them.

I don't, actually. They are born and grow on their own, and if I try to have any say in that, it can potentially damage them permanently. Seriously, if I need a character for a storyline (LG*Girls being a major example), I will focus on what qualities they may or may not need, but then I just have to wait for them to show up. This can be frustrating concerning time constraints but it is ultimately worth it. If I'm in an inspired state of mind, though, people can show up all at once, which I love.
I will admit to seeing individuals in places such as floor patterns and inkblots (the Halcyon aliens and many J-Monsters, respectively), but although this defines their appearances, their personalities invariably follow with little to no effort on my part to construct them whatsoever.
Lastly, it is not unusual for characters to literally be stuck in 'development limbo' until I verify a certain aspect of them. Names and appearance details are huge; if a certain individual does not yet have a full name, I often cannot write for them whatsoever, and if I am unsure of their visual details, this becomes downright impossible. Hosea was the first example of this I encountered, as I had no awareness of his story at all until he was named, after which it hit me like a tidal wave.

10. What are some really weird situations your characters have been in? Every thing from serious canon scenes to meme questions counts!

As I previously mentioned, I am virtually incapable of writing 'everyday life for an average joe' stories, so 'weird' is relative. I would give you some examples here if I wasn't absolutely paranoid about giving away spoilers.
Concerning memes, though, there was that one time Tox had to marry Sapphire, and Delphi ended up with far too many chainsaws than should be legally allowed... fun stuff.

11. Who is your favorite character to write? Least favorite?

This varies wildly, depending on which characters I can connect to at what times-- I do write from a first-person perspective in some storylines. Still, I truly enjoy writing for 'extreme' characters, such as Justice & Revenge (morally conflicted), Hosea (manic-depressive), Volt (incredibly naive), and Vezerai (psychologically damaged). I also love writing for the entire cast of Halcyon Days, and I will always have a special spot in my heart for M, as she was the only character I really wrote for as a kid.
I can't say I dislike writing anyone, but it is incredibly difficult for me to write 'typical' relationships (thanks to being an asexual schizoid), so whenever that comes up my job becomes highly frustrating, haha.

12. In what story did you feel you did the best job of world building? Any side-notes on it you’d like to share?

Dream World, no contest whatsoever. It is quite literally my life's work. Second place would be Roses, thanks to the absolutely insane ideas I am currently developing for it... and third place is Oneircia, due to half of it taking place in a literal dream world.
Most of my stories do take place here on Earth so there's not much world-building to do there, but Halcyon Days, Event Horizon and vo!t@ge all have very heavy connections to alien cultures, so I know I'll be doing some more heavy construction with them in the future... and series like Puppetstrings and Hokthai involve some heavy variations on modern culture (magic and cyborgs, oh my), so I'm probably seriously underestimating the amount of work I have there!

13. What’s your favorite culture to write, fictional or not?
I adore writing the Jewel Monster culture. Although it is based on human culture (long story), it still has several huge differences that I have not only spent years researching and refining, but that I relate to much more strongly than I do anything here.

14. How do you map out locations, if needed? Do you have any to show us?

Unfortunately, I haven't done this yet, as it is an absolutely daunting task and I don't have the entirety of my locations planned out the way it is, although I do have vague mental maps. That will likely be my next big project.

15. Mid way question! Tell us about a writer you admire, whether professional or not!

I can't say I admire any specific writers as a whole (well, maybe Stephen King and Alfred Bester). I can read one book by a person and love it, then read another by them and be absolutely repelled. As a result of this I don't feel I can give any honest answers.
Writing styles, however, are a bit of a different story. I'm a big fan of symbolism, abstract writing, and 'first person' perspectives (in which the character themselves narrates). More than anything, I love being able to see into the minds of characters. On this note, I also enjoy when personality shines through in dialogue (altered spelling, grammar, etc. to show vocal style and mood) and described actions. I'm a very visual person-- if I can't clearly 'see' who I'm reading about, I'm going to be highly confused and likely frustrated. Lastly, I do get bored easily by long paragraphs of unnecessary information, especially if it is delivered in a very flat manner that seems detached from the story itself.
So yeah, I got a little off-topic there but I hope that answers the question.

16. Do you write romantic relationships? How do you do with those, and how “far” are you willing to go in your writing? 

I've mentioned this before; I really despise 'normal' relationships and am psychologically unable to write them.
However, I do have quite a few couples across the board despite this. The most important aspect of this fact is that they are virtually all 'abnormal' in some sense-- there is an overwhelming trend for interspecies relationships in my stories, as well as non-romantic and/or asexual individuals.
I do NOT go 'far' with my writing, ever, for both the above reasons and also the fact that I am a severe and highly traumatized genophobe. Ironically, Dream World is the huge exception to this rule, as their 'relationships' are drastically different than the human sort (on both emotional and biological levels), and as such I can deal with those without too much trouble.

17. Favorite protagonist and why!

I have to say M takes this spot. I LOVE her, but I will admit, I haven't given her anywhere near as much attention as she deserves lately (mostly thanks to the chronology-jumping I've been doing in her series). Regardless, her role in her story is absolutely huge and she is a beautiful individual. I really can't express how much she means to me.

18. Favorite antagonist and why!

This is a tough one... especially since I love twisting roles and keeping people in morally gray areas. I can't rightly answer this without ruining plotlines, so you'll have to deal with it.

19. Favorite minor that decided to shove themselves into the spotlight and why!
I'm tempted to say Vezerai. Seriously, when I first 'met' him I assumed he was little more than a fleeting side character, and so I didn't bother with him... but about a year after that, his importance literally skyrocketed, and now he is one of my dearest characters. However, as he is far from a minor character now, listing him would be cheating.
My problem, though, is that I don't consider any of my characters to be 'minor.' Even if their role is small, it's still a role, and it's vital. So I honestly have no idea who else to list.

20. What are your favorite character interactions to write?
I like writing interactions in general, seriously. Still, if something comes up where two characters have a higher sort of emotional attachment, I'll likely obsess over it. This is because these interactions involve a great deal of mental communication as well as verbal, especially if motives are being hidden or disguised. As I mentioned earlier, Justice & Revenge are incredibly interesting to write because of the conflicting emotions that are constantly present between them.

21. Do any of your characters have children? How well do you write them?
A great deal of my main characters are children in the age sense, so by virtue of their parents existing I would have to answer yes to this. As for the children of main characters, there are several of those as well, although with chronological progression most of them are adults in the current canon. I have written for these individuals in their childhoods, though, and it is incredibly interesting to see how their lives progress.

22. How long does it usually take you to complete an entire story—from planning to writing to posting (if you post your work)?

Complete? What is this strange concept you speak of?
Seriously, I'm like freaking George Lucas here. Even if I did manage to get the main stories written and completed in that sense, the 'extended universe' information would not stop, ever. Finding a happy medium between the two in terms of what I should be writing into the 'main' story is my biggest problem.

23. How willing are you to kill your characters if the plot so demands it? What’s the most interesting way you’ve killed someone?

I don't kill my characters. I have neither the desire nor the power to do so. However... if someone does die, I can't do anything about that either. So I have lost children to that before.
The most interesting death had to be... well, I can't tell you anything specific, but I'll just say it was a murder and leave it at that.

24. Do any of your characters have pets? Tell us about them.

I've never liked or been able to identify with having pets myself, so at the moment I'm unaware of any in my stories. I'm sure some of the human families I write do own some, though, so I'll have to check that eventually.

25. Let’s talk art! Do you draw your characters? Do others draw them? Pick one of your OCs and post your favorite picture of them!

I taught myself how to draw BECAUSE of my characters. Seriously, that's the only reason. I'm still incredibly unskilled at art, but I do draw whenever I can find the nerve to.
I have received a modest amount of giftart on dA for my Parnassus series, which is the only one I openly publicized as it was originally a NiGHTS fanseries. Other than that, I have received a few pictures for Dream World, Hokthai and Puppetstrings, one for LG*Girls, and one for vo!t@ge.
Aaaand now I'm just going to link you over here.


26. Along similar lines, do appearances play a big role in your stories? Tell us about them, or if not, how you go about designing your characters.

I am an aesthetics maniac. Honestly, even when I try to make characters look 'ugly' in a non-appealing sense, I cannot do it. I need to work on this.
On a more general note, appearances are very important to me. Not only am I very visually oriented, but most of my characters are also inhuman. As a result there is triple the amount of work in trying to accurately represent them in writing.
In terms of the actual design process, I put my heart and soul into that. I can 'see' characters in my mind at any given moment, but my mental sight is so vague that it may take me years to figure out how to get an individual's likeness down on paper. This is highly frustrating.

27. Have you ever written a character with physical or mental disabilities? Describe them, and if there’s nothing major to speak of, tell us a few smaller ones.

Oh geez, I have several. The most well-known ones (in terms of publicity) are Cherie, Vezerai, and Tox-- Cherie is crippled in her left leg, Vezerai has PTSD as well as some other mental disorder that I am still trying to pinpoint, and Tox's immune system is completely shot, which causes him some serious issues.

28. Final question! Tag some one! And tell us what you like about that person as a writer and/or about one of his/her characters!

I don't really know who to tag, so feel free to do this if you want.

 

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